(abstract Mihaila) - Revision history

AKulsdom at 15:16, 3 October 2012

AKulsdom — Wed, 03 Oct 2012 15:16:32 GMT

←Older revision		Revision as of 15:16, 3 October 2012
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	<br><br>		<br><br>
		+	'''Canonical reconsideration of 19th-century Romanian women writers'''<br><br>
		+
	The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives.<br><br>		The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives.<br><br>
	The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. <br><br>		The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. <br><br>

AKulsdom at 14:37, 3 October 2012

AKulsdom — Wed, 03 Oct 2012 14:37:37 GMT

←Older revision		Revision as of 14:37, 3 October 2012
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	The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives.<br><br>		The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives.<br><br>
	The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. <br><br>		The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. <br><br>
-	The present article focuses not only on the writings of canonical writers ([http://neww.huygens.knaw.nl/authors/show/3541 Sofia Nadejde], [http://neww.huygens.knaw.nl/authors/show/3728 Adela Xenopol]) but also on a number of writers who were neglected by critics, like [http://neww.huygens.knaw.nl/authors/show/3729 Eugenia Ianculescu de Reuss], [http://neww.huygens.knaw.nl/authors/show/3544 Constanta Hodos], [http://neww.huygens.knaw.nl/authors/show/3731 Bucura Dumbrav?], [http://neww.huygens.knaw.nl/authors/show/3732 Emilia Lungu], [http://neww.huygens.knaw.nl/authors/show/3733 Constanta Marino-Moscu], [http://neww.huygens.knaw.nl/authors/show/3735 Smaranda Gheorghiu]; or those who wrote their work in foreign languages, for example, [http://neww.huygens.knaw.nl/authors/show/3744 Martha Bibescu], [http://neww.huygens.knaw.nl/authors/show/2279 Elena V?c?rescu], [http://neww.huygens.knaw.nl/authors/show/90 Dora d’Istria] (Elena Ghika) and the queens, [http://neww.huygens.knaw.nl/authors/show/153 Carmen Sylva] (Elisabeth of Wied) and Marie of Romania (Marie Alexandra Victoria, previously Princess Marie of Edinburgh).	+	The present article focuses not only on the writings of canonical writers ([http://neww.huygens.knaw.nl/authors/show/3541 Sofia Nadejde], [http://neww.huygens.knaw.nl/authors/show/3728 Adela Xenopol]) but also on a number of writers who were neglected by critics, like [http://neww.huygens.knaw.nl/authors/show/3729 Eugenia Ianculescu de Reuss], [http://neww.huygens.knaw.nl/authors/show/3544 Constanta Hodos], [http://neww.huygens.knaw.nl/authors/show/3731 Bucura Dumbrav?], [http://neww.huygens.knaw.nl/authors/show/3732 Emilia Lungu], [http://neww.huygens.knaw.nl/authors/show/3733 Constanta Marino-Moscu], [http://neww.huygens.knaw.nl/authors/show/3735 Smaranda Gheorghiu]; or those who wrote their work in foreign languages, for example, [http://neww.huygens.knaw.nl/authors/show/3744 Martha Bibescu], [http://neww.huygens.knaw.nl/authors/show/2279 Elena V?c?rescu], [http://neww.huygens.knaw.nl/authors/show/90 Dora d’Istria] (Elena Ghika) and the queens, [http://neww.huygens.knaw.nl/authors/show/153 Carmen Sylva] (Elisabeth of Wied) and [http://neww.huygens.knaw.nl/authors/show/5386 Marie of Romania] (Marie Alexandra Victoria, previously Princess Marie of Edinburgh).

	<br><br><br>		<br><br><br>

-	AsK, September 2010	+	AsK, October 2012
	<hr>		<hr>

	<br>		<br>
-	*Conferences and activities > COST meetings > Ljubljana World Book Capital > Abstract Mihaila <br><br>	+	*Conferences and activities > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century Ljubljana 2010] > Mihaila <br><br>

AKulsdom at 11:09, 20 September 2010

AKulsdom — Mon, 20 Sep 2010 11:09:34 GMT

←Older revision		Revision as of 11:09, 20 September 2010
Line 6:		Line 6:
	The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives.<br><br>		The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives.<br><br>
	The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. <br><br>		The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. <br><br>
-	The present article focuses not only on the writings of canonical writers (Sofia Nadejde, Adela Xenopol,) but also on a number of writers who were neglected by critics, like Eugenia Ianculescu de Reuss, Constanta Hodos, Bucura Dumbrav?, Emilia Lungu, Constanta Marino-Moscu, Smaranda Gheorghiu; or those who wrote their work in foreign languages, for example, Martha Bibescu, Elena V?c?rescu, Dora d’Istria (Elena Ghika) and the queens, Carmen Sylva (Elisabeth of Wied) and Marie of Romania (Marie Alexandra Victoria, previously Princess Marie of Edinburgh).	+	The present article focuses not only on the writings of canonical writers ([http://neww.huygens.knaw.nl/authors/show/3541 Sofia Nadejde], [http://neww.huygens.knaw.nl/authors/show/3728 Adela Xenopol]) but also on a number of writers who were neglected by critics, like [http://neww.huygens.knaw.nl/authors/show/3729 Eugenia Ianculescu de Reuss], [http://neww.huygens.knaw.nl/authors/show/3544 Constanta Hodos], [http://neww.huygens.knaw.nl/authors/show/3731 Bucura Dumbrav?], [http://neww.huygens.knaw.nl/authors/show/3732 Emilia Lungu], [http://neww.huygens.knaw.nl/authors/show/3733 Constanta Marino-Moscu], [http://neww.huygens.knaw.nl/authors/show/3735 Smaranda Gheorghiu]; or those who wrote their work in foreign languages, for example, [http://neww.huygens.knaw.nl/authors/show/3744 Martha Bibescu], [http://neww.huygens.knaw.nl/authors/show/2279 Elena V?c?rescu], [http://neww.huygens.knaw.nl/authors/show/90 Dora d’Istria] (Elena Ghika) and the queens, [http://neww.huygens.knaw.nl/authors/show/153 Carmen Sylva] (Elisabeth of Wied) and Marie of Romania (Marie Alexandra Victoria, previously Princess Marie of Edinburgh).

	<br><br><br>		<br><br><br>

SvDijk: New page:
NOEDITSECTION == Abstract Ramona Mihaila==

The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regar...

SvDijk — Mon, 20 Sep 2010 07:49:03 GMT

New page: __NOEDITSECTION__ == Abstract Ramona Mihaila== The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regar...

New page

__NOEDITSECTION__
== Abstract Ramona Mihaila==

 
The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regard to political engagement, legal status, access to higher education, and their entrance into the professions and public life. In addition, their visibility in the professional world of literature and arts enabled them to start forging a tradition of their own. The present article recovers and explores the work of a number of completely neglected Romanian women writers. It assesses their achievement by examining the cultural impact they had on the changing social status of women in the late 19th century as well as on the diversification and the reshaping of women’s lives. 
The late 19th century saw Romanian society slowly modernizing from an agrarian economy to a capitalist one, and the analysis of women’s status at this time is mirrored in the literary field by the female character’s ascension during the transition from romanticism to realism. In the interaction of fiction and reality, this article identifies the mechanisms through which a cultural identity fictionally constructs itself and destabilizes the limits of social identities and stereotypes in constructing female characters which result from social prejudices on one hand and the persistence of the romantic elements on the other. The identity constructions are analyzed not only in comparison with the women’s social status and the fictional typologies of female characters, but also with the conventions of literary genres such as the short story, the novel, and the historical writings. 
The present article focuses not only on the writings of canonical writers (Sofia Nadejde, Adela Xenopol,) but also on a number of writers who were neglected by critics, like Eugenia Ianculescu de Reuss, Constanta Hodos, Bucura Dumbrav?, Emilia Lungu, Constanta Marino-Moscu, Smaranda Gheorghiu; or those who wrote their work in foreign languages, for example, Martha Bibescu, Elena V?c?rescu, Dora d’Istria (Elena Ghika) and the queens, Carmen Sylva (Elisabeth of Wied) and Marie of Romania (Marie Alexandra Victoria, previously Princess Marie of Edinburgh).

 

AsK, September 2010
<hr>

 
*Conferences and activities > COST meetings > Ljubljana World Book Capital > Abstract Mihaila

(abstract Mihaila) - Revision history

AKulsdom at 15:16, 3 October 2012

AKulsdom at 14:37, 3 October 2012

AKulsdom at 11:09, 20 September 2010

SvDijk: New page: __NOEDITSECTION__ == Abstract Ramona Mihaila== The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regar...

SvDijk: New page:
NOEDITSECTION == Abstract Ramona Mihaila==

The second half of the 19th century in Romania was a time of unprecedented change and emancipation for Romanian women in regar...