Narrative transgressions - Revision history

AKulsdom at 11:48, 19 September 2012

2012-09-19T11:48:09Z

←Older revision		Revision as of 11:48, 19 September 2012
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-		+	AsK, September 2012<br><br><br>
-	SvD, February 2011<br><br><br>	+

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	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] > Koch <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] > Koch <br><br>

SvDijk at 20:42, 16 February 2011

2011-02-16T20:42:13Z

←Older revision		Revision as of 20:42, 16 February 2011
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		+	'''Narrative transgressions in Serbian modernist women’s writings: „normal” and „abnormal” gender prose''' <br><br>
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	''Abstract:''<br><br>		''Abstract:''<br><br>
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		+	I would like to present the problem of a new, innovative mechanism of narrative transgressions applied by Serbian female authors at the beginning of the 20th century. It was a completely new method of introducing a gendered literary discourse via narration. I am going to show it on the example of [http://neww.huygens.knaw.nl/authors/show/3539 Isidora Sekuli?]’s short prose text ''Nostalgia'' (from the book ''Fellow Travellers'', 1913), of [http://neww.huygens.knaw.nl/authors/show/3884 Milica Jankovi?]’s story ''Little Heart or: The Notebook of an Unhappy Man'' (from the volume ''Confessions'' published in 1913) and of [http://neww.huygens.knaw.nl/authors/show/3494 Jelena Dimitrijevi?]’s short story ''The American Woman'' (from 1918). Writing these first person confessional narratives the Serbian women authors employed [http://neww.huygens.knaw.nl/works?fromworksearch=1&sort=upper%28authors.name%29&page=1&searchtoggle=on&workauthor=&pseudonymflag=0&pseudonymflag=1&worktitle=&workyear=&worktopos=&notes={first+person+male+narration}&per_page=20&x=27&y=25 first-person masculine verb forms], thus showing that in literature gender can be a pure construct, a matter of convention and that the category of “normal” and “abnormal” female narrative mechanism is/can be a moot point. I want to interpret this phenomenon as a sort of literary game with the narrative mechanism. I would like to bring to the attention that it was a very productive, attractive and innovative literary strategy and that it was an important contribution of female authors to the Serbian modernist literature. This Serbian example of narrative transgression can be a good starting point for a wider discussion and comparison with the women’s narrations in other literatures/literary models.

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SvDijk: New page:
NOEDITSECTION == Magdalena Koch ==

''Abstract:''

SvD, February 2011

*Conferences > [http://www.womenwriters.nl/index.php/...

2011-01-31T23:08:19Z

New page: __NOEDITSECTION__ == Magdalena Koch == ''Abstract:'' SvD, February 2011 <hr> *Conferences > [http://www.womenwriters.nl/index.php/...

New page

__NOEDITSECTION__
== Magdalena Koch ==

 
''Abstract:'' 

 

SvD, February 2011 

<hr>
 
*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] > Koch

Narrative transgressions - Revision history

AKulsdom at 11:48, 19 September 2012

SvDijk at 20:42, 16 February 2011

SvDijk: New page: __NOEDITSECTION__ == Magdalena Koch == ''Abstract:'' SvD, February 2011 *Conferences > [http://www.womenwriters.nl/index.php/...

SvDijk: New page:
NOEDITSECTION == Magdalena Koch ==

''Abstract:''

SvD, February 2011

*Conferences > [http://www.womenwriters.nl/index.php/...