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		<title>Voormoeders - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=Voormoeders&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>SvDijk at 11:04, 2 April 2016</title>
			<link>http://www.womenwriters.nl/index.php?title=Voormoeders&amp;diff=9888&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 11:04, 2 April 2016&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 4:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&lt;/span&gt;Belle van Zuylen &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;en &lt;/span&gt;Juliana de Lannoy&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Lange tijd waren deze twee schrijfsters uit de late achttiende eeuw vooral bekend bij een elite van specialisten. Door hun soms ironische taalgebruik stichtten zij, allebei, weleens verwarring bij de lezer. De Lannoy’s werk werd halverwege de negentiende eeuw herdrukt en positief gerecenseerd. &lt;/span&gt;Belle van Zuylen &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;werd toen vooral in de Franse pers geprezen, maar tijdschriften als de Revue des Deux Mondes werden ook in Nederland gelezen (ook het Haarlemse Leesmuseum had een abonnement), dus “men” kon op de hoogte zijn.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Juliana de Lannoy &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;bleef relatief onbekend totdat Pim van Oostrum eind twintigste eeuw een proefschrift aan haar werk wijdde, waar ze haar neerzette als “gevat”: een onverwachte kwalificatie voor een treurspeldichter... Vanaf dat moment begon er inspiratie van haar werk uit te gaan.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Belle van Zuylen/Isabelle de Charrière was eind negentiende eeuw al door haar Zwitserse biograaf Philippe Godet gepromoot. Toen hij lezingen kwam geven in Nederland, erkenden ook Nederlandse critici dat hier sprake was van een “uitermate belezen en vernuftige jonkvrouw”. Niet iederéén deelde die mening: historica Johanna Naber maakte bezwaar tegen Belle’s on-nette geheime correspondentie met een getrouwde man. Ondanks belangstelling van autoriteiten als Victor van Vriesland en Vasalis moest Nederland nog wachten tot Simone Dubois Belle van Zuylen in 1971 presenteerde als “rebels”. Dat sloeg aan; ook andere schrijfsters – Nelleke Noordervliet bijvoorbeeld – verklaarden zich geïnspireerd door haar werk.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Sat, 02 Apr 2016 11:04:36 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Voormoeders</comments>		</item>
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			<title>SvDijk at 10:56, 2 April 2016</title>
			<link>http://www.womenwriters.nl/index.php?title=Voormoeders&amp;diff=9880&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:56, 2 April 2016&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 17:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Travelling_TexTs HERA TTT meetings] &amp;gt; [http://www.womenwriters.nl/index.php/Exhibition Exhibition in the Netherlands 2015] &amp;gt; [http://www.womenwriters.nl/index.php/Haarlem Haarlem] &amp;gt; eight &amp;gt; Voormoeders? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Travelling_TexTs HERA TTT meetings] &amp;gt; [http://www.womenwriters.nl/index.php/Exhibition Exhibition in the Netherlands 2015] &amp;gt; [http://www.womenwriters.nl/index.php/Haarlem Haarlem] &amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Acht_van_hen &lt;/span&gt;eight&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;&amp;gt; Voormoeders? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sat, 02 Apr 2016 10:56:33 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Voormoeders</comments>		</item>
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			<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == Belle van Zuylen en Juliana de Lannoy ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; '''Belle van Zuylen en Juliana de Lannoy'''&lt;br&gt;&lt;br&gt;     &lt;br&gt;&lt;br&gt;   SvD, April 2016&lt;br&gt;&lt;br&gt;   &lt;hr&gt; &lt;br&gt; *Con...</title>
			<link>http://www.womenwriters.nl/index.php?title=Voormoeders&amp;diff=9879&amp;oldid=prev</link>
			<description>&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Belle van Zuylen en Juliana de Lannoy ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; '''Belle van Zuylen en Juliana de Lannoy'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;     &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;   SvD, April 2016&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;   &amp;lt;hr&amp;gt; &amp;lt;br&amp;gt; *Con...&lt;/p&gt;
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*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Travelling_TexTs HERA TTT meetings] &amp;gt; [http://www.womenwriters.nl/index.php/Exhibition Exhibition in the Netherlands 2015] &amp;gt; [http://www.womenwriters.nl/index.php/Haarlem Haarlem] &amp;gt; eight &amp;gt; Voormoeders? &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</description>
			<pubDate>Sat, 02 Apr 2016 10:55:40 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Voormoeders</comments>		</item>
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