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		<id>http://www.womenwriters.nl/index.php?action=history&amp;feed=atom&amp;title=Taking_the_reins_of_her_life</id>
		<title>Taking the reins of her life - Revision history</title>
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		<updated>2026-05-13T00:03:26Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Taking_the_reins_of_her_life&amp;diff=8101&amp;oldid=prev</id>
		<title>SvDijk at 20:33, 17 November 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Taking_the_reins_of_her_life&amp;diff=8101&amp;oldid=prev"/>
				<updated>2012-11-17T20:33:23Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 20:33, 17 November 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&amp;quot;Ester [sic] Stanhope, the cold niece of Pitt, who led a wanderer’s life and met an eccentric death in a faraway Eastern castle&amp;quot;: thus was she recorded by Teresa Leitão de Barros in her monumental work ''Escritoras de Portugal: génio feminino revelado na Literatura Portuguesa'' (1924). The author Cláudia de Campos (1859-1916) also portrayed her, albeit briefly, throughout her writings on the world of women, who at the time concerned themselves almost exclusively with issues related to the clan and for that same reason were disdained by the critics, misogynous and busy with the affairs of greater causes such as politics and the economy, to name but two.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;quot;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/4565 &lt;/span&gt;Ester [sic] Stanhope&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;, the cold niece of Pitt, who led a wanderer’s life and met an eccentric death in a faraway Eastern castle&amp;quot;: thus was she recorded by Teresa Leitão de Barros in her monumental work ''Escritoras de Portugal: génio feminino revelado na Literatura Portuguesa'' (1924). The author &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/5173 &lt;/span&gt;Cláudia de Campos&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1859-1916) also &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/receptions/show/24719 &lt;/span&gt;portrayed her&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;, albeit briefly, throughout her writings on the world of women, who at the time concerned themselves almost exclusively with issues related to the clan and for that same reason were disdained by the critics, misogynous and busy with the affairs of greater causes such as politics and the economy, to name but two.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This figure of an intellectual and independent woman became an icon of rebelliousness for more conservative minds and inspired young women who were more attuned to the spirit of their time, defying customs, changing habits. Thus, she was ignored by the canon, ostracised and committed to a silence which we now allow ourselves to break. Giving voice to her letters is the most symbolic way of rising in the present the issue of women’s writing down the centuries. From the private to the public, from acclaim to dissemination, dare we today say that Hester Stanhope was not a woman writer?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;This figure of an intellectual and independent woman became an icon of rebelliousness for more conservative minds and inspired young women who were more attuned to the spirit of their time, defying customs, changing habits. Thus, she was ignored by the canon, ostracised and committed to a silence which we now allow ourselves to break. Giving voice to her letters is the most symbolic way of rising in the present the issue of women’s writing down the centuries. From the private to the public, from acclaim to dissemination, dare we today say that Hester Stanhope was not a woman writer?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Taking_the_reins_of_her_life&amp;diff=8035&amp;oldid=prev</id>
		<title>SvDijk at 14:01, 13 November 2012</title>
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				<updated>2012-11-13T14:01:27Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 14:01, 13 November 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;== Isabel Lousada ==&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''Taking the reins of her life into her own hands: Lady Hester Stanhope (1776-1839) viewed through Portuguese eyes'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;quot;Ester [sic] Stanhope, the cold niece of Pitt, who led a wanderer’s life and met an eccentric death in a faraway Eastern castle&amp;quot;: thus was she recorded by Teresa Leitão de Barros in her monumental work ''Escritoras de Portugal: génio feminino revelado na Literatura Portuguesa'' (1924). The author Cláudia de Campos (1859-1916) also portrayed her, albeit briefly, throughout her writings on the world of women, who at the time concerned themselves almost exclusively with issues related to the clan and for that same reason were disdained by the critics, misogynous and busy with the affairs of greater causes such as politics and the economy, to name but two.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;This figure of an intellectual and independent woman became an icon of rebelliousness for more conservative minds and inspired young women who were more attuned to the spirit of their time, defying customs, changing habits. Thus, she was ignored by the canon, ostracised and committed to a silence which we now allow ourselves to break. Giving voice to her letters is the most symbolic way of rising in the present the issue of women’s writing down the centuries. From the private to the public, from acclaim to dissemination, dare we today say that Hester Stanhope was not a woman writer?&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;My paper will also seek to trace the life and achievements of Lady Hester Stanhope in the writings of XIXth Century Portuguese women, not forgetting the routes she travelled in her lifetime, from Damascus, Tripoli and Jaffa and which beyond a doubt made of her a woman traveller known as “the Sybil of the Lebanon” or “Queen of the Arabs”.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Taking_the_reins_of_her_life&amp;diff=8034&amp;oldid=prev</id>
		<title>SvDijk: New page:           &lt;br&gt;&lt;br&gt;&lt;br&gt;   SvD, November 2012&lt;br&gt;&lt;br&gt;&lt;br&gt;  &lt;hr&gt; &lt;br&gt; *Conferences and activities &gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%2...</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Taking_the_reins_of_her_life&amp;diff=8034&amp;oldid=prev"/>
				<updated>2012-11-13T13:56:37Z</updated>
		
		<summary type="html">&lt;p&gt;New page:           &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;   SvD, November 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  &amp;lt;hr&amp;gt; &amp;lt;br&amp;gt; *Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%2...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
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&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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SvD, November 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
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&amp;lt;hr&amp;gt;&lt;br /&gt;
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*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%22 COST meetings] &amp;gt; [http://www.womenwriters.nl/index.php/Conference_presenting_the_3rd_Milestone Poznan November 2012] &amp;gt; Lousada &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

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