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		<id>http://www.womenwriters.nl/index.php?action=history&amp;feed=atom&amp;title=Nationalism_and_Nostalgia</id>
		<title>Nationalism and Nostalgia - Revision history</title>
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		<updated>2026-05-14T00:35:38Z</updated>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Nationalism_and_Nostalgia&amp;diff=7856&amp;oldid=prev</id>
		<title>SvDijk at 14:14, 21 September 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Nationalism_and_Nostalgia&amp;diff=7856&amp;oldid=prev"/>
				<updated>2012-09-21T14:14:27Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 14:14, 21 September 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 4:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 4:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;'''Nationalism and Nostalgia in the Travelogue of the Bulgarian Writer Evgenia Mars (1909)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''Nationalism and Nostalgia&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&lt;/span&gt;in the Travelogue of the Bulgarian Writer Evgenia Mars (1909)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;My presentation starts with a description of the public and literary activism of the Bulgarian women, residing in Istanbul in the 60s and 70s of the 19th. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;  &lt;/span&gt;It is connected to the aspect of nostalgia for the life of the Bulgarian community in the Ottoman capital in the pre-1878 era when Bulgarians were still under Ottoman rule. It is necessary in order to understand better the combination of the nostalgic air mixed with strong outbursts of nationalism that is visible in the text of the travelogue ''[http://neww.huygens.knaw.nl/works/show/9496 Journey to Istanbul]'' by [http://neww.huygens.knaw.nl/authors/show/3138 Evgenia Mars] (1909).  The first publications of women writers and translators in the Bulgarian periodicals, printed in Istanbul in the 60s and 70s of the 19th century will shed light on the lively mode of communication and interaction between the Bulgarian women in the capital and those in the provincial areas who were part of increasing number of Bulgarian women’s organizations and women’s schools. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;My presentation starts with a description of the public and literary activism of the Bulgarian women, residing in Istanbul in the 60s and 70s of the 19th &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;century&lt;/span&gt;. It is connected to the aspect of nostalgia for the life of the Bulgarian community in the Ottoman capital in the pre-1878 era when Bulgarians were still under Ottoman rule. It is necessary in order to understand better the combination of the nostalgic air mixed with strong outbursts of nationalism that is visible in the text of the travelogue ''[http://neww.huygens.knaw.nl/works/show/9496 Journey to Istanbul]'' by [http://neww.huygens.knaw.nl/authors/show/3138 Evgenia Mars] (1909).  The first publications of women writers and translators in the Bulgarian periodicals, printed in Istanbul in the 60s and 70s of the 19th century will shed light on the lively mode of communication and interaction between the Bulgarian women in the capital and those in the provincial areas who were part of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the &lt;/span&gt;increasing number of Bulgarian women’s organizations and women’s schools. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Those women writers and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;activist were &lt;/span&gt;just a generation before the writer who is central to this presentation – Evgenia Mars (1877-1945). Her travelogue ''A Journey to Istanbul'' (1909) was acclaimed in the literary periodicals (''Bulgarski pregled''/&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;”Bulgarian review”&lt;/span&gt;) as the first women’s travelogue in the Bulgarian national literature. The text is published as a final part of her second book of short stories. It is a result of a trip to the Ottoman capital in 1907 when Evgenia Mars, her husband and her mentor in writing &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;– &lt;/span&gt;the &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;male &lt;/span&gt;Bulgarian poet Ivan Vazov, spent a few weeks in Istanbul. On several occasions the travelogue contains references to previous travel writings about the city. There are no direct quotations from Western travel writings but there are some references to Bulgarian literary texts on the same topic. Evgenia Mars’s travelogue reveals her ambition to inscribe herself in the long list of those who have been enchanted by the Bosporus, who caught a glimpse of the ottoman ladies, and those, who have observed the Sultan’s Friday prayer ceremony, etc. Her text contains a snapshot of the social and cultural life of the diminishing Bulgarian colony in the city. The nostalgic emotion of those chapters mingles with nationalistic hostility when she provides a witness account of the last days of Abdul-Hamidian reign. Beyond nationalism and nostalgia, the novelty in the text is that Evgenia Mars envisions herself also as a tourist in Istanbul who seeks good food, decent service, amusing public life and entertainment.  &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Those women writers and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;activists lived &lt;/span&gt;just a generation before the writer who is central to this presentation – Evgenia Mars (1877-1945). Her travelogue ''A Journey to Istanbul'' (1909) was acclaimed in the literary periodicals (''Bulgarski pregled''/&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Bulgarian review&lt;/span&gt;) as the first women’s travelogue in the Bulgarian national literature. The text is published as a final part of her second book of short stories. It is a result of a trip to the Ottoman capital in 1907 when Evgenia Mars, her husband and her mentor in writing&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;, &lt;/span&gt;the Bulgarian poet Ivan Vazov, spent a few weeks in Istanbul. On several occasions the travelogue contains references to previous travel writings about the city. There are no direct quotations from Western travel writings but there are some references to Bulgarian literary texts on the same topic. Evgenia Mars’s travelogue reveals her ambition to inscribe herself in the long list of those who have been enchanted by the Bosporus, who caught a glimpse of the ottoman ladies, and those, who have observed the Sultan’s Friday prayer ceremony, etc. Her text contains a snapshot of the social and cultural life of the diminishing Bulgarian colony in the city. The nostalgic emotion of those chapters mingles with nationalistic hostility when she provides a witness account of the last days of Abdul-Hamidian reign. Beyond nationalism and nostalgia, the novelty in the text is that Evgenia Mars envisions herself also as a tourist in Istanbul who seeks good food, decent service, amusing public life and entertainment.  &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Nationalism_and_Nostalgia&amp;diff=7832&amp;oldid=prev</id>
		<title>AKulsdom at 07:06, 21 September 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Nationalism_and_Nostalgia&amp;diff=7832&amp;oldid=prev"/>
				<updated>2012-09-21T07:06:45Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 07:06, 21 September 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;My presentation starts with a description of the public and literary activism of the Bulgarian women, residing in Istanbul in the 60s and 70s of the 19th.   It is connected to the aspect of nostalgia for the life of the Bulgarian community in the Ottoman capital in the pre-1878 era when Bulgarians were still under Ottoman rule. It is necessary in order to understand better the combination of the nostalgic air mixed with strong outbursts of nationalism that is visible in the text of the travelogue &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;“Journey &lt;/span&gt;to &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Istanbul” &lt;/span&gt;by Evgenia Mars (1909).  The first publications of women writers and translators in the Bulgarian periodicals, printed in Istanbul in the 60s and 70s of the 19th &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;c &lt;/span&gt;will shed light on the lively mode of communication and interaction between the Bulgarian women in the capital and those in the provincial areas who were part of increasing number of Bulgarian women’s organizations and women’s schools. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;My presentation starts with a description of the public and literary activism of the Bulgarian women, residing in Istanbul in the 60s and 70s of the 19th.   It is connected to the aspect of nostalgia for the life of the Bulgarian community in the Ottoman capital in the pre-1878 era when Bulgarians were still under Ottoman rule. It is necessary in order to understand better the combination of the nostalgic air mixed with strong outbursts of nationalism that is visible in the text of the travelogue &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''[http://neww.huygens.knaw.nl/works/show/9496 Journey &lt;/span&gt;to &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Istanbul]'' &lt;/span&gt;by &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/3138 &lt;/span&gt;Evgenia Mars&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;(1909).  The first publications of women writers and translators in the Bulgarian periodicals, printed in Istanbul in the 60s and 70s of the 19th &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;century &lt;/span&gt;will shed light on the lively mode of communication and interaction between the Bulgarian women in the capital and those in the provincial areas who were part of increasing number of Bulgarian women’s organizations and women’s schools. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Those women writers and activist were just a generation before the writer who is central to this presentation – Evgenia Mars (1877-1945). Her travelogue &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;“ &lt;/span&gt;A Journey to &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Istanbul” &lt;/span&gt;(1909) was acclaimed in the literary periodicals (&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;“Bulgarski pregled”&lt;/span&gt;/”Bulgarian review”) as the first women’s travelogue in the Bulgarian national literature. The text is published as a final part of her second book of short stories. It is a result of a trip to the Ottoman capital in 1907 when Evgenia Mars, her husband and her mentor in writing – the male Bulgarian poet Ivan Vazov, spent a few weeks in Istanbul. On several occasions the travelogue contains references to previous travel writings about the city. There are no direct quotations from Western travel writings but there are some references to Bulgarian literary texts on the same topic. Evgenia Mars’s travelogue reveals her ambition to inscribe herself in the long list of those who have been enchanted by the Bosporus, who caught a glimpse of the ottoman ladies, and those, who have observed the Sultan’s Friday prayer ceremony, etc. Her text contains a snapshot of the social and cultural life of the diminishing Bulgarian colony in the city. The nostalgic emotion of those chapters mingles with nationalistic hostility when she provides a witness account of the last days of Abdul-Hamidian reign. Beyond nationalism and nostalgia, the novelty in the text is that Evgenia Mars envisions herself also as a tourist in Istanbul who seeks good food, decent service, amusing public life and entertainment.  &lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Those women writers and activist were just a generation before the writer who is central to this presentation – Evgenia Mars (1877-1945). Her travelogue &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;A Journey to &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Istanbul'' &lt;/span&gt;(1909) was acclaimed in the literary periodicals (&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''Bulgarski pregled''&lt;/span&gt;/”Bulgarian review”) as the first women’s travelogue in the Bulgarian national literature. The text is published as a final part of her second book of short stories. It is a result of a trip to the Ottoman capital in 1907 when Evgenia Mars, her husband and her mentor in writing – the male Bulgarian poet Ivan Vazov, spent a few weeks in Istanbul. On several occasions the travelogue contains references to previous travel writings about the city. There are no direct quotations from Western travel writings but there are some references to Bulgarian literary texts on the same topic. Evgenia Mars’s travelogue reveals her ambition to inscribe herself in the long list of those who have been enchanted by the Bosporus, who caught a glimpse of the ottoman ladies, and those, who have observed the Sultan’s Friday prayer ceremony, etc. Her text contains a snapshot of the social and cultural life of the diminishing Bulgarian colony in the city. The nostalgic emotion of those chapters mingles with nationalistic hostility when she provides a witness account of the last days of Abdul-Hamidian reign. Beyond nationalism and nostalgia, the novelty in the text is that Evgenia Mars envisions herself also as a tourist in Istanbul who seeks good food, decent service, amusing public life and entertainment.  &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Nationalism_and_Nostalgia&amp;diff=7806&amp;oldid=prev</id>
		<title>AKulsdom: New page: &lt;br&gt;__NOEDITSECTION__ == Nadezhda Alexandrova ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; '''Nationalism and Nostalgia in the Travelogue of the Bulgarian Writer Evgenia Mars (1909)'''&lt;br&gt;&lt;br&gt;  ''Abstract''&lt;br&gt;&lt;br&gt; ...</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Nationalism_and_Nostalgia&amp;diff=7806&amp;oldid=prev"/>
				<updated>2012-09-20T16:09:57Z</updated>
		
		<summary type="html">&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Nadezhda Alexandrova ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; '''Nationalism and Nostalgia in the Travelogue of the Bulgarian Writer Evgenia Mars (1909)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  ''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; ...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Nadezhda Alexandrova ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
'''Nationalism and Nostalgia in the Travelogue of the Bulgarian Writer Evgenia Mars (1909)'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
My presentation starts with a description of the public and literary activism of the Bulgarian women, residing in Istanbul in the 60s and 70s of the 19th.   It is connected to the aspect of nostalgia for the life of the Bulgarian community in the Ottoman capital in the pre-1878 era when Bulgarians were still under Ottoman rule. It is necessary in order to understand better the combination of the nostalgic air mixed with strong outbursts of nationalism that is visible in the text of the travelogue “Journey to Istanbul” by Evgenia Mars (1909).  The first publications of women writers and translators in the Bulgarian periodicals, printed in Istanbul in the 60s and 70s of the 19th c will shed light on the lively mode of communication and interaction between the Bulgarian women in the capital and those in the provincial areas who were part of increasing number of Bulgarian women’s organizations and women’s schools. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Those women writers and activist were just a generation before the writer who is central to this presentation – Evgenia Mars (1877-1945). Her travelogue “ A Journey to Istanbul” (1909) was acclaimed in the literary periodicals (“Bulgarski pregled”/”Bulgarian review”) as the first women’s travelogue in the Bulgarian national literature. The text is published as a final part of her second book of short stories. It is a result of a trip to the Ottoman capital in 1907 when Evgenia Mars, her husband and her mentor in writing – the male Bulgarian poet Ivan Vazov, spent a few weeks in Istanbul. On several occasions the travelogue contains references to previous travel writings about the city. There are no direct quotations from Western travel writings but there are some references to Bulgarian literary texts on the same topic. Evgenia Mars’s travelogue reveals her ambition to inscribe herself in the long list of those who have been enchanted by the Bosporus, who caught a glimpse of the ottoman ladies, and those, who have observed the Sultan’s Friday prayer ceremony, etc. Her text contains a snapshot of the social and cultural life of the diminishing Bulgarian colony in the city. The nostalgic emotion of those chapters mingles with nationalistic hostility when she provides a witness account of the last days of Abdul-Hamidian reign. Beyond nationalism and nostalgia, the novelty in the text is that Evgenia Mars envisions herself also as a tourist in Istanbul who seeks good food, decent service, amusing public life and entertainment.  &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Ask, September 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
*Conferences &amp;gt; [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] &amp;gt; [http://www.womenwriters.nl/index.php/Transnational_Perspectives_on_19th_and_20th_century_Women%E2%80%99s_Writing Istanbul September 2012] &amp;gt; Alexandrova &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

	</feed>