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		<title>Transgressing History and Fiction - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=Transgressing_History_and_Fiction&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>SvDijk at 20:38, 17 November 2012</title>
			<link>http://www.womenwriters.nl/index.php?title=Transgressing_History_and_Fiction&amp;diff=8102&amp;oldid=prev</link>
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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 20:38, 17 November 2012&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;This paper is focussing on Jelena Dimitrijevi?'s ''Letters from Salonica'' (1908) and ''Nove'' (1912). The central interest of both works is the position of ''New women'' in Ottoman society in the wake and right after the Young Turk Revolution. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;This paper is focussing on &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/3494 &lt;/span&gt;Jelena Dimitrijevi?&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;'s &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/works/show/12962 &lt;/span&gt;''Letters from Salonica''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1908) and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/works/show/9506 &lt;/span&gt;''Nove''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1912). The central interest of both works is the position of ''New women'' in Ottoman society in the wake and right after the Young Turk Revolution. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The novel was based on Dimitrijevi?'s impressions from her travel to Salonica in 1908, described in the earlier ''Letters''. Both works present society in conflict, and, more specifically, women who had different attitudes toward new, revolutionary values. The documentary elements which are in common for both the letters and the novel, such as issues of education, tradition, clothes, marriage, will be outlined and it will be pointed to the way they are present in each of the works. The mixture of genres is of special interest: the ''Letters'' contain complete interviews and even small drama, while the novel presents omniscient narration, letters as well as diary entries. This material will enable us to focus on both generic tresspassing and fiction/faction or history/fiction mixture in women's writing. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The novel was based on Dimitrijevi?'s impressions from her travel to Salonica in 1908, described in the earlier ''Letters''. Both works present society in conflict, and, more specifically, women who had different attitudes toward new, revolutionary values. The documentary elements which are in common for both the letters and the novel, such as issues of education, tradition, clothes, marriage, will be outlined and it will be pointed to the way they are present in each of the works. The mixture of genres is of special interest: the ''Letters'' contain complete interviews and even small drama, while the novel presents omniscient narration, letters as well as diary entries. This material will enable us to focus on both generic tresspassing and fiction/faction or history/fiction mixture in women's writing. &lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Sat, 17 Nov 2012 20:38:56 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Transgressing_History_and_Fiction</comments>		</item>
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			<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == Biljana Doj?inovi? ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; '''Transgessing History and Fiction: '''&lt;br&gt; '''History and Genres in Jelena Dimitrijevi?'s ''Letters from Salonica'' and N...</title>
			<link>http://www.womenwriters.nl/index.php?title=Transgressing_History_and_Fiction&amp;diff=8052&amp;oldid=prev</link>
			<description>&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Biljana Doj?inovi? ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; '''Transgessing History and Fiction: '''&amp;lt;br&amp;gt; '''History and Genres in Jelena Dimitrijevi?'s ''Letters from Salonica'' and N...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Biljana Doj?inovi? ==&lt;br /&gt;
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'''Transgessing History and Fiction: '''&amp;lt;br&amp;gt;&lt;br /&gt;
'''History and Genres in Jelena Dimitrijevi?'s ''Letters from Salonica'' and Novel ''Nove'' '''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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This paper is focussing on Jelena Dimitrijevi?'s ''Letters from Salonica'' (1908) and ''Nove'' (1912). The central interest of both works is the position of ''New women'' in Ottoman society in the wake and right after the Young Turk Revolution. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The novel was based on Dimitrijevi?'s impressions from her travel to Salonica in 1908, described in the earlier ''Letters''. Both works present society in conflict, and, more specifically, women who had different attitudes toward new, revolutionary values. The documentary elements which are in common for both the letters and the novel, such as issues of education, tradition, clothes, marriage, will be outlined and it will be pointed to the way they are present in each of the works. The mixture of genres is of special interest: the ''Letters'' contain complete interviews and even small drama, while the novel presents omniscient narration, letters as well as diary entries. This material will enable us to focus on both generic tresspassing and fiction/faction or history/fiction mixture in women's writing. &lt;br /&gt;
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SvD, November 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%22 COST meetings] &amp;gt; [http://www.womenwriters.nl/index.php/Conference_presenting_the_3rd_Milestone Poznan November 2012] &amp;gt; Doj?inovi?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</description>
			<pubDate>Tue, 13 Nov 2012 17:00:03 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Transgressing_History_and_Fiction</comments>		</item>
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