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| Line 48: | Line 48: | ||
| *Katja Mihurko Poniz:<br> | *Katja Mihurko Poniz:<br> | ||
| - | *[[The reception of foreign women writers in the Slovenian magazine ''Slovenka'']]<br><br> | + | *[[The reception of foreign women writers]] in the Slovenian magazine ''Slovenka''<br><br> |
| *Laura Kirkley:<br> | *Laura Kirkley:<br> | ||
| - | *[[The trans-national afterlives of revolutionary feminism]]<br><br> | + | *[[The trans-national afterlives]] of revolutionary feminism<br><br> |
| *Marie Nedregotten Sørbø:<br> | *Marie Nedregotten Sørbø:<br> | ||
| Line 63: | Line 63: | ||
| *In?s de Ornellas e Castro:<br> | *In?s de Ornellas e Castro:<br> | ||
| - | *Saints or Writers: Female Reception in European and bibliographic Latin Inventories<br><br> | + | *[[Saints or Writers]]: Female Reception in European and bibliographic Latin Inventories<br><br> |
| *Marie-Louise Coolahan:<br> | *Marie-Louise Coolahan:<br> | ||
| - | *The Reception of Women’s ‘Lost’ Texts<br><br> | + | *[[The Reception of Women’s ‘Lost’ Texts]]<br><br> |
| *Astrid Kulsdom:<br> | *Astrid Kulsdom:<br> | ||
| - | *The publication and reception of Ouida’s work in the Netherlands<br><br> | + | *[[The publication and reception of Ouida’s work]] in the Netherlands<br><br> |
| *Ramona Mihaila:<br> | *Ramona Mihaila:<br> | ||
| - | *Silent Voices of 19th-century Romanian Women Writers <br><br> | + | *[[Silent Voices]] of 19th-century Romanian Women Writers<br><br> |
| '''Session B. Paratexts and the Self–Fashioning of the female author'''<br><br> | '''Session B. Paratexts and the Self–Fashioning of the female author'''<br><br> | ||
| *Biljana Doj?inovi?:<br> | *Biljana Doj?inovi?:<br> | ||
| - | *Self-promoting writing as networking strategy<br><br> | + | *[[Self-promoting writing]] as networking strategy<br><br> |
| *Nieves Baranda Leturio:<br> | *Nieves Baranda Leturio:<br> | ||
| - | *Spanish women prologues as silent debate<br><br> | + | *[[Spanish women prologues as silent debate]]<br><br> |
| *Monica Bolufer:<br> | *Monica Bolufer:<br> | ||
| - | *‘To the fair sex’ or ‘for all kinds of readers’? <br><br> | + | *[[‘To the fair sex’]] or ‘for all kinds of readers’? <br><br> |
| *Marta Souckova: <br> | *Marta Souckova: <br> | ||
| - | *On the Irony in Prose by Božena Slan?iková Timrava<br><br> | + | *[[On the Irony in Prose]] by Božena Slan?iková Timrava<br><br> |
| 3:45 – 4:15 pm <br> | 3:45 – 4:15 pm <br> | ||
| Line 95: | Line 95: | ||
| *Valérie Cossy:<br> | *Valérie Cossy:<br> | ||
| - | *Gender as an object of discourse in Isabelle de Charrière's contribution to the French Enlightenment<br><br> | + | *[[Gender as an object of discourse]] in Isabelle de Charrière's contribution to the French Enlightenment<br><br> |
| *Elinor Shaffer:<br> | *Elinor Shaffer:<br> | ||
| - | *Do special factors play a role in the reception of women authors ?<br><br> | + | *[[Do special factors play a role]] in the reception of women authors ?<br><br> |
| 5: 30 pm<br> | 5: 30 pm<br> | ||
| Line 156: | Line 156: | ||
| *Corinne Fournier Kiss:<br> | *Corinne Fournier Kiss:<br> | ||
| - | *Eliza Orzeskowa’s reception of George Sand<br><br> | + | *[[Eliza Orzeskowa’s reception of George Sand]]<br><br> |
| *Kirsi Tuohela: <br> | *Kirsi Tuohela: <br> | ||
| - | *The Reception of the Baltic German Writer Laura Marholm-Hansson in Nordic Countries and Germany<br><br> | + | *[[The Reception of the Baltic German Writer Laura Marholm-Hansson]] in Nordic Countries and Germany<br><br> |
| *Isabel Lousada: <br> | *Isabel Lousada: <br> | ||
| - | *Portugese translators of British authors from 1554 to 1900<br><br> | + | *[[Portugese translators of British authors]] from 1554 to 1900<br><br> |
| '''Session B. Paratexts and Self-Fashioning of the female author'''<br><br> | '''Session B. Paratexts and Self-Fashioning of the female author'''<br><br> | ||
| *Anne-Birgitte Rønning:<br> | *Anne-Birgitte Rønning:<br> | ||
| - | *Self-positioning and genre-negotiating in female-authored Robinsonades<br><br> | + | *[[Self-positioning and genre-negotiating]] in female-authored Robinsonades<br><br> |
| *Carme Font Paz:<br> | *Carme Font Paz:<br> | ||
| - | *Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)<br><br> | + | *[[Defending Female Authorship]] in Elizabeth Poole’s ''A Vision'' (1648)<br><br> |
| 11:00 – 11:15<br> | 11:00 – 11:15<br> | ||
| Line 186: | Line 186: | ||
| *Alessa Johns:<br> | *Alessa Johns:<br> | ||
| - | *Explicating Cultural Transfer<br><br> | + | *[[Explicating Cultural Transfer]]<br><br> |
| *Tania Badalic and Begona Regueiro:<br> | *Tania Badalic and Begona Regueiro:<br> | ||
| - | *Leading Voice – The reception of George Sand in Slovenia, Spain and Germany<br><br> | + | *[[Leading Voice]] – The reception of George Sand in Slovenia, Spain and Germany<br><br> |
| * Kim Heuvelmans and Ton van Kalmthout:<br> | * Kim Heuvelmans and Ton van Kalmthout:<br> | ||
| - | * The Representation of Women Writers in Textbooks for Literary Education<br><br> | + | * [[The Representation of Women Writers]] in Textbooks for Literary Education<br><br> |
| *Carmen Dutu:<br> | *Carmen Dutu:<br> | ||
| - | *Toward a (frin)gender perspective within the COST Action<br><br> | + | *[[Toward a (frin)gender perspective]] within the COST Action<br><br> |
| 2:30- 3:00 <br> | 2:30- 3:00 <br> | ||
| Line 203: | Line 203: | ||
| Keynote<br> | Keynote<br> | ||
| *Vanda Anastácio:<br> | *Vanda Anastácio:<br> | ||
| - | *Thinking about Women’s Writing: The Challenge of Theory<br><br> | + | *[[Thinking about Women’s Writing]]: The Challenge of Theory<br><br> |
| 4:00 – 4:30<br> | 4:00 – 4:30<br> | ||
Revision as of 12:52, 20 October 2011
Conference Chawton 3-5 November 2011
NEWW International conference:
Voices in Dialogue::
Ideational production and reception of Women's Writing in Europe
Org. Nicole Pohl and Gillian Dow
Conference Programme
Thursday, 3 November 2011
9:00 - 10:00 am
Introduction
Keynote
- Ursula Phillips:
- Join the Action! Polish Women Writers before 1900: Production, Context and Reception
10:00 -10:15 am
- Ele Carpenter:
- Embroidered Digital Commons
The Embroidered Digital Commons is an artwork facilitated by Ele Carpenter as part of the Open Source Embroidery project, utilising social and digital connectivity. We will continue our collaboration from Belgrade here at Chawton.
10:15 -10: 45 am
Break
10:45 – 12.45 am
Session A. Shifting Paradigms
- Magdalena Koch:
- Is Constantine Brunner right? Concepts of Women’s Writing in Isidora Sekuli?’s essays in Western European and Serbian contexts
- Alenka Jensterle-Doležal:
- Božena N?mcov? and her reception in Czech society
- Nancy Isenberg:
- Publishing History of Justine Wynne
Session B. Going Global
- Elisa Müller-Adams and Kerstin Wiedeman:
- The French and English reception of Ida Hahn-Hahn
- Katja Mihurko Poniz:
- The reception of foreign women writers in the Slovenian magazine Slovenka
- Laura Kirkley:
- The trans-national afterlives of revolutionary feminism
- Marie Nedregotten Sørbø:
- England seen from Norway in 1858
12:45 – 1:45 pm
Lunch
1:45 – 3.45 pm
Session A. Going Global
- In?s de Ornellas e Castro:
- Saints or Writers: Female Reception in European and bibliographic Latin Inventories
- Marie-Louise Coolahan:
- The Reception of Women’s ‘Lost’ Texts
- Astrid Kulsdom:
- The publication and reception of Ouida’s work in the Netherlands
- Ramona Mihaila:
- Silent Voices of 19th-century Romanian Women Writers
Session B. Paratexts and the Self–Fashioning of the female author
- Biljana Doj?inovi?:
- Self-promoting writing as networking strategy
- Nieves Baranda Leturio:
- Spanish women prologues as silent debate
- Monica Bolufer:
- ‘To the fair sex’ or ‘for all kinds of readers’?
- Marta Souckova:
- On the Irony in Prose by Božena Slan?iková Timrava
3:45 – 4:15 pm
Break
4:15 – 5:30 pm
Shifting Paradigms : Theory and Praxis
- Valérie Cossy:
- Gender as an object of discourse in Isabelle de Charrière's contribution to the French Enlightenment
- Elinor Shaffer:
- Do special factors play a role in the reception of women authors ?
5: 30 pm
Tour of Chawton Library and House
Dinner
Friday, 4th November
9:00 - 9:15 am
- Suzan van Dijk:
- From Milestone I to Milestone II (via Training Schools, Short Time Missions, Thinktank meeting)
9:15 – 10:00 am
- GertJan Filarski:
- From a database to a Virtual Research Environment
10:00 -11:15 am
Working Group meetings (agenda to follow)
11:15 -11:30 am
Break
11:30 -12:30 am
Working Group meetings
12:30 -1:30 am
Lunch
1:30 – 2:30 pm
Reports by Working Groups
2:30 – 4:00 pm
Management Committee meeting (all WG members invited; agenda to follow)
4:00 pm
Coach to Southampton University
5:00 – 6:00 pm
Public Lecture:
- Markman Ellis:
- Reading, Writing and Print Publishing in the Elizabeth Montagu Circle
Reception and Dinner
Coach back to Chawton
Saturday, 5th November
9:30 – 11:00 am
Session A. Going Global
- Corinne Fournier Kiss:
- Eliza Orzeskowa’s reception of George Sand
- Kirsi Tuohela:
- The Reception of the Baltic German Writer Laura Marholm-Hansson in Nordic Countries and Germany
- Isabel Lousada:
- Portugese translators of British authors from 1554 to 1900
Session B. Paratexts and Self-Fashioning of the female author
- Anne-Birgitte Rønning:
- Self-positioning and genre-negotiating in female-authored Robinsonades
- Carme Font Paz:
- Defending Female Authorship in Elizabeth Poole’s A Vision (1648)
11:00 – 11:15
Break
11:15-12:00
- Ele Carpenter:
- Embroidered Digital Commons
12:00 – 1:00 am
Lunch
1:00 - 2:30 pm
Theoretical Approaches to Quantitative/Qualitative Research
- Alessa Johns:
- Explicating Cultural Transfer
- Tania Badalic and Begona Regueiro:
- Leading Voice – The reception of George Sand in Slovenia, Spain and Germany
- Kim Heuvelmans and Ton van Kalmthout:
- The Representation of Women Writers in Textbooks for Literary Education
- Carmen Dutu:
- Toward a (frin)gender perspective within the COST Action
2:30- 3:00
Break
3:00 - 4:00 pm
Keynote
- Vanda Anastácio:
- Thinking about Women’s Writing: The Challenge of Theory
4:00 – 4:30
Concluding Remarks
This conference represents the “Second Milestone” of the Action - the first one having been presented last year in Madrid. This Milestone has been reached, for a large part, thanks to collaborative work carried out, during this second Action year, within two “Training Schools” (The Hague), and two “Short Time Scientific Missions” (Nancy and Gothenburg). During the Chawton conference, the respective outcomes of these will also be presented.
This conference aims to develop the quantitative and transnational data gathered during previous meetings and conferences and to move our methodology to a qualitative approach of the data and relevant case studies. Our aims are twofold:
- As any qualitative approach is multi-paradigmatic in focus, one main question arises: how can we approach the history of women's literature, starting from the material in the database across the period under investigation and across the national/ethnic/cultural boundaries that we have identified? What are the different ideas of femininity, women's writing, and the canon, in different European countries in different historical periods?
- Does the reception/translation of foreign and perhaps more/less radical women's writing have any measurable impact and how do we evaluate it?
Organisers:
- Nicole Pohl (Oxford Brookes)
- Gillian Dow (University of Southampton and Chawton House Library)
Conference administration:
SvD, October 2011
- Conferences > NEWW international conferences > Chawton November 2011