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| - | Circulating library catalogues, unlike private library auction catalogues, allow for a certain degree of precision when studying readers and more popular reading material in particular. Thus, despite the fact that a number of circulating libraries may also have espoused pedagogical or moral aims, circulating libraries’ essentially commercial nature would seem to serve as a guarantee that at least a proportion of the titles reported would have appealed to a larger reading public. By the same reasoning, it can be assumed that most titles listed in circulating library catalogues would certainly have been read, and most likely by a number of readers rather than just by a single one. The greater bibliographical precision offered by circulating library catalogues – especially regarding less prestigious reading matter such as novels, which it would have been in the library owner’s interest to describe as accurately as possible – further offers a number of new possibilities for studying women writers and their readership. These range from bibliographical discoveries – references to obscure titles or editions not reported elsewhere – to the historical patterns revealed by the precise dating furnished by circulating library catalogues. Thus, while catalogues drawn up after someone’s death inevitably suffer from a certain time-lag and may reflect the reading habits of a previous generation, circulating library catalogues, coupled with booksellers’ stock catalogues, allow us to establish with some degree of precision the date at which specific authors or literary movements first became known in specific countries or regions. | + | __NOEDITSECTION__ |
| + | == Catalogues of public libraries == | ||
| + | |||
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| + | <br><br>Circulating library catalogues, unlike private library auction catalogues, allow for a certain degree of precision when studying readers and more popular reading material in particular. Thus, despite the fact that a number of circulating libraries may also have espoused pedagogical or moral aims, circulating libraries’ essentially commercial nature would seem to serve as a guarantee that at least a proportion of the titles reported would have appealed to a larger reading public. By the same reasoning, it can be assumed that most titles listed in circulating library catalogues would certainly have been read, and most likely by a number of readers rather than just by a single one. The greater bibliographical precision offered by circulating library catalogues – especially regarding less prestigious reading matter such as novels, which it would have been in the library owner’s interest to describe as accurately as possible – further offers a number of new possibilities for studying women writers and their readership. These range from bibliographical discoveries – references to obscure titles or editions not reported elsewhere – to the historical patterns revealed by the precise dating furnished by circulating library catalogues. Thus, while catalogues drawn up after someone’s death inevitably suffer from a certain time-lag and may reflect the reading habits of a previous generation, circulating library catalogues, coupled with booksellers’ stock catalogues, allow us to establish with some degree of precision the date at which specific authors or literary movements first became known in specific countries or regions. | ||
| '''Cases''': | '''Cases''': | ||
| - | * [[Corpus bibliothèques Pays-Bas]] Catalogues of Dutch circulating libraries (18th century)<BR> | + | * [[Corpus bibliothèques Pays-Bas]] Catalogues of Dutch circulating libraries (18th century),<BR> |
| - | * [[Catalogues of the Van der Hoek circulating library, Leiden]] (19th century)<BR> | + | * [[Catalogues of the Van der Hoek circulating library, Leiden]] (19th century),<BR> |
| - | * [[Collections of 275 Dutch general libraries]] (1910)<BR> | + | * [[Collections of 275 Dutch general libraries]] (1910).<BR> |
| + | |||
| + | Alicia C. Montoya<br><br> | ||
| - | Alicia C. Montoya | + | <hr> |
| + | <br> | ||
| + | *Note that informations contained in the database ''WomenWriters'' have been derived from contemporary sources, which may contain errors. Also important: when arriving in the database ''WomenWriters'', your status is: "not logged on", which means that you have only partial view. For complete view and participation in the project, take contact.<br><br> | ||
| + | <hr> | ||
| + | <br> | ||
| + | *Sources > Dutch sources > Library catalogues (public)<br><br> | ||
Revision as of 21:19, 11 September 2007
Catalogues of public libraries
Circulating library catalogues, unlike private library auction catalogues, allow for a certain degree of precision when studying readers and more popular reading material in particular. Thus, despite the fact that a number of circulating libraries may also have espoused pedagogical or moral aims, circulating libraries’ essentially commercial nature would seem to serve as a guarantee that at least a proportion of the titles reported would have appealed to a larger reading public. By the same reasoning, it can be assumed that most titles listed in circulating library catalogues would certainly have been read, and most likely by a number of readers rather than just by a single one. The greater bibliographical precision offered by circulating library catalogues – especially regarding less prestigious reading matter such as novels, which it would have been in the library owner’s interest to describe as accurately as possible – further offers a number of new possibilities for studying women writers and their readership. These range from bibliographical discoveries – references to obscure titles or editions not reported elsewhere – to the historical patterns revealed by the precise dating furnished by circulating library catalogues. Thus, while catalogues drawn up after someone’s death inevitably suffer from a certain time-lag and may reflect the reading habits of a previous generation, circulating library catalogues, coupled with booksellers’ stock catalogues, allow us to establish with some degree of precision the date at which specific authors or literary movements first became known in specific countries or regions.
Cases:
- Corpus bibliothèques Pays-Bas Catalogues of Dutch circulating libraries (18th century),
- Catalogues of the Van der Hoek circulating library, Leiden (19th century),
- Collections of 275 Dutch general libraries (1910).
Alicia C. Montoya
- Note that informations contained in the database WomenWriters have been derived from contemporary sources, which may contain errors. Also important: when arriving in the database WomenWriters, your status is: "not logged on", which means that you have only partial view. For complete view and participation in the project, take contact.
- Sources > Dutch sources > Library catalogues (public)