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'''Theorizing Narrative Genres and Gender'''<br><br> '''Theorizing Narrative Genres and Gender'''<br><br>
-An international two-day conference will be held on this theme at the Ruhr-Universität Bochum (Germany), on 15 and 16 May 2009.<br><br>+An international two-day conference has been held on this theme at the Ruhr-Universität Bochum (Germany), on 15 and 16 May 2009.<br><br>
-This conference will discuss:<br>+This conference discussed:<br>
* the ways in which certain narrative genres (novels, short stories, fairy tales, autobiographies, personal diaries, travel writing, etc.) have been gendered,<br> * the ways in which certain narrative genres (novels, short stories, fairy tales, autobiographies, personal diaries, travel writing, etc.) have been gendered,<br>
* the impact that these texts have had on readers, both men and women, <br> * the impact that these texts have had on readers, both men and women, <br>
-* the question: what consequences have readers’ reactions and the gendered critical discourse had for the formation and development of narrative literary genres? <br><br>+* the question: what consequences have readers’ reactions and the gendered critical discourse had for the formation and development of narrative literary genres? <br><br><br>
-Recent research, on the feminocentrism of the seventeenth- and eighteenth-century French and English novel, on narratology or on the differences between female and male reading, has shown that not only is the literary discourse tied to issues of gender, but the metadiscourse is equally imbued with it; the ‘querelles des femmes’ were frequently intertwined with literary disputes. <br><br>+'''PROGRAMME''' <br>
 +'''with abstracts and hyperlinks to information contained in the database ''WomenWriters''.''' <br><br>
 +
 +''Keynote-Lecture:'' <br>
 +* [http://www.uni-heidelberg.de/excellence/concept/cv_nuenning.html Vera Nünning] (University of Heidelberg)<br>
 +Gender, Authority and Female Experience in Novels from the Seventeenth to the Nineteenth Century: A Narratological Perspective <br><br>
-In keeping with the NEWW’s objectives, the conference will cover a relatively long time period, extending from 1400 to 1900, and will also present contributions treating European literatures that are considered ‘marginal’.<br><br>+''Section I: Le Paratexte. Moderator [http://www.womenwriters.nl/index.php/Teresa_de_Almeida Teresa Almeida]'' <br>
 +* [http://www.womenwriters.nl/index.php/Madeleine_Jeay Madeleine Jeay] (McMaster University, Hamilton):<br>
 +[http://www.womenwriters.nl/index.php/Jeay Le double jeu de la dédicace aux dames et des épîtres aux lecteurs] dans les recueils de nouvelles des XVe-XVIe siècles <br>
 +* Isabel Morujão (Universidade do Porto):<br>
 +[http://www.womenwriters.nl/index.php/Isabel_Moruj%C3%A3o Genres littéraires et écriture féminine au Portugal à l’âge moderne] <br>
 +* [http://www.womenwriters.nl/index.php/Henriette_Partzsch Henriette Partzsch] (University of St. Andrews):<br>
 +[http://www.womenwriters.nl/index.php/Partzsch Manipulating Genre and Gender]: the Novella in Early Modern Spain <br>
 +* Geneviève Patard (Université d'Orléans): <br>
 +[http://www.womenwriters.nl/index.php/Genevi%C3%A8ve_Patard L'écriture de Mémoires comme réplique à la dérive misogyne du genre]: les ''Mémoires'' de Madame de Murat (1668?-1716)<br> <br>
-The following issues will be addressed:+''Section II: Créations de genres nouveaux. Moderator [http://www.womenwriters.nl/index.php/S%C3%A9verine_Genieys-Kirk Séverine Genieys-Kirk]'' <br>
-* the effects that literary genres (''e.g.'', the novel) were supposed to have on a female public; <br>+* [http://www.womenwriters.nl/index.php/Elisa_M%C3%BCller-Adams_(Universit%C3%A4t_Trier) Elisa Müller-Adams] (Universität Trier): <br>
-* the relationships between morality and literature, between realism and idealism;<br>+[http://www.womenwriters.nl/index.php/Elisa_M%C3%BCller-Adams Gender and the City] – Urban narratives in travel writing by German-speaking women in the 19th century <br>
-* the impact of the concept of gender on key aesthetic notions; <br>+* [http://www.womenwriters.nl/index.php/Carme_Font_Paz_(University_of_Barcelona) Carme Font Paz] (Universitat Autònoma de Barcelona):<br>
-* the consequences for literary history;<br>+[http://www.womenwriters.nl/index.php/Carme_Font_Paz The Cry of a Virgin]: Politics, Gender and Self-representation in 17th century Prophetic Genres <br>
-* the mechanisms of inclusion and exclusion in literary movements;<br>+* Carin Franzén (Linköping University): <br>
-* the ‘gendered’ quality of literary theory and narratology.<br><br>+[http://www.womenwriters.nl/index.php/Carin_Franz%C3%A9n An Allegory of Female Resistance]: Christine de Pizan’s ''Book of the City of Ladies'' <br>
 +* Marianna d’Ezio (University for Foreigners of Perugia):<br>
 +[http://www.womenwriters.nl/index.php/Carin_Franz%C3%A9n English Women Authors and the Oriental Tale]. <br><br>
-Keynote-speakers:<br>+''Keynote-Lecture:''<br>
-* Vera Nünning (University of Heidelberg);<br>+* Joan DeJean (University of Pennsylvania)<br>
 +The Wages of Anonymity: Two Case Studies ([http://www.databasewomenwriters.nl/author.asp?authorID=279 Marie-Madeleine de Lafayette] and [http://www.databasewomenwriters.nl/author.asp?authorID=28 Françoise de Graffigny])<br><br>
-Section I: Appropriations de genres <br>+''Section III: Fiction vs Non-fiction. Moderator [http://www.womenwriters.nl/index.php/Vanda_Anastacio Vanda Anastácio]'' <br>
-Geneviève Patard<br>+* Joana Serrado (Rijksuniversiteit Groningen): <br>
-* Les ''Mémoires'' de Madame de Murat (1668?-1716): une réplique à la dérive misogyne du genre. <br> +[http://www.womenwriters.nl/index.php/Joana_Serrado The vita of Joanna de Jesus (1621 - 1680)]. Source and genre <br>
 +* [http://www.womenwriters.nl/index.php/Ursula_Jung_(Ruhr-universit%C3%A4t_Bochum) Ursula Jung] (Ruhr-Universität Bochum): <br>
 +[http://www.womenwriters.nl/index.php/Jung On the Relationship between Short Stories and Non-Fictional Prose in Emilia Pardo Bazán] <br>
 +* Gudrun Ankele (Universität Wien):<br>
 +[http://www.womenwriters.nl/index.php/Gudrun_Ankele The feminist manifesto] <br>
 +* Véronique Church-Duplessis (University of Toronto):<br>
 +[http://www.womenwriters.nl/index.php/V%C3%A9ronique_Church-Duplessis ''Les Morlaques'' ou le roman anthropologique comme moyen pour proposer une alternative à la condition féminine] <br><br>
-Section II: Créations de genres nouveaux <br>+''Section IV: Supposed female preference for the novel. Moderator [http://www.womenwriters.nl/index.php/Agnese_Fidecaro Agnese Fidecaro]'' <br>
 +* [http://www.womenwriters.nl/index.php/Rotraud_von_Kulessa Rotraud von Kulessa] (Universität Freiburg):<br>
 +[http://www.womenwriters.nl/index.php/Von_Kulessa Les discours sur la femme auteur] dans la presse féminine en France et en Italie à l’époque 1900: les genres littéraires genrés <br>
 +* Esther Susanne Pabst (Université de Giessen): <br>
 +[http://www.womenwriters.nl/index.php/Esther_Susanne_Pabst La théorisation du roman] par lettres d'un point de vue des études de genre <br>
 +* Marianne Charrier-Vozel (Université de Rennes):<br>
 +[http://www.womenwriters.nl/index.php/Marianne_Charrier-Vozel Du larmoyant à la comédie]: à propos du roman sentimental et des femmes <br>
 +* [http://www.womenwriters.nl/index.php/Katja_Mihurko_Poniz Katja Mihurko] (Univerza v Ljubljana):<br>
 +[http://www.womenwriters.nl/index.php/Mihurko Genres development in the literature of Slovene Women Writers until 1900] <br><br>
-* Joan DeJean (University of Pennsylvania). <br><br>+''Section V: Appropriations de genres. Moderator [http://www.womenwriters.nl/index.php/Susanne_Goumegou Susanne Goumegou]'' <br>
 +* [http://www.womenwriters.nl/index.php/Irene_Zanini-Cordi Irène Zanini-Cordi] (Florida State University):<br>
 +[http://www.womenwriters.nl/index.php/Zanini-Cordi Defying Genres to Find a Voice]. Giustiniana Wynne and the Birth of the Italian Novel<br>
 +* [http://www.womenwriters.nl/index.php/Hendrik_Schlieper_(Ruhr-universit%C3%A4t_Bochum) Hendrik Schlieper] (Ruhr-Universität Bochum): <br>
 +[http://www.womenwriters.nl/index.php/Hendrik_Schlieper A madhouse of one's own]. The representation of mad women as a strategy of subversion and poetological stimulus in the novels of [http://www.databasewomenwriters.nl/author.asp?authorID=452 Emilia Pardo Bazán]<br>
 +* Hanneke Boode (Rijksuniversiteit Groningen):<br>
 +[http://www.womenwriters.nl/index.php/Hanneke_Boode The Image of Margit Kaffka in Hungarian literature]<br><br>
 +''Section VI: Les femmes lectrices. Moderator [http://www.womenwriters.nl/index.php/Annette_Keilhauer Annette Keilhauer]'' <br>
 +* [http://www.womenwriters.nl/index.php/Kerstin_Wiedemann%2C_University_of_Nancy_II) Kerstin Wiedemann] (Université Nancy 2):<br>
 +[http://www.womenwriters.nl/index.php/Wiedemann La place des romancières dans l’espace variable d’un genre en essor]: Différence des sexes et poétique du roman en Allemagne 1815-1848 <br>
 +* [http://www.womenwriters.nl/index.php/Val%C3%A9rie_Cossy Valérie Cossy] (Université de Lausanne):<br>
 +[http://www.womenwriters.nl/index.php/Cossy Ces héroïnes qui ne lisent plus de romans] : Le topos de la lectrice romanesque et la légitimité de la romancière au tournant du XIXe siècle <br><br>
-Section III: Fiction vs Non-fiction <br>+''Closing session'' <br>
 +moderated by Alicia [[Montoya]] (Rijksuniversiteit Groningen),<br>
 +participating: Annette Keilhauer, Vanda Anastacio, Teresa de Almeida, Séverine Genieys-Kirk, Agnese Fidecaro, Susanne Goumegou (moderators) <br><br>
-Section IV: Supposed female preference for the novel <br>+''NEWW informal meeting'' <br>
 +before the conference, an [[informal meeting]] has been held on Thursday 14 May in the afternoon, in order to discuss future developments of the collaborative research. <br><br>
-Section V: Le Paratexte <br>+Organisers: <br>
 +* [mailto:lieselotte.steinbruegge@rub.de Lieselotte Steinbrügge], Ruhr-Universität Bochum, <br>
 +* [mailto:S.vanDijk1@uu.nl Suzan van Dijk], Universiteit Utrecht.<br><br>
 +<br>
-Section VI: Les femmes lectrices <br> 
- +AsK, September 2010<br><br><br>
-Conference languages: French and English. <br>+
-Organisers: [mailto:Suzan.vanDijk@let.uu.nl Suzan van Dijk], Universiteit Utrecht ''and'' [mailto:lieselotte.steinbruegge@rub.de Lieselotte Steinbrügge], Ruhr-Universität Bochum. <br><br><br>+
- +
- +
-SvD, January 2009<br><br><br>+
<hr> <hr>
<br> <br>
*Conferences > NEWW international conferences > Bochum 2009 <br><br> *Conferences > NEWW international conferences > Bochum 2009 <br><br>

Current revision


Bochum, May 2009




Theorizing Narrative Genres and Gender

An international two-day conference has been held on this theme at the Ruhr-Universität Bochum (Germany), on 15 and 16 May 2009.

This conference discussed:

  • the ways in which certain narrative genres (novels, short stories, fairy tales, autobiographies, personal diaries, travel writing, etc.) have been gendered,
  • the impact that these texts have had on readers, both men and women,
  • the question: what consequences have readers’ reactions and the gendered critical discourse had for the formation and development of narrative literary genres?


PROGRAMME
with abstracts and hyperlinks to information contained in the database WomenWriters.

Keynote-Lecture:

Gender, Authority and Female Experience in Novels from the Seventeenth to the Nineteenth Century: A Narratological Perspective

Section I: Le Paratexte. Moderator Teresa Almeida

Le double jeu de la dédicace aux dames et des épîtres aux lecteurs dans les recueils de nouvelles des XVe-XVIe siècles

  • Isabel Morujão (Universidade do Porto):

Genres littéraires et écriture féminine au Portugal à l’âge moderne

Manipulating Genre and Gender: the Novella in Early Modern Spain

  • Geneviève Patard (Université d'Orléans):

L'écriture de Mémoires comme réplique à la dérive misogyne du genre: les Mémoires de Madame de Murat (1668?-1716)

Section II: Créations de genres nouveaux. Moderator Séverine Genieys-Kirk

Gender and the City – Urban narratives in travel writing by German-speaking women in the 19th century

The Cry of a Virgin: Politics, Gender and Self-representation in 17th century Prophetic Genres

  • Carin Franzén (Linköping University):

An Allegory of Female Resistance: Christine de Pizan’s Book of the City of Ladies

  • Marianna d’Ezio (University for Foreigners of Perugia):

English Women Authors and the Oriental Tale.

Keynote-Lecture:

  • Joan DeJean (University of Pennsylvania)

The Wages of Anonymity: Two Case Studies (Marie-Madeleine de Lafayette and Françoise de Graffigny)

Section III: Fiction vs Non-fiction. Moderator Vanda Anastácio

  • Joana Serrado (Rijksuniversiteit Groningen):

The vita of Joanna de Jesus (1621 - 1680). Source and genre

On the Relationship between Short Stories and Non-Fictional Prose in Emilia Pardo Bazán

  • Gudrun Ankele (Universität Wien):

The feminist manifesto

  • Véronique Church-Duplessis (University of Toronto):

Les Morlaques ou le roman anthropologique comme moyen pour proposer une alternative à la condition féminine

Section IV: Supposed female preference for the novel. Moderator Agnese Fidecaro

Les discours sur la femme auteur dans la presse féminine en France et en Italie à l’époque 1900: les genres littéraires genrés

  • Esther Susanne Pabst (Université de Giessen):

La théorisation du roman par lettres d'un point de vue des études de genre

  • Marianne Charrier-Vozel (Université de Rennes):

Du larmoyant à la comédie: à propos du roman sentimental et des femmes

Genres development in the literature of Slovene Women Writers until 1900

Section V: Appropriations de genres. Moderator Susanne Goumegou

Defying Genres to Find a Voice. Giustiniana Wynne and the Birth of the Italian Novel

A madhouse of one's own. The representation of mad women as a strategy of subversion and poetological stimulus in the novels of Emilia Pardo Bazán

  • Hanneke Boode (Rijksuniversiteit Groningen):

The Image of Margit Kaffka in Hungarian literature

Section VI: Les femmes lectrices. Moderator Annette Keilhauer

La place des romancières dans l’espace variable d’un genre en essor: Différence des sexes et poétique du roman en Allemagne 1815-1848

Ces héroïnes qui ne lisent plus de romans : Le topos de la lectrice romanesque et la légitimité de la romancière au tournant du XIXe siècle

Closing session
moderated by Alicia Montoya (Rijksuniversiteit Groningen),
participating: Annette Keilhauer, Vanda Anastacio, Teresa de Almeida, Séverine Genieys-Kirk, Agnese Fidecaro, Susanne Goumegou (moderators)

NEWW informal meeting
before the conference, an informal meeting has been held on Thursday 14 May in the afternoon, in order to discuss future developments of the collaborative research.

Organisers:



AsK, September 2010




  • Conferences > NEWW international conferences > Bochum 2009

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