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Recent research, on the feminocentrism of the seventeenth- and eighteenth-century French and English novel, on narratology or on the differences between female and male reading, has shown that not only is the literary discourse tied to issues of gender, but the metadiscourse is equally imbued with it; the ‘querelles des femmes’ were frequently intertwined with literary disputes. <br><br> Recent research, on the feminocentrism of the seventeenth- and eighteenth-century French and English novel, on narratology or on the differences between female and male reading, has shown that not only is the literary discourse tied to issues of gender, but the metadiscourse is equally imbued with it; the ‘querelles des femmes’ were frequently intertwined with literary disputes. <br><br>
-In keeping with the NEWW’s objectives, the conference will cover a relatively long time period, extending from 1400 to 1900, and will also present contributions treating European literatures that are considered ‘marginal’.<br><br>+In keeping with the NEWW’s objectives, the conference will cover a relatively long time period, extending from 1400 to 1900, and will also present contributions treating European literatures that are considered ‘marginal’.<br><br><br>
-The following issues will be addressed:+'''PROGRAMME''' <br>
-* the effects that literary genres (''e.g.'', the novel) were supposed to have on a female public; <br>+
-* the relationships between morality and literature, between realism and idealism;<br>+
-* the impact of the concept of gender on key aesthetic notions; <br>+
-* the consequences for literary history;<br>+
-* the mechanisms of inclusion and exclusion in literary movements;<br>+
-* the ‘gendered’ quality of literary theory and narratology.<br><br>+
-Keynote-speakers:<br>+Keynote-Lecture: <br>
-* Vera Nünning (University of Heidelberg);<br>+* Vera Nünning (University of Heidelberg)<br>
 +Gender, Authority and Female Experience in Novels from the Seventeenth to the Nineteenth Century: A Narratological Perspective <br><br>
Section I: Appropriations de genres <br> Section I: Appropriations de genres <br>
-Geneviève Patard<br>+* Geneviève Patard<br>
-* Les ''Mémoires'' de Madame de Murat (1668?-1716): une réplique à la dérive misogyne du genre. <br> +Les ''Mémoires'' de Madame de Murat (1668?-1716): une réplique à la dérive misogyne du genre. <br>
 +* Irène Zanini-Cordi (Florida State University):<br>
 +Defying Genres to Find a Voice. Giustiniana Wynne and the Birth of the Italian Novel<br>
 +* Hendrik Schlieper (Ruhr-Universität Bochum): <br>
 +A madhouse of one's own. The representation of mad women as a strategy of subversion and poetological stimulus in the novels of Emilia Pardo Bazán<br>
 +* Hanneke Boode (Rijksuniversiteit Groningen):<br>
 +The Image of Margit Kaffka in Hungarian literature<br><br>
Section II: Créations de genres nouveaux <br> Section II: Créations de genres nouveaux <br>
 +
 +
* Joan DeJean (University of Pennsylvania). <br><br> * Joan DeJean (University of Pennsylvania). <br><br>

Revision as of 16:56, 17 February 2009


Bochum, May 2009




Theorizing Narrative Genres and Gender

An international two-day conference will be held on this theme at the Ruhr-Universität Bochum (Germany), on 15 and 16 May 2009.

This conference will discuss:

  • the ways in which certain narrative genres (novels, short stories, fairy tales, autobiographies, personal diaries, travel writing, etc.) have been gendered,
  • the impact that these texts have had on readers, both men and women,
  • the question: what consequences have readers’ reactions and the gendered critical discourse had for the formation and development of narrative literary genres?

Recent research, on the feminocentrism of the seventeenth- and eighteenth-century French and English novel, on narratology or on the differences between female and male reading, has shown that not only is the literary discourse tied to issues of gender, but the metadiscourse is equally imbued with it; the ‘querelles des femmes’ were frequently intertwined with literary disputes.

In keeping with the NEWW’s objectives, the conference will cover a relatively long time period, extending from 1400 to 1900, and will also present contributions treating European literatures that are considered ‘marginal’.


PROGRAMME

Keynote-Lecture:

  • Vera Nünning (University of Heidelberg)

Gender, Authority and Female Experience in Novels from the Seventeenth to the Nineteenth Century: A Narratological Perspective

Section I: Appropriations de genres

  • Geneviève Patard

Les Mémoires de Madame de Murat (1668?-1716): une réplique à la dérive misogyne du genre.

  • Irène Zanini-Cordi (Florida State University):

Defying Genres to Find a Voice. Giustiniana Wynne and the Birth of the Italian Novel

  • Hendrik Schlieper (Ruhr-Universität Bochum):

A madhouse of one's own. The representation of mad women as a strategy of subversion and poetological stimulus in the novels of Emilia Pardo Bazán

  • Hanneke Boode (Rijksuniversiteit Groningen):

The Image of Margit Kaffka in Hungarian literature

Section II: Créations de genres nouveaux


  • Joan DeJean (University of Pennsylvania).


Section III: Fiction vs Non-fiction

Section IV: Supposed female preference for the novel

Section V: Le Paratexte

Section VI: Les femmes lectrices


Conference languages: French and English.
Organisers: Suzan van Dijk, Universiteit Utrecht and Lieselotte Steinbrügge, Ruhr-Universität Bochum.



SvD, January 2009




  • Conferences > NEWW international conferences > Bochum 2009

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