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- | In this paper we first establish a parallel between Mme de Charrière and Johannes Kneppelhout (1814-1885), a Dutch author who greatly admired French classicism. We then concentrate on the way in which Mme de Charrière read the works of the great authors of this period and drew upon them in her own writings. Particular favourites with her were La Fontaine’s Fables, Mme de Sévigné’s letters and Molière’s comedies. | + | In this paper we first establish a parallel between Mme de Charrière and [http://www.databasewomenwriters.nl/reception.asp?receptionID=12268 Johannes Kneppelhout] (1814-1885), a Dutch author who greatly admired French classicism. We then concentrate on the way in which Mme de Charrière read the works of the great authors of this period and drew upon them in her own writings. Particular favourites with her were La Fontaine’s Fables, [http://www.databasewomenwriters.nl/results.asp?type=receptions&work_authorName=sevign¬esfield=&work_Title=&rec_Year=&Editor_ID=geen&rec_authorName=charriere&Rec_Title=&reference=&pageSize=50&order=r.Year Mme de Sévigné]’s letters and Molière’s comedies. |
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Current revision
Isabelle de Charrière et la littérature du Grand Siècle
Abstract:
In this paper we first establish a parallel between Mme de Charrière and Johannes Kneppelhout (1814-1885), a Dutch author who greatly admired French classicism. We then concentrate on the way in which Mme de Charrière read the works of the great authors of this period and drew upon them in her own writings. Particular favourites with her were La Fontaine’s Fables, Mme de Sévigné’s letters and Molière’s comedies.
SvD, July 2008
- Publications > Volumes WomenWriters > Isabelle de Charrière > Paul J. Smith