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| - | <center> | + | <br>__NOEDITSECTION__ |
| - | [[Image:Title2.jpg]] | + | == Marie-Hélène Chabut == |
| - | <BR><br> | + | |
| - | '''Internet and the gendered study of literary history''' | + | |
| - | <BR> | + | |
| - | * | + | |
| - | <BR> | + | |
| - | '''European women writers in history''' | ||
| - | '''Their position in the literary field''' | + | <br><br> |
| + | ''Abstract:''<br><br> | ||
| + | This essay focuses on the representation of the young man – lover or | ||
| + | potential husband – in four women’s novels written at the end of the | ||
| + | eighteenth century: Isabelle de Charrière’s ''Henriette et Richard'' and | ||
| + | Lettres trouvées dans des porte-feuilles d’émigrés, Marie-Jeanne | ||
| + | Riccoboni’s ''Histoire de Christine de Suabe'', and Sophie Cottin’s | ||
| + | ''Claire d’Albe''. It argues that these novels, in large part through the | ||
| + | kind of young male characters they invent, question and resist not | ||
| + | only the classical canon of the rational masculine, but also the new | ||
| + | developing romantic canon of « feminized » masculinity and the | ||
| + | masculine body that was developing during that period, and that | ||
| + | ended up relegating women to literary, social and political nonexistence. | ||
| + | To different degrees then, they succeed in avoiding the | ||
| + | new masculine ideal that was rapidly becoming fashionable and | ||
| + | would culminate in the romantic period. | ||
| - | '''Entering some of them into the literary canon?''' | + | <br> |
| - | <BR> | + | |
| - | * | + | |
| - | <BR><br> | + | |
| - | This website addresses students, researchers and others interested in women’s writing. It presents and invites research on women's writing (before 1900) made possible by the database ''WomenWriters''. Aim of this database is to contain and present source material allowing to study the position women authors occupied in the literary field of their days.<br>This site intends also to inform about this international collaboration and to provide preliminary results of research in this domain - as examples for students and for those willing to participate in the NEWW network, created within the project <br>'''New approaches to European Women’s Writing'''<br> (funded by N.W.O. Netherlands Organisation for Scientific Research; 2007-2010).</center><br><br> | + | |
| - | <center>'''This website is, in part, still under construction.'''</center> | + | SvD, January 2009 |
| - | <center>[[Information and contact]]</center> <br> | + | <hr> |
| + | |||
| + | <br> | ||
| + | *Publications > Belle de Zuylen Papers > 2008 > Chabut <br><br> | ||
Current revision
Marie-Hélène Chabut
Abstract:
This essay focuses on the representation of the young man – lover or
potential husband – in four women’s novels written at the end of the
eighteenth century: Isabelle de Charrière’s Henriette et Richard and
Lettres trouvées dans des porte-feuilles d’émigrés, Marie-Jeanne
Riccoboni’s Histoire de Christine de Suabe, and Sophie Cottin’s
Claire d’Albe. It argues that these novels, in large part through the
kind of young male characters they invent, question and resist not
only the classical canon of the rational masculine, but also the new
developing romantic canon of « feminized » masculinity and the
masculine body that was developing during that period, and that
ended up relegating women to literary, social and political nonexistence.
To different degrees then, they succeed in avoiding the
new masculine ideal that was rapidly becoming fashionable and
would culminate in the romantic period.
SvD, January 2009
- Publications > Belle de Zuylen Papers > 2008 > Chabut