Research seminar - Revision history

SvDijk at 15:38, 3 October 2011

2011-10-03T15:38:17Z

←Older revision		Revision as of 15:38, 3 October 2011
Line 7:		Line 7:
	'''Toward a New Understanding of European Literary Culture''' <br><br>		'''Toward a New Understanding of European Literary Culture''' <br><br>

-	On Monday, September 19, from 10.15 till 18.00 there will be a guest lecture and a seminar within the framework of COST action IS0901 “Women Writers in History. Toward a New Understanding of European Literary Culture”. The guest lecture is open to everyone; the seminar, including lunch, requires registration. <br><br>	+	On Monday, September 19, from 10.15 till 18.00 a guest lecture and a seminar were held within the framework of COST action IS0901 “Women Writers in History. Toward a New Understanding of European Literary Culture”. The guest lecture was open to everyone; the seminar, including lunch, required registration. <br><br>

	The aim of this COST action is to lay the groundwork for a new history of European women’s participation in the literary field of the centuries before 1900. What was these women’s influence? Which active roles did they play as authors and readers in the broadest sense of the word, i.e. including their roles as transcribers, translators, mediators and educators? What happened to them when they fell into the hands of 19th-century canonizers? How is their disappearance from literary history to be explained? <br><br>		The aim of this COST action is to lay the groundwork for a new history of European women’s participation in the literary field of the centuries before 1900. What was these women’s influence? Which active roles did they play as authors and readers in the broadest sense of the word, i.e. including their roles as transcribers, translators, mediators and educators? What happened to them when they fell into the hands of 19th-century canonizers? How is their disappearance from literary history to be explained? <br><br>
Line 26:		Line 26:
	12.15 – 18.00 Rådssalen, Lucy Smiths hus, Blindern <br><br>		12.15 – 18.00 Rådssalen, Lucy Smiths hus, Blindern <br><br>

-	Lunch will be served at 14.00. <br><br>	+	Lunch at 14.00. <br><br>

	''Papers:'' <br><br>		''Papers:'' <br><br>
Line 51:		Line 51:
	*[[From Denmark to the hammam]]: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann<br><br>		*[[From Denmark to the hammam]]: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann<br><br>

-	Registration by 12.09.2011 at: h.e.lovbak@stk.uio.no <br>
	Responsible: Tone Brekke, STK, Anne Birgitte Rønning, ILOS, Torill Steinfeld, ILN<br>		Responsible: Tone Brekke, STK, Anne Birgitte Rønning, ILOS, Torill Steinfeld, ILN<br>

SvDijk at 18:58, 16 September 2011

2011-09-16T18:58:50Z

←Older revision		Revision as of 18:58, 16 September 2011
Line 46:		Line 46:

	Viola Capkova, University of Turku: <br>		Viola Capkova, University of Turku: <br>
-	*[[Finnish Women Writers]] as Translators and Mediators of Writing by European Women at the Turn of the 18th and the 19th Century<br><br>	+	*[[Finnish Women Writers as Translators and Mediators]] of Writing by European Women at the Turn of the 18th and the 19th Century<br><br>

	Ragnhild J. Zorgati, University of Oslo: <br>		Ragnhild J. Zorgati, University of Oslo: <br>

SvDijk at 18:54, 16 September 2011

2011-09-16T18:54:13Z

←Older revision		Revision as of 18:54, 16 September 2011
Line 34:		Line 34:

	Petra Broomans, University of Groningen: <br>		Petra Broomans, University of Groningen: <br>
-	*[Awards and networks]. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation<br><br>	+	*[[Awards and networks]]. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation<br><br>

	Tone Selboe, University of Oslo: <br>		Tone Selboe, University of Oslo: <br>

SvDijk at 18:53, 16 September 2011

2011-09-16T18:53:28Z

SvDijk at 18:52, 16 September 2011

2011-09-16T18:52:37Z

SvDijk at 20:50, 15 September 2011

2011-09-15T20:50:13Z

←Older revision		Revision as of 20:50, 15 September 2011
Line 20:		Line 20:
	*’Women Writers In History’: the relevance of studying literature.<br><br>		*’Women Writers In History’: the relevance of studying literature.<br><br>

-	''The seminar''<br>	+	''The seminar''<br><br>
-	'''Scandinavia within the European context: '''<br><br>	+	'''Scandinavia within the European context: '''<br>
	'''Women's contributions to European literary culture before World War I'''.<br><br>		'''Women's contributions to European literary culture before World War I'''.<br><br>

SvDijk at 20:49, 15 September 2011

2011-09-15T20:49:41Z

SvDijk: New page:
NOEDITSECTION == Oslo Research Seminar ==

'''Women Writers in History: '''
'''Toward a New Understanding of European Literary Culture'''

On Monday, Se...

2011-09-15T20:47:54Z

New page: __NOEDITSECTION__ == Oslo Research Seminar == '''Women Writers in History: ''' '''Toward a New Understanding of European Literary Culture''' On Monday, Se...

New page

__NOEDITSECTION__
== Oslo Research Seminar ==

 
'''Women Writers in History: ''' 
'''Toward a New Understanding of European Literary Culture''' 

On Monday, September 19, from 10.15 till 18.00 there will be a guest lecture and a seminar within the framework of COST action IS0901 “Women Writers in History. Toward a New Understanding of European Literary Culture”. The guest lecture is open to everyone; the seminar, including lunch, requires registration. 

The aim of this COST action is to lay the groundwork for a new history of European women’s participation in the literary field of the centuries before 1900. What was these women’s influence? Which active roles did they play as authors and readers in the broadest sense of the word, i.e. including their roles as transcribers, translators, mediators and educators? What happened to them when they fell into the hands of 19th-century canonizers? How is their disappearance from literary history to be explained? 

The action will further develop the database ''WomenWriters'' (http://www.databasewomenwriters.nl/) into a broad research infrastructure, allowing researchers to stock and manipulate data concerning the contemporary reception of women’s writing, and to apply different research models to these data. 

Particular attention will be paid to women’s participation in transnational cultural dynamics and to the overlooked role of “smaller”, less internationally known literatures within the larger European context. This interdisciplinary research will lead to a new way of looking at Europe’s literary past – male and female –, which also implies a different perspective on Europe’s present. 

''The guest lecture'' 
10.15 – 1.200, Aud. 4, Eilert Sundts hus, Blindern 
Suzan van Dijk, Huygens ING, Netherlands, Chair of the COST Action: 
*’Women Writers In History’: the relevance of studying literature. 

''The seminar'' 
'''Scandinavia within the European context: ''' 
'''Women's contributions to European literary culture before World War I'''. 

12.15 – 18.00 Rådssalen, Lucy Smiths hus, Blindern 

Lunch will be served at 14.00. 

''Papers:'' 

Torill Steinfeld, University of Oslo: 
*Personal voices and unaffected writing: Camilla Collett, Rahel Varnhagen,Therese von Bacheracht 

Petra Broomans, University of Groningen: 
*Awards and networks. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation 

Tone Selboe, University of Oslo:
*Male Melancholics and Female Fighters: Camilla Collett on George Sand

Marie Nedregotten Sørbø, University College of Volda: 
*Genius and housewife: The Norwegian nineteenth-century reception of George Eliot 

Janet Garton, Norwich: 
*Amalie Skram and her German translators 

Viola Capkova, University of Turku: 
*Finnish Women Writers as Translators and Mediators of Writing by European Women at the Turn of the 18th and the 19th Century 

Ragnhild J. Zorgati, University of Oslo: 
*From Denmark to the hammam: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann 

Registration by 12.09.2011 at: h.e.lovbak@stk.uio.no 
Responsible: Tone Brekke, STK, Anne Birgitte Rønning, ILOS, Torill Steinfeld, ILN 

 

SvD, September 2011 

<hr>
 
*Conferences and activities > COST meetings > Oslo Research Seminar

←Older revision		Revision as of 18:53, 16 September 2011
Line 31:		Line 31:

	Torill Steinfeld, University of Oslo:<br>		Torill Steinfeld, University of Oslo:<br>
-	*[Personal voices and unaffected writing]: Camilla Collett, Rahel Varnhagen,Therese von Bacheracht<br><br>	+	*[[Personal voices and unaffected writing]]: Camilla Collett, Rahel Varnhagen,Therese von Bacheracht<br><br>

	Petra Broomans, University of Groningen: <br>		Petra Broomans, University of Groningen: <br>
Line 37:		Line 37:

	Tone Selboe, University of Oslo: <br>		Tone Selboe, University of Oslo: <br>
-	*[Male Melancholics and Female Fighters]: Camilla Collett on George Sand<br><br>	+	*[[Male Melancholics and Female Fighters]]: Camilla Collett on George Sand<br><br>

	Marie Nedregotten Sørbø, University College of Volda: <br>		Marie Nedregotten Sørbø, University College of Volda: <br>
-	*[Genius and housewife]: The Norwegian nineteenth-century reception of George Eliot<br><br>	+	*[[Genius and housewife]]: The Norwegian nineteenth-century reception of George Eliot<br><br>

	Janet Garton, Norwich: <br>		Janet Garton, Norwich: <br>
-	*[Amalie Skram and her German translators]<br><br>	+	*[[Amalie Skram and her German translators]]<br><br>

	Viola Capkova, University of Turku: <br>		Viola Capkova, University of Turku: <br>
-	*[Finnish Women Writers] as Translators and Mediators of Writing by European Women at the Turn of the 18th and the 19th Century<br><br>	+	*[[Finnish Women Writers]] as Translators and Mediators of Writing by European Women at the Turn of the 18th and the 19th Century<br><br>

	Ragnhild J. Zorgati, University of Oslo: <br>		Ragnhild J. Zorgati, University of Oslo: <br>
-	*[From Denmark to the hammam]: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann<br><br>	+	*[[From Denmark to the hammam]]: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann<br><br>

	Registration by 12.09.2011 at: h.e.lovbak@stk.uio.no <br>		Registration by 12.09.2011 at: h.e.lovbak@stk.uio.no <br>

←Older revision		Revision as of 18:52, 16 September 2011
Line 31:		Line 31:

	Torill Steinfeld, University of Oslo:<br>		Torill Steinfeld, University of Oslo:<br>
-	*Personal voices and unaffected writing: Camilla Collett, Rahel Varnhagen,Therese von Bacheracht<br><br>	+	*[Personal voices and unaffected writing]: Camilla Collett, Rahel Varnhagen,Therese von Bacheracht<br><br>

	Petra Broomans, University of Groningen: <br>		Petra Broomans, University of Groningen: <br>
-	*Awards and networks. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation<br><br>	+	*[Awards and networks]. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation<br><br>

	Tone Selboe, University of Oslo: <br>		Tone Selboe, University of Oslo: <br>
-	*Male Melancholics and Female Fighters: Camilla Collett on George Sand<br><br>	+	*[Male Melancholics and Female Fighters]: Camilla Collett on George Sand<br><br>

	Marie Nedregotten Sørbø, University College of Volda: <br>		Marie Nedregotten Sørbø, University College of Volda: <br>
-	*Genius and housewife: The Norwegian nineteenth-century reception of George Eliot<br><br>	+	*[Genius and housewife]: The Norwegian nineteenth-century reception of George Eliot<br><br>

	Janet Garton, Norwich: <br>		Janet Garton, Norwich: <br>
-	*Amalie Skram and her German translators<br><br>	+	*[Amalie Skram and her German translators]<br><br>

	Viola Capkova, University of Turku: <br>		Viola Capkova, University of Turku: <br>
-	*Finnish Women Writers as Translators and Mediators of Writing by European Women at the Turn of the 18th and the 19th Century<br><br>	+	*[Finnish Women Writers] as Translators and Mediators of Writing by European Women at the Turn of the 18th and the 19th Century<br><br>

	Ragnhild J. Zorgati, University of Oslo: <br>		Ragnhild J. Zorgati, University of Oslo: <br>
-	*From Denmark to the hammam: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann<br><br>	+	*[From Denmark to the hammam]: the international female networks of the Danish – Polish painter Elisabeth Jerichau Baumann<br><br>

	Registration by 12.09.2011 at: h.e.lovbak@stk.uio.no <br>		Registration by 12.09.2011 at: h.e.lovbak@stk.uio.no <br>

←Older revision		Revision as of 20:49, 15 September 2011
Line 15:		Line 15:
	Particular attention will be paid to women’s participation in transnational cultural dynamics and to the overlooked role of “smaller”, less internationally known literatures within the larger European context. This interdisciplinary research will lead to a new way of looking at Europe’s literary past – male and female –, which also implies a different perspective on Europe’s present. <br><br>		Particular attention will be paid to women’s participation in transnational cultural dynamics and to the overlooked role of “smaller”, less internationally known literatures within the larger European context. This interdisciplinary research will lead to a new way of looking at Europe’s literary past – male and female –, which also implies a different perspective on Europe’s present. <br><br>

-	''The guest lecture''<br>	+	''The guest lecture''<br><br>
-	10.15 – 1.200, Aud. 4, Eilert Sundts hus, Blindern <br>	+	10.15 – 1.200, Aud. 4, Eilert Sundts hus, Blindern <br><br>
	Suzan van Dijk, Huygens ING, Netherlands, Chair of the COST Action: <br>		Suzan van Dijk, Huygens ING, Netherlands, Chair of the COST Action: <br>
	*’Women Writers In History’: the relevance of studying literature.<br><br>		*’Women Writers In History’: the relevance of studying literature.<br><br>

	''The seminar''<br>		''The seminar''<br>
-	'''Scandinavia within the European context: '''<br>	+	'''Scandinavia within the European context: '''<br><br>
	'''Women's contributions to European literary culture before World War I'''.<br><br>		'''Women's contributions to European literary culture before World War I'''.<br><br>

Line 36:		Line 36:
	*Awards and networks. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation<br><br>		*Awards and networks. A secret formula for the canonization of a cultural transmitter? On Swedish women´s literature in Dutch translation<br><br>

-	Tone Selboe, University of Oslo:	+	Tone Selboe, University of Oslo: <br>
-	*Male Melancholics and Female Fighters: Camilla Collett on George Sand	+	*Male Melancholics and Female Fighters: Camilla Collett on George Sand<br><br>

	Marie Nedregotten Sørbø, University College of Volda: <br>		Marie Nedregotten Sørbø, University College of Volda: <br>