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(New page: <br>__NOEDITSECTION__ == Katja Mihurko Poniz == <br><br><br> The reception of foreign women writers in the Slovenian magazine ''Slovenka''<br><br> *Laura Kirkley:<br> *The trans-nationa...)
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<br><br><br> <br><br><br>
-The reception of foreign women writers in the Slovenian magazine ''Slovenka''<br><br>+'''The reception of foreign women writers in the Slovenian magazine ''Slovenka'' '''<br><br>
-*Laura Kirkley:<br>+''Abstract''<br><br>
-*The trans-national afterlives of revolutionary feminism<br><br>+
-*Marie Nedregotten Sørbø:<br>+In my paper I will explore the reception of European women writers in the first Slovenian women's magazine entitled [http://neww.huygens.knaw.nl/works/show/9490 ''Slovenka''] (Slovenian woman, 1897-1903). ''Slovenka'''s editor [http://neww.huygens.knaw.nl/authors/show/3265 Marica Nadlišek] herself wrote fiction and therefore literature played an important role in her editing concept. She encouraged Slovenian women to take up the pen but she also published texts from and about foreign women writers.
-*England seen from Norway in 1858<br><br>+
- +
-12:45 – 1:45 pm <br>+
-Lunch<br>+
-1:45 – 3.45 pm <br><br> +
- +
-'''Session A. Going Global''' <br><br>+
- +
-*In?s de Ornellas e Castro:<br>+
-*Saints or Writers: Female Reception in European and bibliographic Latin Inventories<br><br>+
- +
-*Marie-Louise Coolahan:<br>+
-*The Reception of Women’s ‘Lost’ Texts<br><br>+
- +
-*Astrid Kulsdom:<br>+
-*The publication and reception of Ouida’s work in the Netherlands<br><br>+
- +
-*Ramona Mihaila:<br>+
-*Silent Voices of 19th-century Romanian Women Writers <br><br>+
- +
-'''Session B. Paratexts and the Self–Fashioning of the female author'''<br><br>+
- +
-*Biljana Doj?inovi?:<br>+
-*Self-promoting writing as networking strategy<br><br>+
- +
-*Nieves Baranda Leturio:<br>+
-*Spanish women prologues as silent debate<br><br>+
- +
-*Monica Bolufer:<br>+
-*‘To the fair sex’ or ‘for all kinds of readers’? <br><br>+
- +
-*Marta Souckova: <br>+
-*On the Irony in Prose by Božena Slan?iková Timrava<br><br>+
- +
-3:45 – 4:15 pm <br> +
-Break<br>+
-4:15 – 5:30 pm <br><br>+
- +
-'''Shifting Paradigms : Theory and Praxis'''<br><br>+
- +
-*Valérie Cossy:<br>+
-*Gender as an object of discourse in Isabelle de Charrière's contribution to the French Enlightenment<br><br>+
- +
-*Elinor Shaffer:<br>+
-*Do special factors play a role in the reception of women authors ?<br><br>+
- +
-5: 30 pm<br> +
-Tour of Chawton Library and House<br>+
-Dinner<br><br><br>+
- +
- +
-Friday, 4th November<br>+
-9:00 - 9:15 am <br><br>+
- +
-*Suzan van Dijk:<br>+
-*From Milestone I to Milestone II (via Training Schools, Short Time Missions, Thinktank meeting)<br><br>+
- +
-9:15 – 10:00 am<br><br>+
- +
-*GertJan Filarski:<br>+
-*From a database to a Virtual Research Environment<br><br>+
- +
-10:00 -11:15 am <br><br>+
- +
-Working Group meetings (agenda to follow)<br><br>+
- +
-11:15 -11:30 am <br>+
-Break<br>+
-11:30 -12:30 am <br><br>+
- +
-Working Group meetings<br><br>+
- +
-12:30 -1:30 am <br>+
-Lunch<br>+
-1:30 – 2:30 pm <br><br>+
- +
-Reports by Working Groups <br><br>+
- +
-2:30 – 4:00 pm<br><br>+
- +
-Management Committee meeting (all WG members invited; agenda to follow)<br><br>+
- +
-4:00 pm <br>+
-Coach to Southampton University<br><br>+
- +
-5:00 – 6:00 pm <br><br>+
- +
-Public Lecture: <br>+
-*Markman Ellis:<br>+
-*Reading, Writing and Print Publishing in the Elizabeth Montagu Circle<br><br>+
- +
-Reception and Dinner <br>+
-Coach back to Chawton<br><br><br>+
- +
- +
-Saturday, 5th November<br><br>+
- +
-9:30 – 11:00 am <br><br>+
- +
-'''Session A. Going Global''' <br><br> +
- +
-*Corinne Fournier Kiss:<br>+
-*Eliza Orzeskowa’s reception of George Sand<br><br>+
- +
-*Kirsi Tuohela: <br>+
-*The Reception of the Baltic German Writer Laura Marholm-Hansson in Nordic Countries and Germany<br><br>+
- +
-*Isabel Lousada: <br>+
-*Portugese translators of British authors from 1554 to 1900<br><br> +
- +
-'''Session B. Paratexts and Self-Fashioning of the female author'''<br><br>+
- +
-*Anne-Birgitte Rønning:<br>+
-*Self-positioning and genre-negotiating in female-authored Robinsonades<br><br>+
- +
-*Carme Font Paz:<br>+
-*Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)<br><br>+
- +
-11:00 – 11:15<br> +
-Break<br>+
-11:15-12:00<br><br> +
- +
-*Ele Carpenter:<br>+
-*Embroidered Digital Commons<br><br>+
- +
-12:00 – 1:00 am <br>+
-Lunch<br>+
-1:00 - 2:30 pm <br><br>+
- +
-'''Theoretical Approaches to Quantitative/Qualitative Research'''<br><br>+
- +
-*Alessa Johns:<br>+
-*Explicating Cultural Transfer<br><br>+
- +
-*Tania Badalic and Begona Regueiro:<br>+
-*Leading Voice – The reception of George Sand in Slovenia, Spain and Germany<br><br>+
- +
-* Kim Heuvelmans and Ton van Kalmthout:<br>+
-* The Representation of Women Writers in Textbooks for Literary Education<br><br>+
- +
-*Carmen Dutu:<br>+
-*Toward a (frin)gender perspective within the COST Action<br><br>+
- +
-2:30- 3:00 <br> +
-Break<br>+
-3:00 - 4:00 pm <br><br>+
- +
-Keynote<br>+
-*Vanda Anastácio:<br>+
-*Thinking about Women’s Writing: The Challenge of Theory<br><br>+
 +I will also investigate the reception of foreign women writers in the central Slovenian literary periodical [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper%28authors_works.name%29&page=1&searchtoggle=on&workauthor=&worktitle=&receptionauthor=&receptiontitle=&receptionyear=&source_ids=1087&references=&notes=&per_page=200&x=19&y=29 ''Ljubljanski zvon''] (Ljubljana Bell) in the aforementioned years. The comparison will show if the women's magazine [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper%28authors_works.name%29&page=1&searchtoggle=on&workauthor=&worktitle=&receptionauthor=&receptiontitle=&receptionyear=&source_ids=1101&references=&notes=&per_page=200&x=21&y=22 ''Slovenka''] was more open for women writers, especially from other national literatures. Having entered these data into the database ''WomenWriters'', I would firstly like to test the database as a tool in exploring the reception of women writers in the women's magazines. Secondly, I would like to open up the discussion about the connections between women's magazines and the reception of women writers across Europe.
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-SvD, October 2011<br><br><br>+AsK, September 2012<br><br><br>
<hr> <hr>
<br> <br>
*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Mihurko <br><br> *Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Mihurko <br><br>

Current revision


Katja Mihurko Poniz




The reception of foreign women writers in the Slovenian magazine Slovenka

Abstract

In my paper I will explore the reception of European women writers in the first Slovenian women's magazine entitled Slovenka (Slovenian woman, 1897-1903). Slovenka's editor Marica Nadlišek herself wrote fiction and therefore literature played an important role in her editing concept. She encouraged Slovenian women to take up the pen but she also published texts from and about foreign women writers.

I will also investigate the reception of foreign women writers in the central Slovenian literary periodical Ljubljanski zvon (Ljubljana Bell) in the aforementioned years. The comparison will show if the women's magazine Slovenka was more open for women writers, especially from other national literatures. Having entered these data into the database WomenWriters, I would firstly like to test the database as a tool in exploring the reception of women writers in the women's magazines. Secondly, I would like to open up the discussion about the connections between women's magazines and the reception of women writers across Europe.






AsK, September 2012



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