Female networks - Revision history

SvDijk at 14:48, 12 May 2010

SvDijk — Wed, 12 May 2010 14:48:57 GMT

←Older revision		Revision as of 14:48, 12 May 2010
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	The other way round you will find the [http://neww.huygens.knaw.nl/receptions/show/20446 lack of enthusiasm] felt by Jane Austen for Genlis' ''Alphonsine'' - in particular when clicking the link leading to the ''Reading Experience Database'', which illustrates at the same time the usefulness of having several online projects collaborating. <br><br>		The other way round you will find the [http://neww.huygens.knaw.nl/receptions/show/20446 lack of enthusiasm] felt by Jane Austen for Genlis' ''Alphonsine'' - in particular when clicking the link leading to the ''Reading Experience Database'', which illustrates at the same time the usefulness of having several online projects collaborating. <br><br>
-		+	Features like this one will be further developed during the next years.
-		+
	<br><br>		<br><br>

SvDijk at 14:47, 12 May 2010

SvDijk — Wed, 12 May 2010 14:47:08 GMT

←Older revision		Revision as of 14:47, 12 May 2010
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	The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and those who read hers. Stéphanie de Genlis, for instance, read (commented, wrote prefaces for) the works of other female authors, and she was herself also widely read. This becomes visible thanks to this particular [http://neww.huygens.knaw.nl/treeviews/show/33 query]. By clicking on one of the other names, this writer takes place at the center of this "network". <br><br>		The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and those who read hers. Stéphanie de Genlis, for instance, read (commented, wrote prefaces for) the works of other female authors, and she was herself also widely read. This becomes visible thanks to this particular [http://neww.huygens.knaw.nl/treeviews/show/33 query]. By clicking on one of the other names, this writer takes place at the center of this "network". <br><br>

-	In order to have more information about Genlis' reception of La Fite, for instance, you need - for the moment (this will be adapted) - to go to "Reception" and will then find out about [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper(authors_works.name)&page=1&searchtoggle=on&workauthor=fite&worktitle=&receptionauthor=genlis&receptiontitle=&receptionyear=&references=&notes=&per_page=200&x=24&y=17 her interest] for this author. <br><br>	+	In order to have more information about Genlis' reception of La Fite, for instance, you need - for the moment (this will be adapted) - to go to "Reception" and will then find out about [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper(authors_works.name)&page=1&searchtoggle=on&workauthor=fite&worktitle=&receptionauthor=genlis&receptiontitle=&receptionyear=&references=&notes=&per_page=200&x=24&y=17 her interest] for this author: she wrote a preface where she also discussed women's writing in a broader perspective. <br><br>

	The other way round you will find the [http://neww.huygens.knaw.nl/receptions/show/20446 lack of enthusiasm] felt by Jane Austen for Genlis' ''Alphonsine'' - in particular when clicking the link leading to the ''Reading Experience Database'', which illustrates at the same time the usefulness of having several online projects collaborating. <br><br>		The other way round you will find the [http://neww.huygens.knaw.nl/receptions/show/20446 lack of enthusiasm] felt by Jane Austen for Genlis' ''Alphonsine'' - in particular when clicking the link leading to the ''Reading Experience Database'', which illustrates at the same time the usefulness of having several online projects collaborating. <br><br>

SvDijk: New page:
NOEDITSECTION == Female "networks" ==

The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and...

SvDijk — Wed, 12 May 2010 14:45:45 GMT

New page: __NOEDITSECTION__ == Female "networks" == The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and...

New page

__NOEDITSECTION__
== Female "networks" ==

 
The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and those who read hers. Stéphanie de Genlis, for instance, read (commented, wrote prefaces for) the works of other female authors, and she was herself also widely read. This becomes visible thanks to this particular [http://neww.huygens.knaw.nl/treeviews/show/33 query]. By clicking on one of the other names, this writer takes place at the center of this "network". 

In order to have more information about Genlis' reception of La Fite, for instance, you need - for the moment (this will be adapted) - to go to "Reception" and will then find out about [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper(authors_works.name)&page=1&searchtoggle=on&workauthor=fite&worktitle=&receptionauthor=genlis&receptiontitle=&receptionyear=&references=&notes=&per_page=200&x=24&y=17 her interest] for this author. 

The other way round you will find the [http://neww.huygens.knaw.nl/receptions/show/20446 lack of enthusiasm] felt by Jane Austen for Genlis' ''Alphonsine'' - in particular when clicking the link leading to the ''Reading Experience Database'', which illustrates at the same time the usefulness of having several online projects collaborating. 

 

SvD, May 2010 
<hr>
 
*Database ''WomenWriters'' > Female "networks"

Female networks - Revision history

SvDijk at 14:48, 12 May 2010

SvDijk at 14:47, 12 May 2010

SvDijk: New page: __NOEDITSECTION__ == Female "networks" == The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and...

SvDijk: New page:
NOEDITSECTION == Female "networks" ==

The present version of database offers the possibility of showing an author as "surrounded" by those women whose work she read, and...