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		<title>One day in Poznań - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=One_day_in_Pozna%C5%84&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>SvDijk at 20:02, 14 November 2012</title>
			<link>http://www.womenwriters.nl/index.php?title=One_day_in_Pozna%C5%84&amp;diff=8084&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 20:02, 14 November 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Our presentation will be devoted to one of the most controversial and mysterious Polish women authors who in many ways embodies the key idea of our conference - transgression. Maria Komornicka (1876-1949) gained literary fame as a poet in her early youth. Together with two more experienced colleagues (C. Jellenta and W. Na?kowski) she published an artistic manifesto entitled ''Forpoczty'' (Front line troops; 1895), thus establishing her position in the intellectual and esthetic Polish avant-garde of the time. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Our presentation will be devoted to one of the most controversial and mysterious Polish women authors who in many ways embodies the key idea of our conference - transgression. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/4897 &lt;/span&gt;Maria Komornicka&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1876-1949) gained literary fame as a poet in her early youth. Together with two more experienced &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;(male) &lt;/span&gt;colleagues (C. Jellenta and W. Na?kowski) she published an artistic manifesto entitled ''Forpoczty'' (Front line troops; 1895), thus establishing her position in the intellectual and esthetic Polish avant-garde of the time. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;During her short time as a student at Cambridge she met young English women and developed a sceptical attitude towards what she saw as their superficial emancipation. Back home she soon became notorious for her unconventional behaviour and a stormy relationship with her husband Jan Lema?ski. In June 1907, while travelling with her mother to a seaside spa, she stopped for one night in Pozna?, where in a hotel room she burned her female clothes and started to call herself by the male name of Piotr Odmieniec W?ast. From then on her life was a long, sad journey through various asylums and family estates, finally ending in 1949 in a rest home.&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;During her short time as a student at Cambridge she met young English women and developed a sceptical attitude towards what she saw as their superficial emancipation. Back home she soon became notorious for her unconventional behaviour and a stormy relationship with her husband Jan Lema?ski. In June 1907, while travelling with her mother to a seaside spa, she stopped for one night in Pozna?, where in a hotel room she burned her female clothes and started to call herself by the male name of Piotr Odmieniec W?ast. From then on her life was a long, sad journey through various asylums and family estates, finally ending in 1949 in a rest home.&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Wed, 14 Nov 2012 20:02:33 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:One_day_in_Pozna%C5%84</comments>		</item>
		<item>
			<title>SvDijk at 17:06, 13 November 2012</title>
			<link>http://www.womenwriters.nl/index.php?title=One_day_in_Pozna%C5%84&amp;diff=8055&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 17:06, 13 November 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;== Brigitte Helbig-Mischewski, Ewa Kraskowska ==&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''One day in Pozna?, or how Maria Komornicka became Piotr &amp;quot;the Changeling” W?ast'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Brigitte Helbig-Mischewski, Ewa Kraskowska&lt;/span&gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Our presentation will be devoted to one of the most controversial and mysterious Polish women authors who in many ways embodies the key idea of our conference - transgression. Maria Komornicka (1876-1949) gained literary fame as a poet in her early youth. Together with two more experienced colleagues (C. Jellenta and W. Na?kowski) she published an artistic manifesto entitled ''Forpoczty'' (Front line troops; 1895), thus establishing her position in the intellectual and esthetic Polish avant-garde of the time. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;One day &lt;/span&gt;in Pozna?, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;or how Maria Komornicka became &lt;/span&gt;Piotr &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;„the Chageling” &lt;/span&gt;W?ast&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;During her short time as a student at Cambridge she met young English women and developed a sceptical attitude towards what she saw as their superficial emancipation. Back home she soon became notorious for her unconventional behaviour and a stormy relationship with her husband Jan Lema?ski. In June 1907, while travelling with her mother to a seaside spa, she stopped for one night &lt;/span&gt;in Pozna?, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;where in a hotel room she burned her female clothes and started to call herself by the male name of &lt;/span&gt;Piotr &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Odmieniec &lt;/span&gt;W?ast&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;. From then on her life was a long, sad journey through various asylums and family estates, finally ending in 1949 in a rest home.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Our presentation will be devoted to one of the most controversial &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;mysterious Polish women authors who in many ways embodies the key idea of our conference - transgression&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Maria Komornicka (1876-1949) gained literary fame as a poet in her early youth&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Together with two more experienced colleagues (C&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Jellenta and W&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Na?kowski) she published an artistic manifesto entitled Forpoczty ('front line troops'; 1895), thus establishing her position in the intellectual and esthetic Polish avant-garde of the time&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;During her short time as a student at Cambridge she met young English women and developed a sceptical attitude towards what she saw as their superficial emancipation. Back home she soon became notorious for her unconventional behaviour and a stormy relationship with her husband Jan Lema?ski. In June 1907, while travelling with her mother to a seaside spa, she stopped for one night in Pozna?, where in a hotel room she burned her female clothes and started to call herself by the male name of Piotr Odmieniec W?ast. From then on her life was a long, sad journey through various asylums and family estates, finally ending in 1949 in a rest home&lt;/span&gt;.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;SvD, November 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*Conferences &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;activities &amp;gt; [http://www&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;womenwriters&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;nl/index&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;php/Meetings_of_COST_Action_%22Women_Writers_In_History%22 COST meetings] &amp;gt; [http://www&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;womenwriters&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;nl/index&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;php/Conference_presenting_the_3rd_Milestone Poznan November 2012] &amp;gt; Helbig-Mischewski/Kraskowska&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 13 Nov 2012 17:06:52 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:One_day_in_Pozna%C5%84</comments>		</item>
		<item>
			<title>SvDijk: New page:    Brigitte Helbig-Mischewski, Ewa Kraskowska   One day in Pozna?, or how Maria Komornicka became Piotr „the Chageling” W?ast  Our presentation will be devoted to one of the most con...</title>
			<link>http://www.womenwriters.nl/index.php?title=One_day_in_Pozna%C5%84&amp;diff=8054&amp;oldid=prev</link>
			<description>&lt;p&gt;New page:    Brigitte Helbig-Mischewski, Ewa Kraskowska   One day in Pozna?, or how Maria Komornicka became Piotr „the Chageling” W?ast  Our presentation will be devoted to one of the most con...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
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Brigitte Helbig-Mischewski, Ewa Kraskowska&lt;br /&gt;
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One day in Pozna?, or how Maria Komornicka became Piotr „the Chageling” W?ast&lt;br /&gt;
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Our presentation will be devoted to one of the most controversial and mysterious Polish women authors who in many ways embodies the key idea of our conference - transgression. Maria Komornicka (1876-1949) gained literary fame as a poet in her early youth. Together with two more experienced colleagues (C. Jellenta and W. Na?kowski) she published an artistic manifesto entitled Forpoczty ('front line troops'; 1895), thus establishing her position in the intellectual and esthetic Polish avant-garde of the time. During her short time as a student at Cambridge she met young English women and developed a sceptical attitude towards what she saw as their superficial emancipation. Back home she soon became notorious for her unconventional behaviour and a stormy relationship with her husband Jan Lema?ski. In June 1907, while travelling with her mother to a seaside spa, she stopped for one night in Pozna?, where in a hotel room she burned her female clothes and started to call herself by the male name of Piotr Odmieniec W?ast. From then on her life was a long, sad journey through various asylums and family estates, finally ending in 1949 in a rest home.&lt;/div&gt;</description>
			<pubDate>Tue, 13 Nov 2012 17:04:11 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:One_day_in_Pozna%C5%84</comments>		</item>
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