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		<title>Ouida New Woman - Revision history</title>
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			<title>AKulsdom at 15:52, 25 January 2011</title>
			<link>http://www.womenwriters.nl/index.php?title=Ouida_New_Woman&amp;diff=5876&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 15:52, 25 January 2011&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Astrid Kulsdom, January 2011&amp;lt;BR&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Astrid Kulsdom, January 2011&amp;lt;BR&amp;gt;&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Tue, 25 Jan 2011 15:52:03 GMT</pubDate>			<dc:creator>AKulsdom</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Ouida_New_Woman</comments>		</item>
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			<title>AKulsdom at 15:51, 25 January 2011</title>
			<link>http://www.womenwriters.nl/index.php?title=Ouida_New_Woman&amp;diff=5875&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 15:51, 25 January 2011&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Abstract for presentation at the [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade Workshop], 14-16 April 2011:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Abstract for presentation at the [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade Workshop], 14-16 April 2011:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''“An Exception to the Rule: Ouida and the Woman Question”'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''“An Exception to the Rule: Ouida and the Woman Question”'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Not only an industrious novelist but also an avid contributor to several periodicals, Ouida (pseudonym of Louise de la Ramée, 1839-1908) wrote several essays on one of the main issues of the Victorian era: “The Woman Question”. “Female Suffrage”, published in September 1886 in the North American Review, “The New Woman” (1894), which she wrote in response to Sarah &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Grand’s &lt;/span&gt;“The New Aspect of the Woman Question”, and the posthumously published “The Woman Problem” (1909) all generated heated discussion and responses were often published in subsequent issues of the same periodical. Ouida’s hostile views on female suffrage and her aversion to the New Woman were obviously the topic of much debate, but this debate rarely focuses on the fact that Ouida shared many characteristics with the abhorred New Woman. An independent and opinionated woman who was not afraid to make herself be heard, Ouida never married, but befriended many influential men whom she invited to her salons in London and Florence. A survey of Ouida’s role in the Woman Question debate and a comparison of her literary identity and her personal life will provide a closer look at the (non-)conformity of Ouida’s life and work to contemporary values.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Not only an industrious novelist but also an avid contributor to several periodicals, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/120 &lt;/span&gt;Ouida&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(pseudonym of Louise de la Ramée, 1839-1908) wrote several essays on one of the main issues of the Victorian era: “The Woman Question”. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/works/show/10336 &lt;/span&gt;“Female Suffrage”&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;, published in September 1886 in the North American Review, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/receptions/show/22204 &lt;/span&gt;“The New Woman”&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1894), which she wrote in response to &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/3153 &lt;/span&gt;Sarah &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Grand]’s [http://neww.huygens.knaw.nl/works/show/10337 &lt;/span&gt;“The New Aspect of the Woman Question”&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;, and the posthumously published &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/works/show/10338 &lt;/span&gt;“The Woman Problem”&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1909) all generated heated discussion and responses were often published in subsequent issues of the same periodical. Ouida’s hostile views on female suffrage and her aversion to the New Woman were obviously the topic of much debate, but this debate rarely focuses on the fact that Ouida shared many characteristics with the abhorred New Woman. An independent and opinionated woman who was not afraid to make herself be heard, Ouida never married, but befriended many influential men whom she invited to her salons in London and Florence. A survey of Ouida’s role in the Woman Question debate and a comparison of her literary identity and her personal life will provide a closer look at the (non-)conformity of Ouida’s life and work to contemporary values.&lt;/td&gt;&lt;/tr&gt;
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			<pubDate>Tue, 25 Jan 2011 15:51:43 GMT</pubDate>			<dc:creator>AKulsdom</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Ouida_New_Woman</comments>		</item>
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			<title>AKulsdom: New page: &lt;br&gt;__NOEDITSECTION__ == Ouida and the Woman Question ==  &lt;br&gt;&lt;br&gt; Abstract for presentation at the [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade Workshop], 14-16 A...</title>
			<link>http://www.womenwriters.nl/index.php?title=Ouida_New_Woman&amp;diff=5874&amp;oldid=prev</link>
			<description>&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Ouida and the Woman Question ==  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; Abstract for presentation at the [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade Workshop], 14-16 A...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Ouida and the Woman Question ==&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
Abstract for presentation at the [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade Workshop], 14-16 April 2011:&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
'''“An Exception to the Rule: Ouida and the Woman Question”'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
Not only an industrious novelist but also an avid contributor to several periodicals, Ouida (pseudonym of Louise de la Ramée, 1839-1908) wrote several essays on one of the main issues of the Victorian era: “The Woman Question”. “Female Suffrage”, published in September 1886 in the North American Review, “The New Woman” (1894), which she wrote in response to Sarah Grand’s “The New Aspect of the Woman Question”, and the posthumously published “The Woman Problem” (1909) all generated heated discussion and responses were often published in subsequent issues of the same periodical. Ouida’s hostile views on female suffrage and her aversion to the New Woman were obviously the topic of much debate, but this debate rarely focuses on the fact that Ouida shared many characteristics with the abhorred New Woman. An independent and opinionated woman who was not afraid to make herself be heard, Ouida never married, but befriended many influential men whom she invited to her salons in London and Florence. A survey of Ouida’s role in the Woman Question debate and a comparison of her literary identity and her personal life will provide a closer look at the (non-)conformity of Ouida’s life and work to contemporary values.&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Note: Soon to be replaced by a more elaborate analysis of Ouida's relation to the Woman Question.''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
Astrid Kulsdom, January 2011&amp;lt;BR&amp;gt;&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
* [http://www.womenwriters.nl/index.php?title=Ouida Ouida]: Ouida and the Woman Question &amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://www.womenwriters.nl/index.php?title=Ouida_Sources Sources]&lt;/div&gt;</description>
			<pubDate>Tue, 25 Jan 2011 15:49:14 GMT</pubDate>			<dc:creator>AKulsdom</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Ouida_New_Woman</comments>		</item>
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