On Export - Revision history

SvDijk at 11:58, 12 January 2014

SvDijk — Sun, 12 Jan 2014 11:58:12 GMT

←Older revision		Revision as of 11:58, 12 January 2014
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	The aim of our project entitled ''Swedish women writers on export in the 19th century'' is to chart and analyze the transnational networks and [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper%28authors_works.name%29&page=1&searchtoggle=on&workauthor=&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&receptionyear=&references=&per_page=20&x=14&y=23 international impact of Swedish women writers] in the 19th century, in order to arrive at a new understanding of the period in Swedish and European literary history. At the core of the project are questions about the preconditions of an international reception, the intermediaries, the cultural mechanisms and system of distribution that determined the dissemination and facilitated international acknowledgement. <br><br>		The aim of our project entitled ''Swedish women writers on export in the 19th century'' is to chart and analyze the transnational networks and [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper%28authors_works.name%29&page=1&searchtoggle=on&workauthor=&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&receptionyear=&references=&per_page=20&x=14&y=23 international impact of Swedish women writers] in the 19th century, in order to arrive at a new understanding of the period in Swedish and European literary history. At the core of the project are questions about the preconditions of an international reception, the intermediaries, the cultural mechanisms and system of distribution that determined the dissemination and facilitated international acknowledgement. <br><br>
		+
		+	'''November 2013 the ''Swedish Women Writers on Export'' project was accepted by the Swedish Research Council. It involves Jenny Bergenmar, Yvonne Leffler, Gunilla Hermansson, Birgitta Johannson and Åsa Arping.'''<br><br>

	In this paper, [http://neww.huygens.knaw.nl/authors/show/52 Emilie Flygare-Carlén] (1807-1892) will be used as an example of the difficulties in mapping an international reception. Flygare-Carlén was the [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=flygare&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&medium_ids=11&medium_ids=20&medium_ids=28&receptionyear=&references=&notes=&per_page=200 most translated Swedish writer] of her time, her novels were more popular in Scandinavia and Europe than [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=bremer%2C+f&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&medium_ids=11&medium_ids=20&medium_ids=28&receptionyear=&references=&notes=&per_page=200&x=11&y=18 Fredrika Bremer]’s works and some of them also generated “fan fiction”. Some problems of how to categorize international reception and dissemination will be discussed as well as certain aspects of how to visualize the material.		In this paper, [http://neww.huygens.knaw.nl/authors/show/52 Emilie Flygare-Carlén] (1807-1892) will be used as an example of the difficulties in mapping an international reception. Flygare-Carlén was the [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=flygare&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&medium_ids=11&medium_ids=20&medium_ids=28&receptionyear=&references=&notes=&per_page=200 most translated Swedish writer] of her time, her novels were more popular in Scandinavia and Europe than [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=bremer%2C+f&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&medium_ids=11&medium_ids=20&medium_ids=28&receptionyear=&references=&notes=&per_page=200&x=11&y=18 Fredrika Bremer]’s works and some of them also generated “fan fiction”. Some problems of how to categorize international reception and dissemination will be discussed as well as certain aspects of how to visualize the material.
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-	AsK, September 2012<br><br><br>	+	SvD, January 2014<br><br><br>

	<hr>		<hr>
	<br>		<br>
	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Leffler/Hermannson <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Leffler/Hermannson <br><br>

AKulsdom at 10:11, 12 September 2012

AKulsdom — Wed, 12 Sep 2012 10:11:26 GMT

←Older revision		Revision as of 10:11, 12 September 2012
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-	SvD, March 2012<br><br><br>	+	AsK, September 2012<br><br><br>

	<hr>		<hr>
	<br>		<br>
	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Leffler/Hermannson <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Leffler/Hermannson <br><br>

SvDijk at 23:29, 3 March 2012

SvDijk — Sat, 03 Mar 2012 23:29:28 GMT

←Older revision		Revision as of 23:29, 3 March 2012
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	''Abstract''<br><br>		''Abstract''<br><br>

-	The aim of our project entitled ''Swedish women writers on export in the 19th century'' is to chart and analyze the transnational networks and international impact of Swedish women writers in the 19th century, in order to arrive at a new understanding of the period in Swedish and European literary history. At the core of the project are questions about the preconditions of an international reception, the intermediaries, the cultural mechanisms and system of distribution that determined the dissemination and facilitated international acknowledgement. <br><br>	+	The aim of our project entitled ''Swedish women writers on export in the 19th century'' is to chart and analyze the transnational networks and [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper%28authors_works.name%29&page=1&searchtoggle=on&workauthor=&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&receptionyear=&references=&per_page=20&x=14&y=23 international impact of Swedish women writers] in the 19th century, in order to arrive at a new understanding of the period in Swedish and European literary history. At the core of the project are questions about the preconditions of an international reception, the intermediaries, the cultural mechanisms and system of distribution that determined the dissemination and facilitated international acknowledgement. <br><br>

-	In this paper, Emilie Flygare-Carlén (1807-1892) will be used as an example of the difficulties in mapping an international reception. Flygare-Carlén was the most translated Swedish writer of her time, her novels were more popular in Scandinavia and Europe than Fredrika Bremer’s works and some of them also generated “fan fiction”. Some problems of how to categorize international reception and dissemination will be discussed as well as certain aspects of how to visualize the material.	+	In this paper, [http://neww.huygens.knaw.nl/authors/show/52 Emilie Flygare-Carlén] (1807-1892) will be used as an example of the difficulties in mapping an international reception. Flygare-Carlén was the [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=flygare&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&medium_ids=11&medium_ids=20&medium_ids=28&receptionyear=&references=&notes=&per_page=200 most translated Swedish writer] of her time, her novels were more popular in Scandinavia and Europe than [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=bremer%2C+f&worktitle=&workcountry_ids=7&receptionauthor=&gender=&receptiontitle=&medium_ids=11&medium_ids=20&medium_ids=28&receptionyear=&references=&notes=&per_page=200&x=11&y=18 Fredrika Bremer]’s works and some of them also generated “fan fiction”. Some problems of how to categorize international reception and dissemination will be discussed as well as certain aspects of how to visualize the material.

SvDijk at 18:24, 3 March 2012

SvDijk — Sat, 03 Mar 2012 18:24:52 GMT

←Older revision		Revision as of 18:24, 3 March 2012
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	<br>__NOEDITSECTION__		<br>__NOEDITSECTION__
-	== Workshop Bucharest 26-28 April 2012 ==	+	== Yvonne Leffler and Gunilla Hermannson ==


	<br><br><br>		<br><br><br>
		+	'''Swedish women writers on export in the 19th century'''<br><br>
		+
		+	''Abstract''<br><br>
		+
		+	The aim of our project entitled ''Swedish women writers on export in the 19th century'' is to chart and analyze the transnational networks and international impact of Swedish women writers in the 19th century, in order to arrive at a new understanding of the period in Swedish and European literary history. At the core of the project are questions about the preconditions of an international reception, the intermediaries, the cultural mechanisms and system of distribution that determined the dissemination and facilitated international acknowledgement. <br><br>
		+
		+	In this paper, Emilie Flygare-Carlén (1807-1892) will be used as an example of the difficulties in mapping an international reception. Flygare-Carlén was the most translated Swedish writer of her time, her novels were more popular in Scandinavia and Europe than Fredrika Bremer’s works and some of them also generated “fan fiction”. Some problems of how to categorize international reception and dissemination will be discussed as well as certain aspects of how to visualize the material.
		+

SvDijk: New page:
NOEDITSECTION == Workshop Bucharest 26-28 April 2012 ==

SvD, March 2012

*Conferences > [http://www.womenwriters.nl/index.php...

SvDijk — Sat, 03 Mar 2012 15:08:26 GMT

New page: __NOEDITSECTION__ == Workshop Bucharest 26-28 April 2012 == SvD, March 2012 <hr> *Conferences > [http://www.womenwriters.nl/index.php...

New page