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		<id>http://www.womenwriters.nl/index.php?action=history&amp;feed=atom&amp;title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West</id>
		<title>Rewriting Women’s Literary History in the West - Revision history</title>
		<link rel="self" type="application/atom+xml" href="http://www.womenwriters.nl/index.php?action=history&amp;feed=atom&amp;title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West"/>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;action=history"/>
		<updated>2026-05-13T23:38:41Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8027&amp;oldid=prev</id>
		<title>SvDijk at 10:06, 24 October 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8027&amp;oldid=prev"/>
				<updated>2012-10-24T10:06:07Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:06, 24 October 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 9:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Compilations, Databases, and Networks from the Middle Ages to the Present'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;'''Compilations, Databases, and Networks from the Middle Ages to the Present'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Compilations of biographies of women — first as historical figures, later as learned women, and then as writers with bibliographies and selections — contain rich national and transnational narratives that allow us to re-envision women’s literary history from the manuscript to the digital age. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Compilations of biographies of women &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;(see also this [http://www.womenwriters.nl/index.php/Bio-bibliographical_compilations list]) &lt;/span&gt;— first as historical figures, later as learned women, and then as writers with bibliographies and selections — contain rich national and transnational narratives that allow us to re-envision women’s literary history from the manuscript to the digital age. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The project I have applied for (September 2012) situates digital scholarship on women in a long historical, international continuum as it traces the development over the past 600 years of a coherent, yet dynamic genre that began with Boccaccio’s ''Famous Women'' and gradually spread throughout Europe and the U.S. My research has three parts: &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The project I have applied for (September 2012) situates digital scholarship on women in a long historical, international continuum as it traces the development over the past 600 years of a coherent, yet dynamic genre that began with Boccaccio’s ''Famous Women'' and gradually spread throughout Europe and the U.S. My research has three parts: &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*a database that maps the flow of compilations and their contents, with a focus on Russian women, using WomenWriters.nl; &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*a database that maps the flow of compilations and their contents, with a focus on Russian women, using WomenWriters.nl; &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8026&amp;oldid=prev</id>
		<title>SvDijk at 10:04, 24 October 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8026&amp;oldid=prev"/>
				<updated>2012-10-24T10:04:45Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:04, 24 October 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 22:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 22:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%22 COST meetings] &amp;gt; Poznan November &amp;gt; Hoogenboom 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%22 COST meetings] &amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Conference_presenting_the_3rd_Milestone &lt;/span&gt;Poznan November&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;&amp;gt; Hoogenboom 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8025&amp;oldid=prev</id>
		<title>SvDijk at 10:04, 24 October 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8025&amp;oldid=prev"/>
				<updated>2012-10-24T10:04:13Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 10:04, 24 October 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 10:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 10:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Compilations of biographies of women — first as historical figures, later as learned women, and then as writers with bibliographies and selections — contain rich national and transnational narratives that allow us to re-envision women’s literary history from the manuscript to the digital age. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Compilations of biographies of women — first as historical figures, later as learned women, and then as writers with bibliographies and selections — contain rich national and transnational narratives that allow us to re-envision women’s literary history from the manuscript to the digital age. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;My &lt;/span&gt;project situates digital scholarship on women in a long historical, international continuum as it traces the development over the past 600 years of a coherent, yet dynamic genre that began with Boccaccio’s ''Famous Women'' and gradually spread throughout Europe and the U.S. My research has three parts: &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;The &lt;/span&gt;project &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;I have applied for (September 2012) &lt;/span&gt;situates digital scholarship on women in a long historical, international continuum as it traces the development over the past 600 years of a coherent, yet dynamic genre that began with Boccaccio’s ''Famous Women'' and gradually spread throughout Europe and the U.S. My research has three parts: &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*a database that maps the flow of compilations and their contents, with a focus on Russian women, using WomenWriters.nl; &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*a database that maps the flow of compilations and their contents, with a focus on Russian women, using WomenWriters.nl; &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*a book; and &amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*a book; and &amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*an edited volume on compilations in Europe and the U.S.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*an edited volume on compilations in Europe and the U.S.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;SvD, October 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; [http://www.womenwriters.nl/index.php/Meetings_of_COST_Action_%22Women_Writers_In_History%22 COST meetings] &amp;gt; Poznan November &amp;gt; Hoogenboom 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8024&amp;oldid=prev</id>
		<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == Rewriting Women’s Literary History in the West ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; Hilde Hoogenboom: &lt;br&gt;&lt;br&gt;  '''Rewriting Women’s Literary History in the West:'''&lt;br&gt; '''Compi...</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Rewriting_Women%E2%80%99s_Literary_History_in_the_West&amp;diff=8024&amp;oldid=prev"/>
				<updated>2012-10-24T10:03:01Z</updated>
		
		<summary type="html">&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Rewriting Women’s Literary History in the West ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; Hilde Hoogenboom: &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  '''Rewriting Women’s Literary History in the West:'''&amp;lt;br&amp;gt; '''Compi...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Rewriting Women’s Literary History in the West ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
Hilde Hoogenboom: &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
'''Rewriting Women’s Literary History in the West:'''&amp;lt;br&amp;gt;&lt;br /&gt;
'''Compilations, Databases, and Networks from the Middle Ages to the Present'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Compilations of biographies of women — first as historical figures, later as learned women, and then as writers with bibliographies and selections — contain rich national and transnational narratives that allow us to re-envision women’s literary history from the manuscript to the digital age. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
My project situates digital scholarship on women in a long historical, international continuum as it traces the development over the past 600 years of a coherent, yet dynamic genre that began with Boccaccio’s ''Famous Women'' and gradually spread throughout Europe and the U.S. My research has three parts: &amp;lt;br&amp;gt;&lt;br /&gt;
*a database that maps the flow of compilations and their contents, with a focus on Russian women, using WomenWriters.nl; &amp;lt;br&amp;gt;&lt;br /&gt;
*a book; and &amp;lt;br&amp;gt;&lt;br /&gt;
*an edited volume on compilations in Europe and the U.S.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

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