(Difference between revisions)
| Revision as of 15:46, 20 January 2011 (edit) AKulsdom (Talk | contribs) ← Previous diff |
Current revision (13:45, 24 January 2011) (edit) (undo) SvDijk (Talk | contribs) |
||
| Line 6: | Line 6: | ||
| ''Abstract:''<br><br> | ''Abstract:''<br><br> | ||
| - | This study examines, in [http://neww.huygens.knaw.nl/authors/show/29 Isabelle de Charrière]'s fiction, the masculine and feminine variations on narrative voices and on topoi closely linked with them. A close reading of the playing with narrative voices orchestrated by Charrière in five of her novels sheds light on her tendency to experiment with the gender and status of the voices that recount the story. Her writing thus appears as a continuous attempt to subvert and maybe transcend commonly held assumptions on masculine and feminine, power and subjection, reason and sensitivity. | + | This study examines, in [http://neww.huygens.knaw.nl/authors/show/29 Isabelle de Charrière]'s fiction, the masculine and feminine variations on narrative voices and on topoi closely linked with them. A close reading of the playing with narrative voices orchestrated by Charrière in [http://neww.huygens.knaw.nl/works?fromworksearch=1&sort=upper%28authors.name%29&page=1&searchtoggle=on&workauthor=charri%C3%A8re&pseudonymflag=0&pseudonymflag=1&worktitle=&workyear=&worktopos=narrat¬es=&per_page=20&x=23&y=18 five of her novels] sheds light on her tendency to experiment with the gender and status of the voices that recount the story. Her writing thus appears as a continuous attempt to subvert and maybe transcend commonly held assumptions on masculine and feminine, power and subjection, reason and sensitivity. |
| <br><br> | <br><br> | ||
Current revision
Marie-Hélène Chabut: "L'instance narrative au masculin et au féminin (et au neutre?) dans la fiction d'Isabelle de Charrière"
Abstract:
This study examines, in Isabelle de Charrière's fiction, the masculine and feminine variations on narrative voices and on topoi closely linked with them. A close reading of the playing with narrative voices orchestrated by Charrière in five of her novels sheds light on her tendency to experiment with the gender and status of the voices that recount the story. Her writing thus appears as a continuous attempt to subvert and maybe transcend commonly held assumptions on masculine and feminine, power and subjection, reason and sensitivity.
AsK, jan 2011
- Publications > Volumes WomenWriters > Féminités et masculinités dans le texte narratif > Marie-Hélène Chabut