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'''Gender and narrative practice in novels by German-speaking women, 1780-1914.'''<br><br> '''Gender and narrative practice in novels by German-speaking women, 1780-1914.'''<br><br>
-This conference is organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also takes place in the context of the international network "New approaches to European Women's Writing" (NEWW). Conference language is German.<br><br>+This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network "New approaches to European Women's Writing" (NEWW). Conference language was German.<br><br>
Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category "gender" in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13). <br><br> Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category "gender" in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13). <br><br>

Revision as of 19:37, 18 July 2010


Nancy, June 2010




Routes out of marginalization:
Gender and narrative practice in novels by German-speaking women, 1780-1914.

This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network "New approaches to European Women's Writing" (NEWW). Conference language was German.

Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category "gender" in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects of the narrative (cf. Vera Nünning/Ansgar Nünning, Erzähltextanalyse und Gender Studies, p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung, p. 13).

Focusing on novels and stories by German-speaking women in the late 18th century and 19th century, a period when female authors contributed in great measure to the development and differentiation of the novel as a genre, the conference attempts to put this alliance between narratological and gender studies into practice by discussing the relationship between the historical and cultural location of women’s writing and the narrative strategies employed by female authors.

PROGRAMM

Wege aus der Marginalisierung:
Geschlecht und Erzählweise in deutschsprachigen Romanen von Frauen 1780-1914

Donnerstag, 24. Juni 2010

9.00 - 9.15
Registrierung

9.15 - 9.30
Eröffnung

9.30 - 10.30
Prof. Dr. Andrea Geier (Trier, Cepog): Gender als Kategorie des Erzählens

10.30 - 10.45
Kaffeepause

Sektion I: Ausdifferenzierungen des Romans (Moderation: Katja Mihurko, Nova Gorica, NEWW)

10.45 - 12.45

  • Anne Feuchter-Feler (Metz): Triviale Narrativistik und Manifestation des Weiblichen in Wechselwirkungen: Sophie von la Roches Briefroman Rosaliens Briefe an ihre Freundin Mariane von St*** und Caroline von Wolzogens Erzählung Anna. Eine Geschichte in Briefen aus der Reformationszeit.
  • Jenny Warnecke (Freiburg): Drehbuch der Revolution (Louise Aston)
  • Maire-Claire Méry (Dijon): Zwischen Berühmtheit und Marginalität : Louise von François und ihr Roman Die letzte Reckenburgerin.
  • Christina Ujma (Berlin): Gegen den Strich der Überlieferung. Geschichte und Politik in Fanny Lewalds später Prosa.

13.00-14.30
Mittagessen

14.30 - 15.30
Sektion II: Räume und Bewegung (Moderation: Anne Feuchter-Feler, Metz, CEGIL)

15.30-15.45
Kaffeepause

  • Juliana Jovicic (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von Talvjs Erzählungen
  • Dr. Suzan van Dijk (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context

18.00-19.00
Öffentlicher Vortrag von Prof. Dr. Helga Arbret (Metz, Cegil): Die Frauen und die Stadt. Clara Viebigs Berlin Romane.

Umtrunk

20 Uhr
Abendessen


Freitag, 25. Juni 2010

Sektion III: Figurenkonzepte - Selbstentwürfe (Moderation: Françoise Willmann, Nancy, Cegil)

9.00 - 10.30

  • Beate Borowka-Clausberg (Hamburg): Gespiegelte Persönlichkeiten - Ida Gräfin Hahn-Hahns Romanheldinnen
  • Kerstin Wiedemann (Nancy): Die Einblendung weiblicher Perspektiven in die Geschichte – Henriette Paalzows historische Romane
  • Andrea Horváth (Debrecen): Weibliche Vielschichtigkeit im Werk der Lou Andreas-Salomé.

10.30 - 10.45
Kaffeepause

10.45 - 11.45

  • Anna Kiniorska-Michel (Gießen): "Und die Frau, die jetzt ihre Augen aufschlägt, um dem Manne ins Antlitz zu schauen, ist das wirkliche Weib": Zur Frauenemanzipation in Marie Eugenie della Grazies Erzählungen.
  • Nassrin Sadeghi (Gießen): Paula Bubers Roman Irregang aus Sicht einer gender-orientierten Erzählanalyse.

11.45 - 12.15
Schlussdiskussion

12.30
Mittagessen

14.30 - 16.00
Möglichkeit zu einer Stadtführung


Organizers:



SvD, June 2010




  • Conferences > NEWW international conferences > Nancy 2010

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