11 March - Revision history

SvDijk at 09:57, 13 September 2010

SvDijk — Mon, 13 Sep 2010 09:57:55 GMT

←Older revision		Revision as of 09:57, 13 September 2010
Line 9:		Line 9:
	''Contributions:''<br> <br>		''Contributions:''<br> <br>

-	Jenny Higgins, Darwin College, University of Cambridge <br>	+	'''Jenny Higgins''', Darwin College, University of Cambridge <br>
	*French poetry and prose in fin-de-siecle England: how women translators broke new ground<br><br>		*French poetry and prose in fin-de-siecle England: how women translators broke new ground<br><br>

-	Adeline Johns-Putra, University of Exeter<br>	+	'''Adeline Johns-Putra''', University of Exeter<br>
	*Gendering Telemachus: [http://www.databasewomenwriters.nl/author.asp?authorID=1112 Anna Seward] and the Epic Rewriting of Fénélon’s ''Télémaque'' <br><br>		*Gendering Telemachus: [http://www.databasewomenwriters.nl/author.asp?authorID=1112 Anna Seward] and the Epic Rewriting of Fénélon’s ''Télémaque'' <br><br>

-	Akemi Yoshida, Kitasato University, Japan<br>	+	'''Akemi Yoshida, Kitasato''' University, Japan<br>
	*The ‘George Sandism’ in [http://www.databasewomenwriters.nl/author.asp?authorID=2468 George Egerton]: Music and the Gipsy in ''Consuelo'' and ''Keynotes'' <br><br>		*The ‘George Sandism’ in [http://www.databasewomenwriters.nl/author.asp?authorID=2468 George Egerton]: Music and the Gipsy in ''Consuelo'' and ''Keynotes'' <br><br>

-	Silvia Bordoni, University of Nottingham<br>	+	'''Silvia Bordoni''', University of Nottingham<br>
	*Romantic Women Poets and the Petrarchan Sonnet: re-writing a poetic tradition<br><br>		*Romantic Women Poets and the Petrarchan Sonnet: re-writing a poetic tradition<br><br>

-	Susan Dalton, Université de Montréal, Canada<br>	+	'''Susan Dalton''', Université de Montréal, Canada<br>
	*[http://www.databasewomenwriters.nl/author.asp?authorID=2497 Giustina Renier Michiel] and Shakespeare : Women and Aesthetics in Late Eighteenth Century Venice<br><br>		*[http://www.databasewomenwriters.nl/author.asp?authorID=2497 Giustina Renier Michiel] and Shakespeare : Women and Aesthetics in Late Eighteenth Century Venice<br><br>

-	Gillian Wright, University of Birmingham<br>	+	'''Gillian Wright''', University of Birmingham<br>
	*[http://www.databasewomenwriters.nl/author.asp?authorID=2423 Mary Monck]’s Translations in ''Marinda'' (1716): Liberty, Politics and Gender<br><br>		*[http://www.databasewomenwriters.nl/author.asp?authorID=2423 Mary Monck]’s Translations in ''Marinda'' (1716): Liberty, Politics and Gender<br><br>

-	Pierre Degott, Université de Metz, France<br>	+	'''Pierre Degott''', Université de Metz, France<br>
	*[http://www.databasewomenwriters.nl/author.asp?authorID=2417 Natalia McFarren] : a nineteenth century mediator for the operatic cause<br><br>		*[http://www.databasewomenwriters.nl/author.asp?authorID=2417 Natalia McFarren] : a nineteenth century mediator for the operatic cause<br><br>

-	Hilary Brown, University of Wales, Swansea<br>	+	'''[http://www.womenwriters.nl/index.php/Hilary_Brown Hilary Brown]''', University of Wales, Swansea<br>
	*[http://www.databasewomenwriters.nl/author.asp?authorID=32 Luise Gottsched] and the reception of French Enlightenment Literature in Germany<br><br>		*[http://www.databasewomenwriters.nl/author.asp?authorID=32 Luise Gottsched] and the reception of French Enlightenment Literature in Germany<br><br>

-	Christa Zeller Thomas, University of Ottawa<br>	+	'''Christa Zeller Thomas''', University of Ottawa<br>
	*Mapping Self, Translating Meaning: [http://www.databasewomenwriters.nl/author.asp?authorID=2471 Anna Brownwell Jameson]’s German Studies and Translation <br><br>		*Mapping Self, Translating Meaning: [http://www.databasewomenwriters.nl/author.asp?authorID=2471 Anna Brownwell Jameson]’s German Studies and Translation <br><br>

-	Nagihan Haliloglu, Heidelberg University, Germany<br>	+	'''Nagihan Haliloglu''', Heidelberg University, Germany<br>
	*Translation as Cultural Negotiation : The Case of [http://www.databasewomenwriters.nl/author.asp?authorID=2490 Fatma Aliye]<br><br>		*Translation as Cultural Negotiation : The Case of [http://www.databasewomenwriters.nl/author.asp?authorID=2490 Fatma Aliye]<br><br>

-	Isabelle Mons, Franche-Comté University, France<br>	+	'''Isabelle Mons''', Franche-Comté University, France<br>
	*L’Europe Litteraire de [http://www.databasewomenwriters.nl/author.asp?authorID=1635 Lou Andreas-Salomé]<br><br>		*L’Europe Litteraire de [http://www.databasewomenwriters.nl/author.asp?authorID=1635 Lou Andreas-Salomé]<br><br>

-	Ursula Stohler, University of Exeter<br>	+	[http://www.womenwriters.nl/index.php/Ursula_Stohler '''Ursula Stohler'''], University of Exeter<br>
	*The [http://www.databasewomenwriters.nl/results.asp?type=receptions&work_authorName=DESHOUL&notesfield=&work_Title=&rec_Year=&Editor_ID=geen&rec_authorName=&Rec_Title=&reference=&RecCountry_ID=8&pageSize=50&order=r.Year Russian Reception] of Mme Deshoulières’ Meditative Idylls<br><br>		*The [http://www.databasewomenwriters.nl/results.asp?type=receptions&work_authorName=DESHOUL&notesfield=&work_Title=&rec_Year=&Editor_ID=geen&rec_authorName=&Rec_Title=&reference=&RecCountry_ID=8&pageSize=50&order=r.Year Russian Reception] of Mme Deshoulières’ Meditative Idylls<br><br>

-	Sam George, University of Sheffield<br>	+	'''Sam George''', University of Sheffield<br>
	*Botany in an English Dress: Carl Linnaeus and women’s writing in Enlightenment England<br><br>		*Botany in an English Dress: Carl Linnaeus and women’s writing in Enlightenment England<br><br>

-	Melanie Maria Just, Independent Scholar <br>	+	'''Melanie Maria Just''', Independent Scholar <br>
	*East Meets West in [http://www.databasewomenwriters.nl/author.asp?authorID=1016 Elizabeth Hamilton]’s Translations of the ''Letters of a Hindoo Rajah'' <br><br>		*East Meets West in [http://www.databasewomenwriters.nl/author.asp?authorID=1016 Elizabeth Hamilton]’s Translations of the ''Letters of a Hindoo Rajah'' <br><br>

-	Emma White, University of Southampton<br>	+	'''Emma White''', University of Southampton<br>
	*Mediating Waterloo: [http://www.databasewomenwriters.nl/author.asp?authorID=2489 Charlotte Anne Eaton]’s The Battle of Waterloo <br><br>		*Mediating Waterloo: [http://www.databasewomenwriters.nl/author.asp?authorID=2489 Charlotte Anne Eaton]’s The Battle of Waterloo <br><br>

-	Sara James, Merton College, University of Oxford<br>	+	'''Sara James''', Merton College, University of Oxford<br>
	*Translating the Prison Question: The French Interpreters of [http://www.databasewomenwriters.nl/author.asp?authorID=2492 Elizabeth Fry]<br><br>		*Translating the Prison Question: The French Interpreters of [http://www.databasewomenwriters.nl/author.asp?authorID=2492 Elizabeth Fry]<br><br>

-	Mary Orr, University of Southampton<br>	+	'''Mary Orr''', University of Southampton<br>
	*Women and Daughters of Genius: [http://www.databasewomenwriters.nl/author.asp?authorID=359 Mrs Hofland] and [http://www.databasewomenwriters.nl/author.asp?authorID=2421 Clémentine Cuvier]<br><br>		*Women and Daughters of Genius: [http://www.databasewomenwriters.nl/author.asp?authorID=359 Mrs Hofland] and [http://www.databasewomenwriters.nl/author.asp?authorID=2421 Clémentine Cuvier]<br><br>

-	Begona Lasa Alvarez, University of A Coruna<br>	+	'''Begona Lasa Alvarez''', University of A Coruna<br>
	*From Britain to Spain: Amelia Opie’s [http://www.databasewomenwriters.nl/work.asp?workID=2188 ''The Father and Daughter''] <br><br>		*From Britain to Spain: Amelia Opie’s [http://www.databasewomenwriters.nl/work.asp?workID=2188 ''The Father and Daughter''] <br><br>

-	Katherine Astbury, University of Warwick<br>	+	'''[http://www.womenwriters.nl/index.php/Katherine_Astbury Katherine Astbury]''', University of Warwick<br>
	*Adaptation and mediation: Thérèse Huber and Isabelle de Charrière’s ''Lettres trouvées dans des portes-feuilles d’émigrés'' <br><br>		*Adaptation and mediation: Thérèse Huber and Isabelle de Charrière’s ''Lettres trouvées dans des portes-feuilles d’émigrés'' <br><br>

-	Annie Cointre, Université de Metz<br>	+	'''Annie Cointre''', Université de Metz<br>
	*Deux traductrices du théâtre anglais du XVIIIe siècle: Mme Riccoboni, la baronne de Vasse et ''Le Mariage clandestin'' de Garrick et Colman<br><br>		*Deux traductrices du théâtre anglais du XVIIIe siècle: Mme Riccoboni, la baronne de Vasse et ''Le Mariage clandestin'' de Garrick et Colman<br><br>

-	Judith Martin, Missouri State University, USA<br>	+	'''Judith Martin''', Missouri State University, USA<br>
	*Madame de Stael’s ''Delphine'' in Germany: Cultural Transfer in Karoline Paulus’s ''Wilhelm Dumont''<br><br>		*Madame de Stael’s ''Delphine'' in Germany: Cultural Transfer in Karoline Paulus’s ''Wilhelm Dumont''<br><br>

-	Sévérine Genieys-Kirk, National University of Ireland, Maynooth<br>	+	'''[http://www.womenwriters.nl/index.php/S%C3%A9verine_Genieys-Kirk Sévérine Genieys-Kirk]''', National University of Ireland, Maynooth<br>
	*Eliza Haywood’s translation and dialogic reading of Madeleine-Angelique de Gomez’s ''Journées Amusantes'' <br><br>		*Eliza Haywood’s translation and dialogic reading of Madeleine-Angelique de Gomez’s ''Journées Amusantes'' <br><br>

-	Laura Kirkley, Trinity Hall, University of Cambridge <br>	+	[http://www.womenwriters.nl/index.php/Laura_Kirkley '''Laura Kirkley'''], Trinity Hall, University of Cambridge <br>
	*Giving Birth to Enlightenment: Mary Wollstonecraft’s Translations <br><br>		*Giving Birth to Enlightenment: Mary Wollstonecraft’s Translations <br><br>

-	Béatrijs Vanacker, University of Leuven, Belgium<br>	+	'''Béatrijs Vanacker''', University of Leuven, Belgium<br>
	*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br><br><br>		*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br><br><br>

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-	SvD, May 2009	+	AsK, September 2010
	<hr>		<hr>

	<br>		<br>
	*Activities > NEWW International conferences > Chawton > 11 March <br><br>		*Activities > NEWW International conferences > Chawton > 11 March <br><br>

SvDijk at 21:28, 6 May 2009

SvDijk — Wed, 06 May 2009 21:28:05 GMT

SvDijk at 21:11, 6 May 2009

SvDijk — Wed, 06 May 2009 21:11:51 GMT

←Older revision		Revision as of 21:11, 6 May 2009
Line 13:		Line 13:

	Adeline Johns-Putra, University of Exeter<br>		Adeline Johns-Putra, University of Exeter<br>
-	*Gendering Telemachus: Anna Seward and the Epic Rewriting of Fénélon’s ''Télémaque'' <br><br>	+	*Gendering Telemachus: [http://www.databasewomenwriters.nl/author.asp?authorID=1112 Anna Seward] and the Epic Rewriting of Fénélon’s ''Télémaque'' <br><br>

	Akemi Yoshida, Kitasato University, Japan<br>		Akemi Yoshida, Kitasato University, Japan<br>

SvDijk at 11:38, 4 May 2009

SvDijk — Mon, 04 May 2009 11:38:45 GMT

←Older revision		Revision as of 11:38, 4 May 2009
Line 79:		Line 79:

	Béatrijs Vanacker, University of Leuven, Belgium<br>		Béatrijs Vanacker, University of Leuven, Belgium<br>
-	*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br><br>	+	*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br><br><br>

	A selection of the contributions has been published in:		A selection of the contributions has been published in:
-		+	Gillian Dow (ed.), ''Translators, Interpreters, Mediators. Women Writers 1700-1999''. Oxford etc.: Peter Lang, 2007, 268 p.
	<br><br>		<br><br>

SvDijk at 11:37, 4 May 2009

SvDijk — Mon, 04 May 2009 11:37:41 GMT

←Older revision		Revision as of 11:37, 4 May 2009
Line 43:		Line 43:

	Ursula Stohler, University of Exeter<br>		Ursula Stohler, University of Exeter<br>
-	*The Russian Reception of Mme Deshoulières’ Meditative Idylls<br.<br>	+	*The Russian Reception of Mme Deshoulières’ Meditative Idylls<br><br>

	Sam George, University of Sheffield<br>		Sam George, University of Sheffield<br>
Line 61:		Line 61:

	Begona Lasa Alvarez, University of A Coruna<br>		Begona Lasa Alvarez, University of A Coruna<br>
-	From Britain to Spain: Amelia Opie’s ''The Father and Daughter'' <br><br>	+	*From Britain to Spain: Amelia Opie’s ''The Father and Daughter'' <br><br>

	Katherine Astbury, University of Warwick<br>		Katherine Astbury, University of Warwick<br>
Line 79:		Line 79:

	Béatrijs Vanacker, University of Leuven, Belgium<br>		Béatrijs Vanacker, University of Leuven, Belgium<br>
-	*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br>	+	*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br><br>

		+	A selection of the contributions has been published in:

-	<br><br><br>	+	<br><br>

SvDijk at 11:35, 4 May 2009

SvDijk — Mon, 04 May 2009 11:35:49 GMT

←Older revision		Revision as of 11:35, 4 May 2009
Line 4:		Line 4:

	<br><br>		<br><br>
		+	'''Translators, Interpreters, Mediators: Women Writers 1700-1900'''<br>
		+	A one-day conference at Chawton House Library, organised by the library, the University of Southampton’s English Department, and the project "The International Reception of Women's Writing" <br><br>
		+
		+	''Contributions:''<br> <br>
		+
		+	Jenny Higgins, Darwin College, University of Cambridge <br>
		+	*French poetry and prose in fin-de-siecle England: how women translators broke new ground<br><br>
		+
		+	Adeline Johns-Putra, University of Exeter<br>
		+	*Gendering Telemachus: Anna Seward and the Epic Rewriting of Fénélon’s ''Télémaque'' <br><br>
		+
		+	Akemi Yoshida, Kitasato University, Japan<br>
		+	*The ‘George Sandism’ in George Egerton: Music and the Gipsy in ''Consuelo'' and ''Keynotes'' <br><br>
		+
		+	Silvia Bordoni, University of Nottingham<br>
		+	*Romantic Women Poets and the Petrarchan Sonnet: re-writing a poetic tradition<br><br>
		+
		+	Susan Dalton, Université de Montréal, Canada<br>
		+	*Giustina Renier Michiel and Shakespeare : Women and Aesthetics in Late Eighteenth Century Venice<br><br>
		+
		+	Gillian Wright, University of Birmingham<br>
		+	*Mary Monck’s Translations in ''Marinda'' (1716): Liberty, Politics and Gender<br><br>
		+
		+	Pierre Degott, Université de Metz, France<br>
		+	*Natalia McFarren : a nineteenth century mediator for the operatic cause<br><br>
		+
		+	Hilary Brown, University of Wales, Swansea<br>
		+	*Luise Gottsched and the reception of French Enlightenment Literature in Germany<br><br>
		+
		+	Christa Zeller Thomas, University of Ottawa<br>
		+	*Mapping Self, Translating Meaning: Anna Brownwell Jameson’s German Studies and Translation <br><br>
		+
		+	Nagihan Haliloglu, Heidelberg University, Germany<br>
		+	*Translation as Cultural Negotiation : The Case of Fatma Aliye<br><br>
		+
		+	Isabelle Mons, Franche-Comté University, France<br>
		+	*L’Europe Litteraire de Lou Andreas-Salomé<br><br>
		+
		+	Ursula Stohler, University of Exeter<br>
		+	*The Russian Reception of Mme Deshoulières’ Meditative Idylls<br.<br>
		+
		+	Sam George, University of Sheffield<br>
		+	*Botany in an English Dress: Carl Linnaeus and women’s writing in Enlightenment England<br><br>
		+
		+	Melanie Maria Just, Independent Scholar <br>
		+	*East Meets West in Elizabeth Hamilton’s Translations of the ''Letters of a Hindoo Rajah'' <br><br>
		+
		+	Emma White, University of Southampton<br>
		+	*Mediating Waterloo: Charlotte Anne Eaton’s The Battle of Waterloo <br><br>
		+
		+	Sara James, Merton College, University of Oxford<br>
		+	*Translating the Prison Question: The French Interpreters of Elizabeth Fry<br><br>
		+
		+	Mary Orr, University of Southampton<br>
		+	*Women and Daughters of Genius: Mrs Hofland and Clémentine Cuvier<br><br>
		+
		+	Begona Lasa Alvarez, University of A Coruna<br>
		+	From Britain to Spain: Amelia Opie’s ''The Father and Daughter'' <br><br>
		+
		+	Katherine Astbury, University of Warwick<br>
		+	*Adaptation and mediation: Thérèse Huber and Isabelle de Charrière’s ''Lettres trouvées dans des portes-feuilles d’émigrés'' <br><br>
		+
		+	Annie Cointre, Université de Metz<br>
		+	*Deux traductrices du théâtre anglais du XVIIIe siècle: Mme Riccoboni, la baronne de Vasse et ''Le Mariage clandestin'' de Garrick et Colman<br><br>
		+
		+	Judith Martin, Missouri State University, USA<br>
		+	*Madame de Stael’s ''Delphine'' in Germany: Cultural Transfer in Karoline Paulus’s ''Wilhelm Dumont''<br><br>
		+
		+	Sévérine Genieys-Kirk, National University of Ireland, Maynooth<br>
		+	*Eliza Haywood’s translation and dialogic reading of Madeleine-Angelique de Gomez’s ''Journées Amusantes'' <br><br>
		+
		+	Laura Kirkley, Trinity Hall, University of Cambridge <br>
		+	*Giving Birth to Enlightenment: Mary Wollstonecraft’s Translations <br><br>
		+
		+	Béatrijs Vanacker, University of Leuven, Belgium<br>
		+	*Jeannette, soeur de Marianne en traduction, ou ''The Virtuous Villager'' d’Eliza Haywood (1742)<br>
		+

-	Study Day
	<br><br><br>		<br><br><br>

SvDijk: New page:
NOEDITSECTION == Chawton, 11 March 2006 ==

Study Day

SvD, May 2009

Activities > NEWW International conferences > Chawton > 11 March

SvDijk — Mon, 04 May 2009 11:07:40 GMT

New page: NOEDITSECTION == Chawton, 11 March 2006 == Study Day SvD, May 2009 <hr> Activities > NEWW International conferences > Chawton > 11 March <br...

New page
 NOEDITSECTION
== Chawton, 11 March 2006 ==

 

Study Day
 

SvD, May 2009
<hr>

 
*Activities > NEWW International conferences > Chawton > 11 March

←Older revision		Revision as of 21:28, 6 May 2009
Line 16:		Line 16:

	Akemi Yoshida, Kitasato University, Japan<br>		Akemi Yoshida, Kitasato University, Japan<br>
-	*The ‘George Sandism’ in George Egerton: Music and the Gipsy in ''Consuelo'' and ''Keynotes'' <br><br>	+	*The ‘George Sandism’ in [http://www.databasewomenwriters.nl/author.asp?authorID=2468 George Egerton]: Music and the Gipsy in ''Consuelo'' and ''Keynotes'' <br><br>

	Silvia Bordoni, University of Nottingham<br>		Silvia Bordoni, University of Nottingham<br>
Line 22:		Line 22:

	Susan Dalton, Université de Montréal, Canada<br>		Susan Dalton, Université de Montréal, Canada<br>
-	*Giustina Renier Michiel and Shakespeare : Women and Aesthetics in Late Eighteenth Century Venice<br><br>	+	*[http://www.databasewomenwriters.nl/author.asp?authorID=2497 Giustina Renier Michiel] and Shakespeare : Women and Aesthetics in Late Eighteenth Century Venice<br><br>

	Gillian Wright, University of Birmingham<br>		Gillian Wright, University of Birmingham<br>
-	*Mary Monck’s Translations in ''Marinda'' (1716): Liberty, Politics and Gender<br><br>	+	*[http://www.databasewomenwriters.nl/author.asp?authorID=2423 Mary Monck]’s Translations in ''Marinda'' (1716): Liberty, Politics and Gender<br><br>

	Pierre Degott, Université de Metz, France<br>		Pierre Degott, Université de Metz, France<br>
-	*Natalia McFarren : a nineteenth century mediator for the operatic cause<br><br>	+	*[http://www.databasewomenwriters.nl/author.asp?authorID=2417 Natalia McFarren] : a nineteenth century mediator for the operatic cause<br><br>

	Hilary Brown, University of Wales, Swansea<br>		Hilary Brown, University of Wales, Swansea<br>
-	*Luise Gottsched and the reception of French Enlightenment Literature in Germany<br><br>	+	*[http://www.databasewomenwriters.nl/author.asp?authorID=32 Luise Gottsched] and the reception of French Enlightenment Literature in Germany<br><br>

	Christa Zeller Thomas, University of Ottawa<br>		Christa Zeller Thomas, University of Ottawa<br>
-	*Mapping Self, Translating Meaning: Anna Brownwell Jameson’s German Studies and Translation <br><br>	+	*Mapping Self, Translating Meaning: [http://www.databasewomenwriters.nl/author.asp?authorID=2471 Anna Brownwell Jameson]’s German Studies and Translation <br><br>

	Nagihan Haliloglu, Heidelberg University, Germany<br>		Nagihan Haliloglu, Heidelberg University, Germany<br>
-	*Translation as Cultural Negotiation : The Case of Fatma Aliye<br><br>	+	*Translation as Cultural Negotiation : The Case of [http://www.databasewomenwriters.nl/author.asp?authorID=2490 Fatma Aliye]<br><br>

	Isabelle Mons, Franche-Comté University, France<br>		Isabelle Mons, Franche-Comté University, France<br>
-	*L’Europe Litteraire de Lou Andreas-Salomé<br><br>	+	*L’Europe Litteraire de [http://www.databasewomenwriters.nl/author.asp?authorID=1635 Lou Andreas-Salomé]<br><br>

	Ursula Stohler, University of Exeter<br>		Ursula Stohler, University of Exeter<br>
-	*The Russian Reception of Mme Deshoulières’ Meditative Idylls<br><br>	+	*The [http://www.databasewomenwriters.nl/results.asp?type=receptions&work_authorName=DESHOUL&notesfield=&work_Title=&rec_Year=&Editor_ID=geen&rec_authorName=&Rec_Title=&reference=&RecCountry_ID=8&pageSize=50&order=r.Year Russian Reception] of Mme Deshoulières’ Meditative Idylls<br><br>

	Sam George, University of Sheffield<br>		Sam George, University of Sheffield<br>
Line 49:		Line 49:

	Melanie Maria Just, Independent Scholar <br>		Melanie Maria Just, Independent Scholar <br>
-	*East Meets West in Elizabeth Hamilton’s Translations of the ''Letters of a Hindoo Rajah'' <br><br>	+	*East Meets West in [http://www.databasewomenwriters.nl/author.asp?authorID=1016 Elizabeth Hamilton]’s Translations of the ''Letters of a Hindoo Rajah'' <br><br>

	Emma White, University of Southampton<br>		Emma White, University of Southampton<br>
-	*Mediating Waterloo: Charlotte Anne Eaton’s The Battle of Waterloo <br><br>	+	*Mediating Waterloo: [http://www.databasewomenwriters.nl/author.asp?authorID=2489 Charlotte Anne Eaton]’s The Battle of Waterloo <br><br>

	Sara James, Merton College, University of Oxford<br>		Sara James, Merton College, University of Oxford<br>
-	*Translating the Prison Question: The French Interpreters of Elizabeth Fry<br><br>	+	*Translating the Prison Question: The French Interpreters of [http://www.databasewomenwriters.nl/author.asp?authorID=2492 Elizabeth Fry]<br><br>

	Mary Orr, University of Southampton<br>		Mary Orr, University of Southampton<br>
-	*Women and Daughters of Genius: Mrs Hofland and Clémentine Cuvier<br><br>	+	*Women and Daughters of Genius: [http://www.databasewomenwriters.nl/author.asp?authorID=359 Mrs Hofland] and [http://www.databasewomenwriters.nl/author.asp?authorID=2421 Clémentine Cuvier]<br><br>

	Begona Lasa Alvarez, University of A Coruna<br>		Begona Lasa Alvarez, University of A Coruna<br>
-	*From Britain to Spain: Amelia Opie’s ''The Father and Daughter'' <br><br>	+	*From Britain to Spain: Amelia Opie’s [http://www.databasewomenwriters.nl/work.asp?workID=2188 ''The Father and Daughter''] <br><br>

	Katherine Astbury, University of Warwick<br>		Katherine Astbury, University of Warwick<br>