http://www.womenwriters.nl/index.php?title=Kerstin_Wiedemann&action=history Revision history for this page on the wiki en MediaWiki 1.9.3 Wed, 13 May 2026 00:44:03 GMT http://www.womenwriters.nl/index.php?title=Kerstin_Wiedemann&diff=2891&oldid=prev <p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 08:23, 3 May 2009</td> </tr> <tr><td colspan="2" align="left"><strong>Line 6:</strong></td> <td colspan="2" align="left"><strong>Line 6:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">'''Intertextuality as a form of networking: references to George Sand (1804-1876) in some novels by contemporary women''' &lt;br&gt;&lt;br&gt;</td><td> </td><td style="background: #eee; font-size: smaller;">'''Intertextuality as a form of networking: references to George Sand (1804-1876) in some novels by contemporary women''' &lt;br&gt;&lt;br&gt;</td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;">''Abstract:''&lt;br&gt;</td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">Creating intertextual links to the works of [http://www.databasewomenwriters.nl/author.asp?authorID=7 George Sand] seems to be a characteristic of the female reception of the famous French novelist in 19th-century Germany. Intertextuality seen as a deliberately chosen narrative strategy constitutes an important form of “creative reception” (Genevray 2003) and marks a certain number of female novels of this period, connecting them to a model which their authors nevertheless rarely evoke openly.&lt;br&gt;&lt;br&gt;</td><td> </td><td style="background: #eee; font-size: smaller;">Creating intertextual links to the works of [http://www.databasewomenwriters.nl/author.asp?authorID=7 George Sand] seems to be a characteristic of the female reception of the famous French novelist in 19th-century Germany. Intertextuality seen as a deliberately chosen narrative strategy constitutes an important form of “creative reception” (Genevray 2003) and marks a certain number of female novels of this period, connecting them to a model which their authors nevertheless rarely evoke openly.&lt;br&gt;&lt;br&gt;</td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> </table> Sun, 03 May 2009 08:23:52 GMT SvDijk http://www.womenwriters.nl/index.php/Talk:Kerstin_Wiedemann http://www.womenwriters.nl/index.php?title=Kerstin_Wiedemann&diff=1351&oldid=prev <p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 12:59, 1 May 2008</td> </tr> <tr><td colspan="2" align="left"><strong>Line 6:</strong></td> <td colspan="2" align="left"><strong>Line 6:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">'''Intertextuality as a form of networking: references to George Sand (1804-1876) in some novels by contemporary women''' &lt;br&gt;&lt;br&gt;</td><td> </td><td style="background: #eee; font-size: smaller;">'''Intertextuality as a form of networking: references to George Sand (1804-1876) in some novels by contemporary women''' &lt;br&gt;&lt;br&gt;</td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">Creating intertextual links to the works of George Sand seems to be a characteristic of the female reception of the famous French novelist in 19th-century Germany. Intertextuality seen as a deliberately chosen narrative strategy constitutes an important form of “creative reception” (Genevray 2003) and marks a certain number of female novels of this period, connecting them to a model which their authors nevertheless rarely evoke openly.&lt;br&gt;&lt;br&gt;</td><td>+</td><td style="background: #cfc; font-size: smaller;">Creating intertextual links to the works of <span style="color: red; font-weight: bold;">[http://www.databasewomenwriters.nl/author.asp?authorID=7 </span>George Sand<span style="color: red; font-weight: bold;">] </span>seems to be a characteristic of the female reception of the famous French novelist in 19th-century Germany. Intertextuality seen as a deliberately chosen narrative strategy constitutes an important form of “creative reception” (Genevray 2003) and marks a certain number of female novels of this period, connecting them to a model which their authors nevertheless rarely evoke openly.&lt;br&gt;&lt;br&gt;</td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">Inspired by recent works in narrative and gender (Nünning/Ansgar 2004) my contribution will point out the links between the use of different types of intertextuality in female novels and the creation of a trans-national network of literary references. It is based on examples taken from so-called “social novels” by women, in particular Louise Otto (1819-1895), Luise Mühlbach (1814-1873) and Ida von Düringsfeld (1815-1876), who all published during the stirred period preceding the revolution of 1848. The intertextual means used by the novelists and the ways in which they evoke the person and the works of George Sand show their trying to base the authority of this new genre in a famous name, in order to integrate themselves into the literary field of this period.</td><td>+</td><td style="background: #cfc; font-size: smaller;">Inspired by recent works in narrative and gender (Nünning/Ansgar 2004) my contribution will point out the links between the use of different types of intertextuality in female novels and the creation of a trans-national network of literary references. It is based on examples taken from so-called “social novels” by women, in particular <span style="color: red; font-weight: bold;">[http://www.databasewomenwriters.nl/author.asp?authorID=182 </span>Louise Otto<span style="color: red; font-weight: bold;">] </span>(1819-1895), <span style="color: red; font-weight: bold;">[http://www.databasewomenwriters.nl/author.asp?authorID=100 </span>Luise Mühlbach<span style="color: red; font-weight: bold;">] </span>(1814-1873) and <span style="color: red; font-weight: bold;">[http://www.databasewomenwriters.nl/author.asp?authorID=83 </span>Ida von Düringsfeld<span style="color: red; font-weight: bold;">] </span>(1815-1876), who all published during the stirred period preceding the revolution of 1848. The intertextual means used by the novelists and the ways in which they evoke the person and the works of George Sand show their trying to base the authority of this new genre in a famous name, in order to integrate themselves into the literary field of this period.</td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> </table> Thu, 01 May 2008 12:59:05 GMT SvDijk http://www.womenwriters.nl/index.php/Talk:Kerstin_Wiedemann http://www.womenwriters.nl/index.php?title=Kerstin_Wiedemann&diff=1309&oldid=prev <p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 22:26, 29 April 2008</td> </tr> <tr><td colspan="2" align="left"><strong>Line 4:</strong></td> <td colspan="2" align="left"><strong>Line 4:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">&lt;br&gt;&lt;br&gt;&lt;br&gt;</td><td> </td><td style="background: #eee; font-size: smaller;">&lt;br&gt;&lt;br&gt;&lt;br&gt;</td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;">'''Intertextuality as a form of networking: references to George Sand (1804-1876) in some novels by contemporary women''' &lt;br&gt;&lt;br&gt;</td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;"></td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;">Creating intertextual links to the works of George Sand seems to be a characteristic of the female reception of the famous French novelist in 19th-century Germany. Intertextuality seen as a deliberately chosen narrative strategy constitutes an important form of “creative reception” (Genevray 2003) and marks a certain number of female novels of this period, connecting them to a model which their authors nevertheless rarely evoke openly.&lt;br&gt;&lt;br&gt;</td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;"></td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;">Inspired by recent works in narrative and gender (Nünning/Ansgar 2004) my contribution will point out the links between the use of different types of intertextuality in female novels and the creation of a trans-national network of literary references. It is based on examples taken from so-called “social novels” by women, in particular Louise Otto (1819-1895), Luise Mühlbach (1814-1873) and Ida von Düringsfeld (1815-1876), who all published during the stirred period preceding the revolution of 1848. The intertextual means used by the novelists and the ways in which they evoke the person and the works of George Sand show their trying to base the authority of this new genre in a famous name, in order to integrate themselves into the literary field of this period.</td></tr> <tr><td colspan="2">&nbsp;</td><td>+</td><td style="background: #cfc; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">&lt;br&gt;&lt;br&gt;</td><td> </td><td style="background: #eee; font-size: smaller;">&lt;br&gt;&lt;br&gt;</td></tr> </table> Tue, 29 Apr 2008 22:26:41 GMT SvDijk http://www.womenwriters.nl/index.php/Talk:Kerstin_Wiedemann http://www.womenwriters.nl/index.php?title=Kerstin_Wiedemann&diff=1285&oldid=prev <p>New page: &lt;br&gt;__NOEDITSECTION__ == Kerstin Wiedemann == &lt;br&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt; SvD, April 2008 &lt;br&gt;&lt;br&gt;&lt;br&gt; &lt;hr&gt; &lt;br&gt; *Conferences &gt; NEWW international conferences &gt; Chawton 2008 &gt; Wiedemann&lt;br...</p> <p><b>New page</b></p><div>&lt;br&gt;__NOEDITSECTION__<br /> == Kerstin Wiedemann ==<br /> <br /> <br /> &lt;br&gt;&lt;br&gt;&lt;br&gt;<br /> <br /> &lt;br&gt;&lt;br&gt;<br /> <br /> <br /> SvD, April 2008 &lt;br&gt;&lt;br&gt;&lt;br&gt;<br /> <br /> &lt;hr&gt;<br /> &lt;br&gt;<br /> *Conferences &gt; NEWW international conferences &gt; Chawton 2008 &gt; Wiedemann&lt;br&gt;&lt;br&gt;</div> Tue, 29 Apr 2008 20:01:38 GMT SvDijk http://www.womenwriters.nl/index.php/Talk:Kerstin_Wiedemann