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<br><br>This part of the site deals with the sources that provide information on the reception of women's writing. Thus it presents and comments what could be considered the starting point of research projects made possible by the database ''WomenWriters''. <br><br>This part of the site deals with the sources that provide information on the reception of women's writing. Thus it presents and comments what could be considered the starting point of research projects made possible by the database ''WomenWriters''.
-<br>Intended public for this part of the site: researchers in the process of selecting and dealing with sources in reception history; also students seeking information about the ways in which we have proceeded, etc.+<br>Intended public for this part of the site: researchers in the process of selecting and dealing with sources in reception history; also students seeking information about the ways in which we are proceeding, etc.
<br>Sources are classified: <br>Sources are classified:
<br>1. by country, <br>1. by country,
<br>2. by category. <br>2. by category.
-<br><br>+<br><br><br>
'''1. By country'''<br> '''1. By country'''<br>
*[[Dutch sources]], *[[Dutch sources]],
Line 19: Line 19:
*[[Serbian sources]], *[[Serbian sources]],
*etc., etc.<br><br> *etc., etc.<br><br>
 +
'''2. By category'''<br> '''2. By category'''<br>
-<br>'''Bookhistorical evidence''': 
-* Information about bookselling, 
-* Private collections, 
-* Library catalogues (clubs), 
-* Library catalogues (public), 
-* Publicity, 
-* Censorship, 
-* Maecenatism, 
-<br>'''Comments''': 
-* Egodocuments, 
-* Handwritten comments in text, 
-* Articles in the press, 
-* Mentions, 
-* (Literary) history (before c. 1900), 
-<br>'''Re-writings''': 
-*[[Translations]], 
-* Translation published in periodical press, 
-* Adaptations, 
-* Parody, 
-* Picture, 
-* Plagiarism, 
-* Production in theatre, 
-* Intertextuality, 
-* Biography. 
 +''2a. Contemporary (or pre-1900) sources'' <br>
 +*'''Bookhistorical evidence''':
 +** Information about bookselling,
 +** Private collections,
 +** Library catalogues (clubs),
 +** Library catalogues (public),
 +** Publicity,
 +** Censorship,
 +** Maecenatism,
 +*'''Comments''':
 +** Egodocuments,
 +**Handwritten comments in text,
 +** Articles in the press
 +** Mentions,
 +** (Literary) history (before c. 1900),
 +*'''Re-writings''':
 +**[[Translations]],
 +** Translation published in periodical press,
 +** Adaptations,
 +** Parody,
 +** Picture,
 +** Plagiarism,
 +** Production in theatre,
 +** Intertextuality,
 +** Biographies.
 +
 +''2b. Modern sources'' <br>
*[[Bio-bibliographical compilations]] (pre-1900), *[[Bio-bibliographical compilations]] (pre-1900),
*[[Prefaces]] (pre-1900), *[[Prefaces]] (pre-1900),

Revision as of 12:38, 13 May 2010


Sources: starting points for research



This part of the site deals with the sources that provide information on the reception of women's writing. Thus it presents and comments what could be considered the starting point of research projects made possible by the database WomenWriters.


Intended public for this part of the site: researchers in the process of selecting and dealing with sources in reception history; also students seeking information about the ways in which we are proceeding, etc.


Sources are classified:
1. by country,
2. by category.


1. By country

2. By category

2a. Contemporary (or pre-1900) sources

  • Bookhistorical evidence:
    • Information about bookselling,
    • Private collections,
    • Library catalogues (clubs),
    • Library catalogues (public),
    • Publicity,
    • Censorship,
    • Maecenatism,
  • Comments:
    • Egodocuments,
    • Handwritten comments in text,
    • Articles in the press
    • Mentions,
    • (Literary) history (before c. 1900),
  • Re-writings:
    • Translations,
    • Translation published in periodical press,
    • Adaptations,
    • Parody,
    • Picture,
    • Plagiarism,
    • Production in theatre,
    • Intertextuality,
    • Biographies.

2b. Modern sources


SvD, February 2010



  • Note that when arriving in the database WomenWriters, your status normally is: "not logged on", which means that you have only partial view. For complete view (and participation in the project), take contact.



  • Sources

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