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		<title>Médiatrices - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=M%C3%A9diatrices&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>SvDijk at 13:57, 17 June 2009</title>
			<link>http://www.womenwriters.nl/index.php?title=M%C3%A9diatrices&amp;diff=3088&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 13:57, 17 June 2009&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 5:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Germaine de Staël's (1766-1817) extraordinary activity as a cosmopolitan&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.databasewomenwriters.nl/author.asp?authorID=34 &lt;/span&gt;Germaine de Staël&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;'s (1766-1817) extraordinary activity as a cosmopolitan&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;mediator between different European cultures was based on her belief in&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;mediator between different European cultures was based on her belief in&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;the necessity and possibility of intercultural exchange and emulation,&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;the necessity and possibility of intercultural exchange and emulation,&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Wed, 17 Jun 2009 13:57:35 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:M%C3%A9diatrices</comments>		</item>
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			<title>SvDijk at 07:19, 3 May 2009</title>
			<link>http://www.womenwriters.nl/index.php?title=M%C3%A9diatrices&amp;diff=2852&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 07:19, 3 May 2009&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;== &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Leaving the castle &lt;/span&gt;==&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;== &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Mediators: From Germaine de Staël to Gayatri Spivak &lt;/span&gt;==&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Having left &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;castle &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Zuylen, Isabelle de Charrière explored many avenues &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;possible worlds through her creative writing&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;and set &lt;/span&gt;her &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;fiction not only &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Switzerland&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;but also in England&lt;/span&gt;, and in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Germany&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Taking as its point &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;departure &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;obstacles overcome by Julie&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Belle de Zuylen’s first heroine, as she runs from her ancestors' castle in ''Le Noble'' (1763), this study examines &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;comparable difficulties encountered &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''Lettres neuchâteloises'' (1784), ''Caliste'' (1787), and ''Trois femmes'' (1795) by some remarkable characters who dare to stand up against &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;customs&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;ideas&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;and preconceptions of their society &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;hopes &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;modernizing an antiquated social contract&lt;/span&gt;.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Germaine de Staël's (1766-1817) extraordinary activity as a cosmopolitan&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;mediator between different European cultures was based on her belief in&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;necessity and possibility &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;intercultural exchange &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;emulation&lt;/span&gt;,&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;which led &lt;/span&gt;her &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;to recognise the need for a reflection on the different forms of translation. The questioning of the process of mediation intensified &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the 20th century&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;when its results seemed much less certain than at the beginning of Romanticism. Intellectuals like Susan Sontag&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Hannah Arendt &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Gayatri Spivak have developed more critical and difficult relationships to the different identities they bring into play: their positions take into account the tensions, conflicts and power relations reflected &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the activity of mediating and translating&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;While Germaine de Staël witnessed the emergence &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;romantic paradigm which links the nation to territory and language&lt;/span&gt;, the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;increasing diversity of populations &lt;/span&gt;in the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;21st century radically alters the activity of translation. It is no longer a reduplication and&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;substitution but&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;as «cultural translation»&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;a practice inherent &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the life conditions of the woman writer at the crossroads &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;languages&lt;/span&gt;.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/table&gt;</description>
			<pubDate>Sun, 03 May 2009 07:19:41 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:M%C3%A9diatrices</comments>		</item>
		<item>
			<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == Leaving the castle ==   &lt;br&gt;&lt;br&gt; ''Abstract:''&lt;br&gt;&lt;br&gt; Having left the castle of Zuylen, Isabelle de Charrière explored many avenues and possible worlds through h...</title>
			<link>http://www.womenwriters.nl/index.php?title=M%C3%A9diatrices&amp;diff=2851&amp;oldid=prev</link>
			<description>&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Leaving the castle ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; ''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; Having left the castle of Zuylen, Isabelle de Charrière explored many avenues and possible worlds through h...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Leaving the castle ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
Having left the castle of Zuylen, Isabelle de Charrière explored many avenues and possible worlds through her creative writing, and set her fiction not only in Switzerland, but also in England, and in Germany. Taking as its point of departure the obstacles overcome by Julie, Belle de Zuylen’s first heroine, as she runs from her ancestors' castle in ''Le Noble'' (1763), this study examines the comparable difficulties encountered in ''Lettres neuchâteloises'' (1784), ''Caliste'' (1787), and ''Trois femmes'' (1795) by some remarkable characters who dare to stand up against the customs, ideas, and preconceptions of their society in hopes of modernizing an antiquated social contract.&lt;br /&gt;
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&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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SvD, May 2009&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
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&amp;lt;br&amp;gt;&lt;br /&gt;
*Publications &amp;gt; Volumes ''WomenWriters'' &amp;gt; Crossroads of Languages &amp;gt; Simon&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</description>
			<pubDate>Sun, 03 May 2009 07:17:00 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:M%C3%A9diatrices</comments>		</item>
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