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| - | [[Image:Title2.jpg]] | + | == Elisabeth Zawisza: "Le jeu masculin/fémin dans ''Les Liaisons dangereuses'' de Laclos et ''L'Histoire d'Ernestine'' de Madame Riccoboni" == |
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| - | '''Internet and the gendered study of literary history''' | + | |
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| - | *<BR> | + | |
| - | '''European women writers in history''' | ||
| - | '''Their position in the literary field''' | + | <br><br> |
| + | ''Abstract:''<br><br> | ||
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| + | On three occasions, Laclos enters into dialogue with the trope of [http://neww.huygens.knaw.nl/works/show/424 ''Histoire d'Ernestine'']: in [http://neww.huygens.knaw.nl/receptions/show/1905 ''La Protégée sans le savoir''] (his true literary debut), in [http://neww.huygens.knaw.nl/receptions/show/1904 ''Les Liaisons dangereuses''] (his scandalous masterpiece), and in a novel about familial happiness (left as a work in progress). Using concepts developed in ''Palimpsestes'' by Genette, the article studies three types of relationship that the texts by Laclos establish with feminine tropes: relations of transformation, intertextuality, and, finally, imitation. This dialogue, which continues for several years, always in parallel with the debate of the sexes, thus invites analysis as an itinerary traced by various intertextual exchanges and by various wordplays. It shows that the novelistic trope, feminine or masculine, echoes certain recurrent formulas elucidated in other discursive categories (social, esthetic, philosophical). | ||
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| + | AsK, jan 2011 | ||
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| - | '''Entering some of them into the literary canon?''' | ||
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| - | *<br> | ||
| - | <hr><br> | ||
| - | '''>> [http://www.womenwriters.nl/index.php/COST_Action COST Action] ''Women Writers in History'' <<'''<br><br> | ||
| - | '''>> Our Action in [http://www.cost.eu/library/newsroom/COSTnews18 COST news] << '''<br><br> | ||
| - | '''>> International Female Networks: [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Workshop] in Belgrade 14-16 April 2011'''<br><br> | ||
| - | '''>> [http://www.womenwriters.nl/index.php/NEWW_November_meetings Narration, Gender, Irony] <<''' | ||
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| - | <br><hr> | + | *Publications > Volumes ''WomenWriters'' > [http://www.womenwriters.nl/index.php/F%C3%A9minit%C3%A9s_et_masculinit%C3%A9s_dans_le_texte_narratif._La_question_du_%E2%80%98gender%E2%80%99 Féminités et masculinités dans le texte narratif] > Elisabeth Zawisza<br><br> |
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| - | This website addresses students, researchers and others interested in women’s writing. It presents and invites research on women's writing (before 1900) made possible by the database ''WomenWriters''. Aim of this database is to contain and present source material allowing to study the position women authors occupied in the literary field of their days.<br>This site intends also to inform about this international collaboration and to provide preliminary results of research in this domain - as examples for students and for those willing to participate in the NEWW network, created within the project <br>'''New approaches to European Women’s Writing'''<br> (funded by N.W.O. Netherlands Organisation for Scientific Research; 2007-2010).</center><br><br> | + | |
| - | <center>'''This website is, in part, still under construction.'''</center> | + | |
| - | <center>[[Information and contact]]</center> <br> | + | |
| - | <center>'''[[Sitemap]]'''</center> <br><br> | + | |
Current revision
Elisabeth Zawisza: "Le jeu masculin/fémin dans Les Liaisons dangereuses de Laclos et L'Histoire d'Ernestine de Madame Riccoboni"
Abstract:
On three occasions, Laclos enters into dialogue with the trope of Histoire d'Ernestine: in La Protégée sans le savoir (his true literary debut), in Les Liaisons dangereuses (his scandalous masterpiece), and in a novel about familial happiness (left as a work in progress). Using concepts developed in Palimpsestes by Genette, the article studies three types of relationship that the texts by Laclos establish with feminine tropes: relations of transformation, intertextuality, and, finally, imitation. This dialogue, which continues for several years, always in parallel with the debate of the sexes, thus invites analysis as an itinerary traced by various intertextual exchanges and by various wordplays. It shows that the novelistic trope, feminine or masculine, echoes certain recurrent formulas elucidated in other discursive categories (social, esthetic, philosophical).
AsK, jan 2011
- Publications > Volumes WomenWriters > Féminités et masculinités dans le texte narratif > Elisabeth Zawisza