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| Women’s writing should be approached from the side of its reception, i.e. the '''[http://www.databasewomenwriters.nl/reception.asp?receptionID=13164 contemporaneous reception]'''.<br> | Women’s writing should be approached from the side of its reception, i.e. the '''[http://www.databasewomenwriters.nl/reception.asp?receptionID=13164 contemporaneous reception]'''.<br> | ||
| - | Dutch literary canon used to include, until recently, about [http://www.databasewomenwriters.nl/results.asp?type=authors&year=&authorName=¬esfield=&pseudonym=1&gender=F&professional=&Editor_ID=geen&Country_ID=2&personal=&bibliography=knuvelder&pageSize=50&order=a.yearBorn five 18th-century women’s names]; <br>in this project, while starting at the reading end, [http://www.databasewomenwriters.nl/results.asp?type=authors&year=&authorName=¬esfield=&pseudonym=1&gender=F&professional=&Editor_ID=geen&Country_ID=2&personal=&bibliography=&pageSize=50&order=a.yearBorn&page=3 200 names of Dutch 18th-century writing women] were found.<br><br> | + | * Dutch literary canon used to include, until recently, about [http://www.databasewomenwriters.nl/results.asp?type=authors&year=&authorName=¬esfield=&pseudonym=1&gender=F&professional=&Editor_ID=geen&Country_ID=2&personal=&bibliography=knuvelder&pageSize=50&order=a.yearBorn five 18th-century women’s names]; <br> |
| + | * in this project, while starting at the reading end, [http://www.databasewomenwriters.nl/results.asp?type=authors&year=&authorName=¬esfield=&pseudonym=1&gender=F&professional=&Editor_ID=geen&Country_ID=2&personal=&bibliography=&pageSize=50&order=a.yearBorn&page=3 200 names of Dutch 18th-century writing women] were found.<br><br> | ||
| 3.<br> | 3.<br> | ||
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| * online available: <br> | * online available: <br> | ||
| ** information about authors: [http://www.siefar.org www.siefar.org]<br> | ** information about authors: [http://www.siefar.org www.siefar.org]<br> | ||
| - | ** texts: [[www.charriere.nl]] <br> | + | ** texts: [http://www.charriere.nl www.charriere.nl] <br> |
| - | ** and also: information about contemporary reception, which is contained in numbers of documents and inventories accessible on the internet, in particular the periodical press (such as the Dutch ''Vaderlandsche Letteroefeningen'': [[www.e-laborate.nl]]), or lists of translations (the one by Buisman in [[www.dbnl.nl]]; [http://www.dbnl.nl/tekst/buis006popu01_01/buis006popu01_01_0093.htm#v104 ex.: translation of Mme Beccari]). <br> | + | ** and also: information about contemporary reception, which is contained in numbers of documents and inventories accessible on the internet, in particular the periodical press (such as the Dutch ''Vaderlandsche Letteroefeningen'': [http://www.e-laborate.nl www.e-laborate.nl]), or lists of translations (the one by Buisman in [http://www.dbnl.nl www.dbnl.nl]; [http://www.dbnl.nl/tekst/buis006popu01_01/buis006popu01_01_0093.htm#v104 ex.: translation of Mme Beccari]). <br> |
| * possibility to create structures where these information and documents can be assembled per author (ex.: [http://www.databasewomenwriters.nl/author.asp?AuthorID=915 Mme Dunoyer]), in a collective enterprise where information and preliminary conclusions are shared and commented.<br><br> | * possibility to create structures where these information and documents can be assembled per author (ex.: [http://www.databasewomenwriters.nl/author.asp?AuthorID=915 Mme Dunoyer]), in a collective enterprise where information and preliminary conclusions are shared and commented.<br><br> | ||
Revision as of 23:01, 13 March 2008
Suzan van Dijk, Toward a collaborative research project
NEWW: New approaches to European Women’s Writing
Three starting points:
1.
Women’s literature should be approached on an international scale, allowing for:
- comparing and studying similarities (ex.: international development of women’s journalism)
- understanding impact and influence which may have transgressed national borders (ex.: Dutch reactions to works of a little known author as Mme Benoist).
2.
Women’s writing should be approached from the side of its reception, i.e. the contemporaneous reception.
- Dutch literary canon used to include, until recently, about five 18th-century women’s names;
- in this project, while starting at the reading end, 200 names of Dutch 18th-century writing women were found.
3.
This large approach corresponds to present possibilities:
- online available:
- information about authors: www.siefar.org
- texts: www.charriere.nl
- and also: information about contemporary reception, which is contained in numbers of documents and inventories accessible on the internet, in particular the periodical press (such as the Dutch Vaderlandsche Letteroefeningen: www.e-laborate.nl), or lists of translations (the one by Buisman in www.dbnl.nl; ex.: translation of Mme Beccari).
- information about authors: www.siefar.org
- possibility to create structures where these information and documents can be assembled per author (ex.: Mme Dunoyer), in a collective enterprise where information and preliminary conclusions are shared and commented.
SvD, March 2008
- Conferences > NEWW participations > ASECS 2008 > Van Dijk