Revision as of 10:51, 20 January 2011 (edit) AKulsdom (Talk | contribs) (New page: <br>__NOEDITSECTION__ == {abstract title} == <br><br> ''Abstract:''<br><br> {abstract} <br><br> AsK, jan 2011 <hr> <br> *Publications > Volumes ''WomenWriters'' > [http://www.women...) ← Previous diff		Current revision (10:57, 24 January 2011) (edit) (undo) AKulsdom (Talk | contribs)
(One intermediate revision not shown.)
Line 1:		Line 1:
	<br>__NOEDITSECTION__		<br>__NOEDITSECTION__
-	== {abstract title} ==	+	== Jean Mainil: "«Ma Mere l'Oie», ou du détournement du topos de l'«écriture féminine»" ==
	<br><br>		<br><br>
	''Abstract:''<br><br>		''Abstract:''<br><br>
-	{abstract}
-
		+	This contribution analyses topoi which inform women as social beings and as writers at the end of the seventeenth century. Through one fairy tale written by [http://neww.huygens.knaw.nl/authors/show/85 Marie-Catherine d'Aulnoy], one of the most prolific and beloved fairy-tale writers of her time, the author analyses the possibilities offered by these very topoi which female writers reappropriated through the stereotypically female fairy tale production in order to subvert them from within, while at the same time subverting that very same subversion.
	<br><br>		<br><br>

---

Current revision

Jean Mainil: "«Ma Mere l'Oie», ou du détournement du topos de l'«écriture féminine»"

Abstract:

This contribution analyses topoi which inform women as social beings and as writers at the end of the seventeenth century. Through one fairy tale written by Marie-Catherine d'Aulnoy, one of the most prolific and beloved fairy-tale writers of her time, the author analyses the possibilities offered by these very topoi which female writers reappropriated through the stereotypically female fairy tale production in order to subvert them from within, while at the same time subverting that very same subversion.

AsK, jan 2011

---

• Publications > Volumes WomenWriters > Féminités et masculinités dans le texte narratif > {name author}