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		<title>Analyser l’échelle européenne - Revision history</title>
		<link>http://www.womenwriters.nl/index.php?title=Analyser_l%E2%80%99%C3%A9chelle_europ%C3%A9enne&amp;action=history</link>
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			<title>SvDijk at 11:58, 20 February 2016</title>
			<link>http://www.womenwriters.nl/index.php?title=Analyser_l%E2%80%99%C3%A9chelle_europ%C3%A9enne&amp;diff=9842&amp;oldid=prev</link>
			<description>&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 11:58, 20 February 2016&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;== &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;La ''Réponse à l’écrit du colonel de La Harpe'' &lt;/span&gt;==&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;== &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Analyser l’échelle européenne &lt;/span&gt;==&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract'': &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract'': &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;As a female writer&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Isabelle de Charrière experienced some difficulties in entering &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;political arena openly. This is &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;reason why she frequently published anonymously&lt;/span&gt;. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Although in many cases this was an appropriate strategy, it proved to be counter&lt;/span&gt;-&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;productive in the case &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''Réponse à l’écrit du colonel de La Harpe'' (1797), &lt;/span&gt;which &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;was &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;last &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the political pamphlets she published. It seems to have been caused by a delicate ar-gument she uses in &lt;/span&gt;this &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;text: those who were addressed by this political pamphlet&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;mostly men, could not, or only with difficulty, agree with &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;perspective adopted by Charrière.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;This article illustrates, once again&lt;/span&gt;, the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;digitizing project now going on at Huygens Institute for the History of &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Netherlands: [https://www&lt;/span&gt;.&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;huygens.knaw.nl/de-brieven-van&lt;/span&gt;-&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;belle-van-zuylen/ “Belle de Zuylen’s letters on-line”]. It gives another example &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;new perspectives &lt;/span&gt;which &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;were created for &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;study &lt;/span&gt;of this &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;correspondence&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;and it is a way of testing &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;usability &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;ICT tool in view &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;answering content related questions. A corpus of about 100 letters&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;sent to Isabelle de &lt;/span&gt;Charrière &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;between 1790 and 1800 from Germany and from Italy, is analyzed &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;order to become aware &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;attitudes and reactions experienced &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;formulated &lt;/span&gt;by the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;correspondents, each &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;them being at &lt;/span&gt;a &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;distance from Le Pontet, but feeling connected to Charrière&lt;/span&gt;. &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;By focusing on the relationship between the gender &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;speaker and the pragmatics &lt;/span&gt;of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;discourse&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;this article has two objectives: first it ex-plains some of the difficulties met with by &lt;/span&gt;Charrière &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;as a polemic writer (F) &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;her political texts; second it addresses the question &lt;/span&gt;of the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;rhetorical &lt;/span&gt;and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;philosophical biases occasioned &lt;/span&gt;by the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;research &lt;/span&gt;of a &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;neutral enunciation&lt;/span&gt;.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;   &lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;   &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 16:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 15:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Publications &amp;gt; [http://www.womenwriters.nl/index.php/Cahiers_Isabelle_de_Charriere_/_Belle_de_Zuylen_Papers Belle de Zuylen Papers] &amp;gt; [http://www.womenwriters.nl/index.php/BELLE_DE_ZUYLEN_IN_HER_EUROPEAN_CONTEXT 2015] &amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Tieken&lt;/span&gt;-&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Boon van Ostade &lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Publications &amp;gt; [http://www.womenwriters.nl/index.php/Cahiers_Isabelle_de_Charriere_/_Belle_de_Zuylen_Papers Belle de Zuylen Papers] &amp;gt; [http://www.womenwriters.nl/index.php/BELLE_DE_ZUYLEN_IN_HER_EUROPEAN_CONTEXT 2015] &amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Van Dijk&lt;/span&gt;-&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Schouten &lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</description>
			<pubDate>Sat, 20 Feb 2016 11:58:15 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Analyser_l%E2%80%99%C3%A9chelle_europ%C3%A9enne</comments>		</item>
		<item>
			<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == La ''Réponse à l’écrit du colonel de La Harpe'' ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; ''Abstract'': &lt;br&gt;&lt;br&gt; As a female writer, Isabelle de Charrière experienced some difficult...</title>
			<link>http://www.womenwriters.nl/index.php?title=Analyser_l%E2%80%99%C3%A9chelle_europ%C3%A9enne&amp;diff=9834&amp;oldid=prev</link>
			<description>&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == La ''Réponse à l’écrit du colonel de La Harpe'' ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; ''Abstract'': &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; As a female writer, Isabelle de Charrière experienced some difficult...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== La ''Réponse à l’écrit du colonel de La Harpe'' ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
''Abstract'': &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
As a female writer, Isabelle de Charrière experienced some difficulties in entering the political arena openly. This is the reason why she frequently published anonymously. Although in many cases this was an appropriate strategy, it proved to be counter-productive in the case of the ''Réponse à l’écrit du colonel de La Harpe'' (1797), which was the last of the political pamphlets she published. It seems to have been caused by a delicate ar-gument she uses in this text: those who were addressed by this political pamphlet, mostly men, could not, or only with difficulty, agree with the perspective adopted by Charrière.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
By focusing on the relationship between the gender of the speaker and the pragmatics of discourse, this article has two objectives: first it ex-plains some of the difficulties met with by Charrière as a polemic writer (F) in her political texts; second it addresses the question of the rhetorical and philosophical biases occasioned by the research of a neutral enunciation.&lt;br /&gt;
&lt;br /&gt;
   &lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
SvD, February 2016&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
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&amp;lt;br&amp;gt;&lt;br /&gt;
*Publications &amp;gt; [http://www.womenwriters.nl/index.php/Cahiers_Isabelle_de_Charriere_/_Belle_de_Zuylen_Papers Belle de Zuylen Papers] &amp;gt; [http://www.womenwriters.nl/index.php/BELLE_DE_ZUYLEN_IN_HER_EUROPEAN_CONTEXT 2015] &amp;gt; Tieken-Boon van Ostade &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</description>
			<pubDate>Sat, 20 Feb 2016 11:12:30 GMT</pubDate>			<dc:creator>SvDijk</dc:creator>			<comments>http://www.womenwriters.nl/index.php/Talk:Analyser_l%E2%80%99%C3%A9chelle_europ%C3%A9enne</comments>		</item>
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