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		<title>Nancy, June 2010 - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>SvDijk at 18:26, 12 January 2014</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=9274&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 18:26, 12 January 2014&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;'''Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Wege aus der Marginalisierung / Echapper à la marginalisation&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;].'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;. &lt;/span&gt;Wege aus der Marginalisierung / Echapper à la marginalisation].'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sun, 12 Jan 2014 18:26:24 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 11:00, 12 January 2014</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=9196&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 11:00, 12 January 2014&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation ''Wege aus der Marginalisierung / Echapper à la marginalisation''].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&lt;/span&gt;Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation ''Wege aus der Marginalisierung / Echapper à la marginalisation''].&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sun, 12 Jan 2014 11:00:19 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 10:59, 12 January 2014</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=9195&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:59, 12 January 2014&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation ''Wege aus der Marginalisierung / Echapper à la marginalisation''].&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation ''Wege aus der Marginalisierung / Echapper à la marginalisation''].&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sun, 12 Jan 2014 10:59:56 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 10:59, 12 January 2014</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=9194&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:59, 12 January 2014&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This conference was organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also took place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language was German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Contributions to this conference were published in the volume entitled [http://www.womenwriters.nl/index.php/Wege_aus_der_Marginalisierung_/_Echapper_%C3%A0_la_marginalisation ''Wege aus der Marginalisierung / Echapper à la marginalisation''].&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 98:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 100:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;SvD, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;June 2010&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;SvD, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;January 2014&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Conferences &amp;gt; NEWW international conferences &amp;gt; Nancy 2010 &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Conferences &amp;gt; NEWW international conferences &amp;gt; Nancy 2010 &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sun, 12 Jan 2014 10:59:36 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 22:18, 22 December 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=5668&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 22:18, 22 December 2010&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 53:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 53:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*[http://www.womenwriters.nl/index.php/Juliana_Jovicic Juliana Jovicic] (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*[http://www.womenwriters.nl/index.php/Juliana_Jovicic Juliana Jovicic] (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*[http://www.womenwriters.nl/index.php/Suzan_van_Dijk%2C_Utrecht_University &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Dr. &lt;/span&gt;Suzan van Dijk] (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*[http://www.womenwriters.nl/index.php/Suzan_van_Dijk%2C_Utrecht_University Suzan van Dijk] (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Wed, 22 Dec 2010 22:18:47 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>AKulsdom at 10:14, 29 September 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=4930&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:14, 29 September 2010&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 32:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 32:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;'''Sektion  I: Ausdifferenzierungen des Romans (Moderation: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Katja &lt;/span&gt;Mihurko, Nova Gorica, NEWW)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''Sektion  I: Ausdifferenzierungen des Romans (Moderation: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Katja_Mihurko_Poniz &lt;/span&gt;Mihurko&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;, Nova Gorica, NEWW)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;10.45 - 12.45 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;10.45 - 12.45 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 46:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 46:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Sektion II: Räume und Bewegung (Moderation: Anne Feuchter-Feler, Metz, CEGIL)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Sektion II: Räume und Bewegung (Moderation: Anne Feuchter-Feler, Metz, CEGIL)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Elisa Müller-Adams (Trier): Imaginierte Geographien ([http://neww.huygens.knaw.nl/authors/show/488 Johanna Kinkel] und [http://neww.huygens.knaw.nl/authors/show/83 Ida von Düringsfeld])&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Elisa_M%C3%BCller-Adams_%28Universit%C3%A4t_Trier%29 &lt;/span&gt;Elisa Müller-Adams&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(Trier): Imaginierte Geographien ([http://neww.huygens.knaw.nl/authors/show/488 Johanna Kinkel] und [http://neww.huygens.knaw.nl/authors/show/83 Ida von Düringsfeld])&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Katja Mihurko (Nova Gorica): Die Rezeption deutscher Erzählerinnen [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&amp;amp;sort=upper%28authors_works.name%29&amp;amp;page=1&amp;amp;searchtoggle=on&amp;amp;workauthor=&amp;amp;worktitle=&amp;amp;workcountry_ids%5B%5D=4&amp;amp;receptionauthor=&amp;amp;receptiontitle=&amp;amp;receptionyear=&amp;amp;country_ids%5B%5D=2122&amp;amp;references=&amp;amp;notes=&amp;amp;per_page=20&amp;amp;x=16&amp;amp;y=23 im slowenischen Kulturleben] des 19. Jahrhunderts&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Katja Mihurko (Nova Gorica): Die Rezeption deutscher Erzählerinnen [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&amp;amp;sort=upper%28authors_works.name%29&amp;amp;page=1&amp;amp;searchtoggle=on&amp;amp;workauthor=&amp;amp;worktitle=&amp;amp;workcountry_ids%5B%5D=4&amp;amp;receptionauthor=&amp;amp;receptiontitle=&amp;amp;receptionyear=&amp;amp;country_ids%5B%5D=2122&amp;amp;references=&amp;amp;notes=&amp;amp;per_page=20&amp;amp;x=16&amp;amp;y=23 im slowenischen Kulturleben] des 19. Jahrhunderts&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 52:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 52:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Juliana Jovicic (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Juliana_Jovicic &lt;/span&gt;Juliana Jovicic&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Dr. Suzan van Dijk (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Suzan_van_Dijk%2C_Utrecht_University &lt;/span&gt;Dr. Suzan van Dijk&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 71:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 71:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;9.00 - 10.30&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;9.00 - 10.30&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Beate Borowka-Clausberg (Hamburg): Gespiegelte Persönlichkeiten - [http://neww.huygens.knaw.nl/authors/show/54 Ida Gräfin Hahn-Hahn]s Romanheldinnen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Beate Borowka-Clausberg (Hamburg): Gespiegelte Persönlichkeiten - [http://neww.huygens.knaw.nl/authors/show/54 Ida Gräfin Hahn-Hahn]s Romanheldinnen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Kerstin Wiedemann (Nancy): Die Einblendung weiblicher Perspektiven in die Geschichte – [http://neww.huygens.knaw.nl/authors/show/1133 Henriette Paalzow]s historische Romane&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Kerstin_Wiedemann%2C_University_of_Nancy_II%29 &lt;/span&gt;Kerstin Wiedemann&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(Nancy): Die Einblendung weiblicher Perspektiven in die Geschichte – [http://neww.huygens.knaw.nl/authors/show/1133 Henriette Paalzow]s historische Romane&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Andrea Horváth (Debrecen): Weibliche Vielschichtigkeit im Werk der [http://neww.huygens.knaw.nl/authors/show/1635 Lou Andreas-Salomé].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Andrea Horváth (Debrecen): Weibliche Vielschichtigkeit im Werk der [http://neww.huygens.knaw.nl/authors/show/1635 Lou Andreas-Salomé].&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Wed, 29 Sep 2010 10:14:14 GMT</pubDate>			<dc:creator>AKulsdom</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 19:37, 18 July 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=4446&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 19:37, 18 July 2010&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 7:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 7:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Gender and narrative practice in novels by German-speaking women, 1780-1914.'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Gender and narrative practice in novels by German-speaking women, 1780-1914.'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;This conference &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;is &lt;/span&gt;organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;takes &lt;/span&gt;place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;is &lt;/span&gt;German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;This conference &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;was &lt;/span&gt;organized, 24 and 25 June 2010, by the Centre d’études germaniques interculturelles de Lorraine (CEGIL, University of Nancy 2), and the Centrum für Postcolonial und Gender Studies (Cepog, University of Trier). It also &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;took &lt;/span&gt;place in the context of the international network &amp;quot;New approaches to European Women's Writing&amp;quot; (NEWW). Conference language &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;was &lt;/span&gt;German.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Recent narratological research, especially into Anglophone literature, has demonstrated convincingly the fundamental significance of the category &amp;quot;gender&amp;quot; in narrative texts, not only within the characterization of figures, but also as a factor affecting all communicative aspects  of the narrative (cf. Vera Nünning/Ansgar Nünning, ''Erzähltextanalyse und Gender Studies'', p. 13). Summing up the results of this research, Ina Schabert notes that female writers have sought to define their own voices by reformulating male literary norms, which tend to objectify women. Female writers tell their own, different, story destabilising the narrative patterns established by male writers as they infringe the prescribed narratological grammar. (Ina Schabert, ''Englische Literaturgeschichte. Eine neue Darstellung aus der Sicht der Geschlechterforschung'', p. 13).  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sun, 18 Jul 2010 19:37:02 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 16:08, 17 June 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=4396&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 16:08, 17 June 2010&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 52:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 52:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Juliana Jovicic (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Juliana Jovicic (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Dr. Suzan van Dijk (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;Dr. Suzan van Dijk (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Thu, 17 Jun 2010 16:08:32 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 16:07, 17 June 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=4395&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 16:07, 17 June 2010&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 13:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 13:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Focusing on novels and stories by German-speaking women in the late 18th century and 19th century, a period when female authors contributed in great measure to the development and differentiation of the novel as a genre, the conference attempts to put this alliance between narratological and gender studies into practice by discussing the relationship between the historical and cultural location of women’s writing and the narrative strategies employed by female authors.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Focusing on novels and stories by German-speaking women in the late 18th century and 19th century, a period when female authors contributed in great measure to the development and differentiation of the novel as a genre, the conference attempts to put this alliance between narratological and gender studies into practice by discussing the relationship between the historical and cultural location of women’s writing and the narrative strategies employed by female authors.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;(Vorläufiges) &lt;/span&gt;PROGRAMM''&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;''PROGRAMM''&amp;lt;BR&amp;gt;&amp;lt;BR&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Wege aus der Marginalisierung: &amp;lt;BR&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Wege aus der Marginalisierung: &amp;lt;BR&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 32:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 32:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;'''Sektion  I: Ausdifferenzierungen des Romans (Moderation: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;N.N.&lt;/span&gt;)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''Sektion  I: Ausdifferenzierungen des Romans (Moderation: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Katja Mihurko, Nova Gorica, NEWW&lt;/span&gt;)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;10.45 - 12.45 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;10.45 - 12.45 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 43:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 43:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Mittagessen&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Mittagessen&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;14.30 - 15.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;15 &lt;/span&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;14.30 - 15.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;30 &lt;/span&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Dr. Suzan van Dijk &lt;/span&gt;(&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;NEWW)&lt;/span&gt;: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Deutsche Schriftstellerinnen in ihrem Europäischen Context&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''Sektion II: Räume und Bewegung &lt;/span&gt;(&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Moderation&lt;/span&gt;: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Anne Feuchter-Feler, Metz, CEGIL)'''&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;15&lt;/span&gt;.15-15.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;30 &lt;/span&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*Elisa Müller-Adams (Trier): Imaginierte Geographien ([http://neww&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;huygens.knaw.nl/authors/show/488 Johanna Kinkel] und [http://neww.huygens.knaw.nl/authors/show/83 Ida von Düringsfeld])&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*Katja Mihurko (Nova Gorica): Die Rezeption deutscher Erzählerinnen [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&amp;amp;sort=upper%28authors_works.name%29&amp;amp;page=1&amp;amp;searchtoggle=on&amp;amp;workauthor=&amp;amp;worktitle=&amp;amp;workcountry_ids%5B%5D=4&amp;amp;receptionauthor=&amp;amp;receptiontitle=&amp;amp;receptionyear=&amp;amp;country_ids%5B%5D=2122&amp;amp;references=&amp;amp;notes=&amp;amp;per_page=20&amp;amp;x=16&amp;amp;y=23 im slowenischen Kulturleben] des 19. Jahrhunderts&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;15&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;.30&lt;/span&gt;-15.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;45 &lt;/span&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Kaffeepause&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;'''Sektion II: Räume und Bewegung (Moderation: N.N.)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;15.30-17.00&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Elisa Müller-Adams (Trier): Imaginierte Geographien ([http://neww.huygens.knaw.nl/authors/show/488 Johanna Kinkel] und [http://neww.huygens.knaw.nl/authors/show/83 Ida von Düringsfeld])&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Katja Mihurko (Nova Gorica): Die Rezeption deutscher Erzählerinnen [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&amp;amp;sort=upper%28authors_works.name%29&amp;amp;page=1&amp;amp;searchtoggle=on&amp;amp;workauthor=&amp;amp;worktitle=&amp;amp;workcountry_ids%5B%5D=4&amp;amp;receptionauthor=&amp;amp;receptiontitle=&amp;amp;receptionyear=&amp;amp;country_ids%5B%5D=2122&amp;amp;references=&amp;amp;notes=&amp;amp;per_page=20&amp;amp;x=16&amp;amp;y=23 im slowenischen Kulturleben] des 19. Jahrhunderts&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Juliana Jovicic (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Juliana Jovicic (Novi Sad): Gender-orientierte Erzähltextanalyse und Interpretation von  [http://neww.huygens.knaw.nl/authors/show/3452 Talvj]s Erzählungen&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Dr. Suzan van Dijk (NEWW): Deutsche Schriftstellerinnen in ihrem Europäischen Context&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;18.00-19.00 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;SvD, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;May &lt;/span&gt;2010&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;SvD, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;June &lt;/span&gt;2010&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Conferences &amp;gt; NEWW international conferences &amp;gt; Nancy 2010 &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Conferences &amp;gt; NEWW international conferences &amp;gt; Nancy 2010 &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Thu, 17 Jun 2010 16:07:30 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
		<item>
			<title>SvDijk at 18:23, 7 May 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Nancy%2C_June_2010&amp;diff=4081&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 18:23, 7 May 2010&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;14.30 - 15.15 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;14.30 - 15.15 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Dr. Suzan van Dijk (NEWW): &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Dr. Suzan van Dijk (NEWW): &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Deutsche Schriftstellerinnen in ihrem Europäischen Context&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;15.15-15.30 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;15.15-15.30 &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Fri, 07 May 2010 18:23:32 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Nancy%2C_June_2010</comments>		</item>
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