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Women writing
and participating in the literary field



This part of the site presents some categories of women authors, as they are mentioned in the database WomenWriters. The word "author" is used in its broadest sense: women who wrote and published either fiction or non-fiction, books or contributions to the periodical press, their own texts or translations of writings by others, comments on others’ writings, etc. Therefore, "intermediaries" are being classified here as "authors".


This large definition is not wholly unproblematic. For example: what about oral literature? What about women, like Madame de Sévigné, who did not write for publication, but still exerted considerable influence? These questions have been addressed during the first of the annual “NEWW November meetings”: 22 November 2007, and will be further reflected.


Authors can be classified - for the sake of their easily being found - according to the women's national identities, although this is not completely unproblematic:


Dutch authors are over-represented, for the moment. This has to do with the fact that the first phase of the digitizing project focused on the reception of women's writing in the Netherlands and looked for traces of foreign authors finding Dutch readers. And indeed we found the names (or pseudonyms) and works of hundreds of non-Dutch authors having found readership in the Netherlands before c.1900. This means for example that the database WomenWriters contains the names of and any information about:

  • 210 authors from Germany,
  • 80 from the United States,
  • 65 from Sweden,
  • 80 from Italy, or writing in Italian (example which is illustrating the difficulty of classifying authors... The question will be discussed in one of our upcoming meetings.)

In terms of sheer discovery, this is certainly rewarding, but more astonishing still was the amount of Dutch “authors” we found. Instead of the average dozen women that appear in current Dutch literary historiography (concerning the periods before 1900), we found more than 700 names (19th century: 400; 18th: 175; 17th: 100; earlier: 25). This sounds incredible; analyses of the data and detailed study of the reception documents themselves (starting October 2007) will have to explain our findings and may account for the discrepancy between the numbers of lost and surviving authors.

Other classifications than by nationality/language are possible, and may be no less usefull. For example:
by genre or type of writing activity:

or by place of birth or :

by first name:

or by "authors' intentions", for example:


SvD, October 2008




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