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		<title>Busken Huet, Literarische Fantasiën en Kritieken - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;action=history</link>
		<description>Revision history for this page on the wiki</description>
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			<title>AKulsdom at 09:05, 5 October 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;diff=4980&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 09:05, 5 October 2010&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of [http://www.womenwriters.nl/index.php/De_Gids ''De Gids'']. But, an independent mind, he created enemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of [http://www.womenwriters.nl/index.php/De_Gids ''De Gids'']. But, an independent mind, he created enemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;this &lt;/span&gt;articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl/auteurs/auteur.php?id=busk001 DBNL], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendix to his monograph on this critic. &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;his &lt;/span&gt;articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl/auteurs/auteur.php?id=busk001 DBNL], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendix to his monograph on this critic. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 05 Oct 2010 09:05:18 GMT</pubDate>			<dc:creator>AKulsdom</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken</comments>		</item>
		<item>
			<title>AKulsdom at 10:50, 22 September 2010</title>
			<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;diff=4886&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:50, 22 September 2010&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the importance of his contribution to literary opinion making through articles published in different journals and reviews. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the importance of his contribution to literary opinion making through articles published in different journals and reviews. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of ''De Gids''. But, an independent mind, he created &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;ennemies&lt;/span&gt;, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/De_Gids &lt;/span&gt;''De Gids''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;. But, an independent mind, he created &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;enemies&lt;/span&gt;, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl/auteurs/auteur.php?id=busk001 DBNL], so that direct links could be established. Olf Praamstra identifies LFK-articles in an &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;appendice &lt;/span&gt;to his monograph on this critic. &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl/auteurs/auteur.php?id=busk001 DBNL], so that direct links could be established. Olf Praamstra identifies LFK-articles in an &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;appendix &lt;/span&gt;to his monograph on this critic. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Note that &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;informations contained in the database ''WomenWriters'' have been derived from contemporary sources, which may contain errors. Also important: &lt;/span&gt;when arriving in the database ''WomenWriters''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;, &lt;/span&gt;your status &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;is: &lt;/span&gt;&amp;quot;not logged on&amp;quot;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;which means &lt;/span&gt;that &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;you have only partial view&lt;/span&gt;. For complete &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;view &lt;/span&gt;and participation in the project, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;take &lt;/span&gt;contact.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Note that when arriving in the database ''WomenWriters'' your status &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;will be &lt;/span&gt;&amp;quot;not logged on&amp;quot;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;meaning &lt;/span&gt;that &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;your access to the database is limited&lt;/span&gt;. For complete &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;access (&lt;/span&gt;and participation in the project&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;)&lt;/span&gt;, contact &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[mailto:suzan.van.dijk@huygensinstituut.knaw.nl Suzan van Dijk]&lt;/span&gt;.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Sources &amp;gt; Dutch sources &amp;gt; Articles in the press &amp;gt; Conrad  Busken Huet &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Sources &amp;gt; Dutch sources &amp;gt; Articles in the press &amp;gt; Conrad  Busken Huet &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Wed, 22 Sep 2010 10:50:55 GMT</pubDate>			<dc:creator>AKulsdom</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken</comments>		</item>
		<item>
			<title>SvDijk at 12:58, 18 September 2007</title>
			<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;diff=685&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 12:58, 18 September 2007&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of ''De Gids''. But, an independent mind, he created ennemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of ''De Gids''. But, an independent mind, he created ennemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl/auteurs/auteur.php?id=busk001], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendice to his &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;monography &lt;/span&gt;on this critic. &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl/auteurs/auteur.php?id=busk001 &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;DBNL&lt;/span&gt;], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendice to his &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;monograph &lt;/span&gt;on this critic. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;* Olf Praamstra, ''Gezond verstand en goede smaak, de kritieken van Conrad Busken Huet''. Amstelveen, 1991.  &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;* Olf Praamstra, ''Gezond verstand en goede smaak, de kritieken van Conrad Busken Huet''. Amstelveen, 1991.  &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;* Willem van den Berg, “La littérature du XIXe siècle”, in Hanna Stouten, Jaap Goedegebuure, Frits van Oostrom (eds.), ''Histoire de la littérature néerlandaise''. Paris, Fayard, 1991, p. 448-451: “Busken Huet”  &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;* Willem van den Berg, “La littérature du XIXe siècle”, in Hanna Stouten, Jaap Goedegebuure, Frits van Oostrom (eds.), ''Histoire de la littérature néerlandaise''. Paris, Fayard, 1991, p. 448-451: “Busken Huet”  &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;* Olf Praamstra, ''Busken Huet. Een biografie''. SUN, 2007.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;* Olf Praamstra, ''Busken Huet. Een biografie''. SUN, 2007.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;SvD, September 2007&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;SvD, September 2007&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Tue, 18 Sep 2007 12:58:02 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken</comments>		</item>
		<item>
			<title>SvDijk at 20:50, 16 September 2007</title>
			<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;diff=527&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 20:50, 16 September 2007&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;== Conrad Busken Huet ==&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the importance of his contribution to literary opinion making through articles published in different journals and reviews. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the importance of his contribution to literary opinion making through articles published in different journals and reviews. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of ''De Gids''. But, an independent mind, he created ennemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of ''De Gids''. But, an independent mind, he created ennemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;dbnl&lt;/span&gt;], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendice to his monography on this critic. &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;/auteurs/auteur.php?id=busk001&lt;/span&gt;], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendice to his monography on this critic. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 14:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 19:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;* Olf Praamstra, ''Busken Huet. Een biografie''. SUN, 2007.&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;* Olf Praamstra, ''Busken Huet. Een biografie''. SUN, 2007.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;SvD, September 2007&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;SvD&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;April 2007&lt;/span&gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*Note that informations contained in the database ''WomenWriters'' have been derived from contemporary sources&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;which may contain errors. Also important: when arriving in the database ''WomenWriters'', your status is: &amp;quot;not logged on&amp;quot;, which means that you have only partial view. For complete view and participation in the project, take contact.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*Sources &amp;gt; Dutch sources &amp;gt; Articles in the press &amp;gt; Conrad  Busken Huet &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sun, 16 Sep 2007 20:50:33 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken</comments>		</item>
		<item>
			<title>Susanne at 12:02, 6 August 2007</title>
			<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;diff=111&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 12:02, 6 August 2007&lt;/td&gt;
			&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Bibliography''':&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Bibliography''':&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;* Olf Praamstra, Gezond verstand en goede smaak, de kritieken van Conrad Busken Huet. Amstelveen, 1991.  &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;* Olf Praamstra, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Gezond verstand en goede smaak, de kritieken van Conrad Busken Huet&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;. Amstelveen, 1991.  &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;* Willem van den Berg, “La littérature du XIXe siècle”, in Hanna Stouten, Jaap Goedegebuure, Frits van Oostrom (eds.), Histoire de la littérature néerlandaise. Paris, Fayard, 1991, p. 448-451: “Busken Huet”  &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;* Willem van den Berg, “La littérature du XIXe siècle”, in Hanna Stouten, Jaap Goedegebuure, Frits van Oostrom (eds.), &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Histoire de la littérature néerlandaise&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;. Paris, Fayard, 1991, p. 448-451: “Busken Huet”  &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;* Olf Praamstra, ''Busken Huet. Een biografie''. SUN, 2007.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;SvD, April 2007&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;SvD, April 2007&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Mon, 06 Aug 2007 12:02:18 GMT</pubDate>			<dc:creator>Susanne</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken</comments>		</item>
		<item>
			<title>Susanne: New page: Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the ...</title>
			<link>http://www.womenwriters.nl/index.php?title=Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken&amp;diff=97&amp;oldid=prev</link>
			<description>&lt;p&gt;New page: Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the ...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Conrad Busken Huet (1826-1886) was one of the leading literary critics in the 19th-century Netherlands. He is not mentioned here as the editor of a particular literary review, but for the importance of his contribution to literary opinion making through articles published in different journals and reviews. &lt;br /&gt;
&lt;br /&gt;
Beginning as a Protestant minister in Haarlem (1851), he became more and more involved in literary criticism and from 1859 published in different periodicals. From 1862 to 1865 he participated in the editorial board of ''De Gids''. But, an independent mind, he created ennemies, and even went to the Dutch East Indies, where he published in the ''Java-bode'', and in 1873 founded his ''Algemeen Dagblad van Nederlandsch Indië''. After eight years, in 1876, he came back to Europe, but preferred to settle in Paris, from where Busken Huet – an admirer of Sainte-Beuve – continued to write about Dutch literature: continuously comparing Dutch authors to their European counterparts, whom he often presented as superior. &lt;br /&gt;
&lt;br /&gt;
At the end of his life, in 1881, he started publishing an impressing selection of this articles in the 25 volumes entitled: ''Literarische Fantasiën en Kritieken'' (LFK, Literary Fantasies and Critiques; 1881-1888). Fortunately the text of these volumes is accessible online at the [http://www.dbnl.nl dbnl], so that direct links could be established. Olf Praamstra identifies LFK-articles in an appendice to his monography on this critic. &lt;br /&gt;
&lt;br /&gt;
Busken Huet was rather concerned with women’s writing (he was in contact with several Dutch female authors), and [http://www.databasewomenwriters.nl/results.asp?type=receptions&amp;amp;work_authorName=&amp;amp;notesfield=&amp;amp;work_Title=&amp;amp;rec_Year=&amp;amp;Editor_ID=geen&amp;amp;rec_authorName=&amp;amp;Rec_Title=busken&amp;amp;reference=&amp;amp;media_ID=2&amp;amp;pageSize=10&amp;amp;order=a2.name his articles] will need to be used by those interested in the matter, even more because he is comparing Dutch and foreign women writers. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
'''Bibliography''':&lt;br /&gt;
&lt;br /&gt;
* Olf Praamstra, Gezond verstand en goede smaak, de kritieken van Conrad Busken Huet. Amstelveen, 1991.  &lt;br /&gt;
* Willem van den Berg, “La littérature du XIXe siècle”, in Hanna Stouten, Jaap Goedegebuure, Frits van Oostrom (eds.), Histoire de la littérature néerlandaise. Paris, Fayard, 1991, p. 448-451: “Busken Huet”  &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
SvD, April 2007&lt;/div&gt;</description>
			<pubDate>Mon, 06 Aug 2007 09:08:46 GMT</pubDate>			<dc:creator>Susanne</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Busken_Huet%2C_Literarische_Fantasi%C3%ABn_en_Kritieken</comments>		</item>
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