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| - | Portugese translators of British authors from 1554 to 1900<br><br> | + | '''Portugese translators of British authors from 1554 to 1900'''<br><br> |
| - | '''Session B. Paratexts and Self-Fashioning of the female author'''<br><br> | + | ''Abstract''<br><br> |
| - | *Anne-Birgitte Rønning:<br> | + | [to follow] |
| - | *Self-positioning and genre-negotiating in female-authored Robinsonades<br><br> | + | |
| - | *Carme Font Paz:<br> | ||
| - | *Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)<br><br> | ||
| - | |||
| - | 11:00 – 11:15<br> | ||
| - | Break<br> | ||
| - | 11:15-12:00<br><br> | ||
| - | |||
| - | *Ele Carpenter:<br> | ||
| - | *Embroidered Digital Commons<br><br> | ||
| - | |||
| - | 12:00 – 1:00 am <br> | ||
| - | Lunch<br> | ||
| - | 1:00 - 2:30 pm <br><br> | ||
| - | |||
| - | '''Theoretical Approaches to Quantitative/Qualitative Research'''<br><br> | ||
| - | |||
| - | *Alessa Johns:<br> | ||
| - | *Explicating Cultural Transfer<br><br> | ||
| - | |||
| - | *Tania Badalic and Begona Regueiro:<br> | ||
| - | *Leading Voice – The reception of George Sand in Slovenia, Spain and Germany<br><br> | ||
| - | |||
| - | * Kim Heuvelmans and Ton van Kalmthout:<br> | ||
| - | * The Representation of Women Writers in Textbooks for Literary Education<br><br> | ||
| - | |||
| - | *Carmen Dutu:<br> | ||
| - | *Toward a (frin)gender perspective within the COST Action<br><br> | ||
| - | |||
| - | 2:30- 3:00 <br> | ||
| - | Break<br> | ||
| - | 3:00 - 4:00 pm <br><br> | ||
| - | |||
| - | Keynote<br> | ||
| - | *Vanda Anastácio:<br> | ||
| - | *Thinking about Women’s Writing: The Challenge of Theory<br><br> | ||
Revision as of 13:41, 20 October 2011
Isabel Lousada
Portugese translators of British authors from 1554 to 1900
Abstract
[to follow]
SvD, October 2011
- Conferences > NEWW international conferences > Chawton November 2011 > Lousada