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| - | [[Image:Title2.jpg]] | + | == Irène Minder-Jeanneret == |
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| - | '''Internet and the gendered study of literary history''' | + | |
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| - | '''European women writers in history''' | ||
| - | '''Their position in the literary field''' | + | <br><br> |
| + | '''« Il n’y a pas de mauvaise musique; il n’y a que de mauvais interprètes » '''<br> | ||
| + | A propos du qualificatif d’« enfantin » attribué à la musique d’Isabelle de Charrière par son biographe Philippe Godet<br><br> | ||
| - | '''Entering some of them into the literary canon?''' | + | One approach to understanding why the biographies of Isabelle de Charrière for so long dismissed her musical activities is through examining the reception given to “early” music since its rediscovery shortly before 1900. It is appears that for a long time there was a general lack of interest in early music, and a notable neglect of the harpsichord. In the case of Isabelle de Charrière this was com-pounded by a denial of the creative abilities of women, and a lack of interest in hearing and/or playing it in favourable and constructive conditions. |
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| - | '''>> [http://www.womenwriters.nl/index.php/Research_seminar Oslo Research Seminar] 19 September 2011 <<'''<br><br> | + | SvD, November 2011 |
| - | '''>> Chawton 3 - 5 November: [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 2nd Milestone Conference] very successful<<'''<br> | + | |
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| - | This website addresses students, researchers and others interested in women’s writing. It presents and invites research on women's writing (before 1900) made possible by the database ''WomenWriters''. Aim of this database is to contain and present source material allowing to study the position women authors occupied in the literary field of their days.<br>This site intends also to inform about this international collaboration and to provide preliminary results of research in this domain - as examples for students and for those willing to participate in the NEWW network, created within the project <br>'''New approaches to European Women’s Writing'''<br> (funded by N.W.O. Netherlands Organisation for Scientific Research; 2007-2010).</center><br><br> | + | *Publications > [http://www.womenwriters.nl/index.php/Cahiers_Isabelle_de_Charriere_/_Belle_de_Zuylen_Papers Belle de Zuylen Papers] > 2011 > Minder<br><br> |
| - | <center>'''This website is, in part, still under construction.'''</center> | + | |
| - | <center>[[Information and contact]]</center> <br> | + | |
| - | <center>'''[[Sitemap]]'''</center> <br><br> | + | |
Current revision
Irène Minder-Jeanneret
« Il n’y a pas de mauvaise musique; il n’y a que de mauvais interprètes »
A propos du qualificatif d’« enfantin » attribué à la musique d’Isabelle de Charrière par son biographe Philippe Godet
One approach to understanding why the biographies of Isabelle de Charrière for so long dismissed her musical activities is through examining the reception given to “early” music since its rediscovery shortly before 1900. It is appears that for a long time there was a general lack of interest in early music, and a notable neglect of the harpsichord. In the case of Isabelle de Charrière this was com-pounded by a denial of the creative abilities of women, and a lack of interest in hearing and/or playing it in favourable and constructive conditions.
SvD, November 2011
- Publications > Belle de Zuylen Papers > 2011 > Minder