http://www.womenwriters.nl/index.php?action=history&feed=atom&title=Narrations_genr%C3%A9esNarrations genrées - Revision history2026-04-24T20:26:01ZRevision history for this page on the wikiMediaWiki 1.9.3http://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9408&oldid=prevSvDijk at 18:52, 17 February 20142014-02-17T18:52:46Z<p></p>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">[http://www.womenwriters.nl/index.php/Suzan_van_Dijk%2C_Utrecht_University Suzan van Dijk], [http://www.womenwriters.nl/index.php/Lieselotte_Steinbr%C3%BCgge Lieselotte Steinbrügge]:<br></td><td> </td><td style="background: #eee; font-size: smaller;">[http://www.womenwriters.nl/index.php/Suzan_van_Dijk%2C_Utrecht_University Suzan van Dijk], [http://www.womenwriters.nl/index.php/Lieselotte_Steinbr%C3%BCgge Lieselotte Steinbrügge]:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*[[Perspectives de femmes ?]] Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*[[Perspectives de femmes ?]] Narrations genrées vues par-delà les époques et les frontières linguistiques (<span style="color: red; font-weight: bold;">Preface, </span>p. 5)<br><br></td></tr>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">Vera Nünning:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Vera Nünning:<br></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9376&oldid=prevSvDijk at 17:48, 17 February 20142014-02-17T17:48:20Z<p></p>
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<td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td>
<td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 17:48, 17 February 2014</td>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">'''Paratextes masculins et féminins / Male and female paratexts'''<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">'''Paratextes masculins et féminins / Male and female paratexts'''<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Madeleine Jeay: <br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Madeleine_Jeay </span>Madeleine Jeay<span style="color: red; font-weight: bold;">]</span>: <br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Le double discours de la dédicace aux dames dans les recueils de nouvelles des XVe-XVIe siècles (p. 59)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Le double discours de la dédicace aux dames dans les recueils de nouvelles des XVe-XVIe siècles (p. 59)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Henriette Partzsch:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Henriette_Partzsch </span>Henriette Partzsch<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Manipulating genre and gender: the novella in early modern Spain (p. 74)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Manipulating genre and gender: the novella in early modern Spain (p. 74)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Isabel Morujão: <br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Isabel_Moruj%C3%A3o_%28Universidade_de_Lisboa%29 </span>Isabel Morujão<span style="color: red; font-weight: bold;">]</span>: <br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Présentation et représentations de la femme-auteur dans les paratextes des œuvres narratives féminines portugaises à l’âge moderne (p. 89)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Présentation et représentations de la femme-auteur dans les paratextes des œuvres narratives féminines portugaises à l’âge moderne (p. 89)<br><br></td></tr>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">*Du larmoyant à la comédie : à propos du roman sentimental et de la femme auteur au XVIIIe siècle (p. 136)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Du larmoyant à la comédie : à propos du roman sentimental et de la femme auteur au XVIIIe siècle (p. 136)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Marianna D’Ezio:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Marianna_d%27Ezio </span>Marianna D’Ezio<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Eighteenth-century British women writers and the ''Arabian Nights’ Entertainments'': Transmigration of a genre, creation of new literary paths (p. 151)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Eighteenth-century British women writers and the ''Arabian Nights’ Entertainments'': Transmigration of a genre, creation of new literary paths (p. 151)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Valérie Cossy:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Val%C3%A9rie_Cossy </span>Valérie Cossy<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Ces héroïnes qui ne lisent plus de romans : le topos de la lectrice romanesque et la légitimité de la romancière au tournant du XIXe siècle (p. 167)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Ces héroïnes qui ne lisent plus de romans : le topos de la lectrice romanesque et la légitimité de la romancière au tournant du XIXe siècle (p. 167)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Hendrik Schlieper:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Hendrik_Schlieper_%28Ruhr-universit%C3%A4t_Bochum%29 </span>Hendrik Schlieper<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Une cellule à soi. ''Dulce dueño'' (1911) d’[http://neww.huygens.knaw.nl/authors/show/452 Emilia Pardo Bazán] et le « lieu » de la femme auteur (p. 178)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Une cellule à soi. ''Dulce dueño'' (1911) d’[http://neww.huygens.knaw.nl/authors/show/452 Emilia Pardo Bazán] et le « lieu » de la femme auteur (p. 178)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
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<td colspan="2" align="left"><strong>Line 54:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">'''Narrer ou influencer le réel / Narration and real life'''<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">'''Narrer ou influencer le réel / Narration and real life'''<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Carme Font Paz: <br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Carme_Font_Paz_%28University_of_Barcelona%29 </span>Carme Font Paz<span style="color: red; font-weight: bold;">]</span>: <br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*The cry of a virgin: gender and self-representation in [http://neww.huygens.knaw.nl/authors/show/3279 Lady Eleanor Davies]’ prophetic texts (p. 191)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*The cry of a virgin: gender and self-representation in [http://neww.huygens.knaw.nl/authors/show/3279 Lady Eleanor Davies]’ prophetic texts (p. 191)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">*Entre fiction et non-fiction: le roman anthropologique pour une autre condition féminine (p. 202)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Entre fiction et non-fiction: le roman anthropologique pour une autre condition féminine (p. 202)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Elisa Müller-Adams:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Elisa_M%C3%BCller-Adams_%28Universit%C3%A4t_Trier%29 </span>Elisa Müller-Adams<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Gender and the city: urban narratives by German women travelling to London (19th century) (p. 218)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Gender and the city: urban narratives by German women travelling to London (19th century) (p. 218)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Ursula Jung:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Ursula_Jung_%28Ruhr-universit%C3%A4t_Bochum%29 </span>Ursula Jung<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*On the relationship between non-fiction and short stories in [http://neww.huygens.knaw.nl/authors/show/452 Emilia Pardo Bazán] (p. 233)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*On the relationship between non-fiction and short stories in [http://neww.huygens.knaw.nl/authors/show/452 Emilia Pardo Bazán] (p. 233)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">'''Réception et évaluations / Reception and evaluations'''<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">'''Réception et évaluations / Reception and evaluations'''<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Kerstin Wiedemann:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Kerstin_Wiedemann%2C_University_of_Nancy_II%29 </span>Kerstin Wiedemann<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Le roman à l’épreuve des femmes : quelques réflexions sur la différence des sexes et la poétique du roman en Allemagne 1830-1848 (p. 251)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Le roman à l’épreuve des femmes : quelques réflexions sur la différence des sexes et la poétique du roman en Allemagne 1830-1848 (p. 251)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Katja Mihurko Poniž:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Katja_Mihurko_Poniz </span>Katja Mihurko Poniž<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">* Gender and narration in the writings of three 19th-century Slovene women: [http://neww.huygens.knaw.nl/authors/show/3269 Pavlina Pajk], [http://neww.huygens.knaw.nl/authors/show/3268 Luiza Pesjak] and [http://neww.huygens.knaw.nl/authors/show/3273 Zofka Kveder] (p. 265)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">* Gender and narration in the writings of three 19th-century Slovene women: [http://neww.huygens.knaw.nl/authors/show/3269 Pavlina Pajk], [http://neww.huygens.knaw.nl/authors/show/3268 Luiza Pesjak] and [http://neww.huygens.knaw.nl/authors/show/3273 Zofka Kveder] (p. 265)<br><br></td></tr>
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</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9375&oldid=prevSvDijk at 17:42, 17 February 20142014-02-17T17:42:49Z<p></p>
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<td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td>
<td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 17:42, 17 February 2014</td>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td></tr>
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<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Suzan van Dijk, Lieselotte Steinbrügge:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Suzan_van_Dijk%2C_Utrecht_University </span>Suzan van Dijk<span style="color: red; font-weight: bold;">]</span>, <span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Lieselotte_Steinbr%C3%BCgge </span>Lieselotte Steinbrügge<span style="color: red; font-weight: bold;">]</span>:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*[[Perspectives de femmes ?]] Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*[[Perspectives de femmes ?]] Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9362&oldid=prevSvDijk at 12:55, 13 February 20142014-02-13T12:55:00Z<p></p>
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<td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td>
<td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 12:55, 13 February 2014</td>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">Carin Franzén: <br></td><td> </td><td style="background: #eee; font-size: smaller;">Carin Franzén: <br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*Christine de <span style="color: red; font-weight: bold;">Pizan’s </span>appropriation of the courtly tradition (p. 44)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*<span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/509 </span>Christine de <span style="color: red; font-weight: bold;">Pizan]’s </span>appropriation of the courtly tradition (p. 44)<br><br></td></tr>
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<td colspan="2" align="left"><strong>Line 31:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Geneviève Patard:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Geneviève Patard:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*La « défense des dames » dans les Mémoires de Madame de Murat (1668 ?-1716) (p. 108)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*La « défense des dames » dans les Mémoires de <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/404 </span>Madame de Murat<span style="color: red; font-weight: bold;">] </span>(1668 ?-1716) (p. 108)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td colspan="2" align="left"><strong>Line 49:</strong></td>
<td colspan="2" align="left"><strong>Line 49:</strong></td></tr>
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<tr><td> </td><td style="background: #eee; font-size: smaller;">Hendrik Schlieper:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Hendrik Schlieper:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*Une cellule à soi. ''Dulce dueño'' (1911) <span style="color: red; font-weight: bold;">d’Emilia </span>Pardo Bazán et le « lieu » de la femme auteur (p. 178)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*Une cellule à soi. ''Dulce dueño'' (1911) <span style="color: red; font-weight: bold;">d’[http://neww.huygens.knaw.nl/authors/show/452 Emilia </span>Pardo Bazán<span style="color: red; font-weight: bold;">] </span>et le « lieu » de la femme auteur (p. 178)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td colspan="2" align="left"><strong>Line 55:</strong></td>
<td colspan="2" align="left"><strong>Line 55:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Carme Font Paz: <br></td><td> </td><td style="background: #eee; font-size: smaller;">Carme Font Paz: <br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*The cry of a virgin: gender and self-representation in Lady Eleanor <span style="color: red; font-weight: bold;">Davies’ </span>prophetic texts (p. 191)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*The cry of a virgin: gender and self-representation in <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/3279 </span>Lady Eleanor <span style="color: red; font-weight: bold;">Davies]’ </span>prophetic texts (p. 191)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Véronique Church-Duplessis:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Véronique Church-Duplessis:<br></td></tr>
<tr><td colspan="2" align="left"><strong>Line 64:</strong></td>
<td colspan="2" align="left"><strong>Line 64:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Ursula Jung:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Ursula Jung:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*On the relationship between non-fiction and short stories in Emilia Pardo Bazán (p. 233)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*On the relationship between non-fiction and short stories in <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/452 </span>Emilia Pardo Bazán<span style="color: red; font-weight: bold;">] </span>(p. 233)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td colspan="2" align="left"><strong>Line 73:</strong></td>
<td colspan="2" align="left"><strong>Line 73:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Katja Mihurko Poniž:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Katja Mihurko Poniž:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">* Gender and narration in the writings of three 19th-century Slovene women: Pavlina Pajk, Luiza Pesjak and Zofka Kveder (p. 265)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">* Gender and narration in the writings of three 19th-century Slovene women: <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/3269 </span>Pavlina Pajk<span style="color: red; font-weight: bold;">]</span>, <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/3268 </span>Luiza Pesjak<span style="color: red; font-weight: bold;">] </span>and <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/3273 </span>Zofka Kveder<span style="color: red; font-weight: bold;">] </span>(p. 265)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Hanneke Boode:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Hanneke Boode:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*Considerations of gender and genre: the reception of Margit Kaffka (p. 282)</td><td>+</td><td style="background: #cfc; font-size: smaller;">*Considerations of gender and genre: the reception of <span style="color: red; font-weight: bold;">[http://neww.huygens.knaw.nl/authors/show/3110 </span>Margit Kaffka<span style="color: red; font-weight: bold;">] </span>(p. 282)</td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9361&oldid=prevSvDijk at 12:23, 13 February 20142014-02-13T12:23:13Z<p></p>
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<tr><td colspan="2" align="left"><strong>Line 10:</strong></td>
<td colspan="2" align="left"><strong>Line 10:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Suzan van Dijk, Lieselotte Steinbrügge:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Suzan van Dijk, Lieselotte Steinbrügge:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*Perspectives de femmes ?<span style="color: red; font-weight: bold;"><br></span></td><td>+</td><td style="background: #cfc; font-size: smaller;">*<span style="color: red; font-weight: bold;">[[</span>Perspectives de femmes ?<span style="color: red; font-weight: bold;">]] </span>Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Vera Nünning:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Vera Nünning:<br></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9360&oldid=prevSvDijk at 12:21, 13 February 20142014-02-13T12:21:14Z<p></p>
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<tr><td colspan="2" align="left"><strong>Line 11:</strong></td>
<td colspan="2" align="left"><strong>Line 11:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Suzan van Dijk, Lieselotte Steinbrügge:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Suzan van Dijk, Lieselotte Steinbrügge:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Perspectives de femmes ?<br></td><td> </td><td style="background: #eee; font-size: smaller;">*Perspectives de femmes ?<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;"><span style="color: red; font-weight: bold;">*</span>Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Vera Nünning:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Vera Nünning:<br></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9359&oldid=prevSvDijk at 12:20, 13 February 20142014-02-13T12:20:53Z<p></p>
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<tr><td colspan="2" align="left"><strong>Line 9:</strong></td>
<td colspan="2" align="left"><strong>Line 9:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Suzan van Dijk, <span style="color: red; font-weight: bold;">Lieselott </span>Steinbrügge:<br></td><td>+</td><td style="background: #cfc; font-size: smaller;">Suzan van Dijk, <span style="color: red; font-weight: bold;">Lieselotte </span>Steinbrügge:<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Perspectives de femmes ?<br></td><td> </td><td style="background: #eee; font-size: smaller;">*Perspectives de femmes ?<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">*Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">*Narrations genrées vues par-delà les époques et les frontières linguistiques (p. 5)<br><br></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9358&oldid=prevSvDijk at 12:20, 13 February 20142014-02-13T12:20:41Z<p></p>
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<tr><td colspan="2" align="left"><strong>Line 5:</strong></td>
<td colspan="2" align="left"><strong>Line 5:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"><br><br></td><td> </td><td style="background: #eee; font-size: smaller;"><br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Lieselotte Steinbrügge, Suzan van Dijk (eds.),<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Lieselotte Steinbrügge, Suzan van Dijk (eds.),<br><br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;"><span style="color: red; font-weight: bold;">''</span>'''Narrations genrées. Ecrivaines dans l’histoire européenne jusqu’au début du XXe siècle<span style="color: red; font-weight: bold;">''</span>.'''<br></td><td>+</td><td style="background: #cfc; font-size: smaller;">'''Narrations genrées.<span style="color: red; font-weight: bold;">'''<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''</span>Ecrivaines dans l’histoire européenne jusqu’au début du XXe siècle.'''<br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9357&oldid=prevSvDijk at 12:20, 13 February 20142014-02-13T12:20:07Z<p></p>
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<tr><td colspan="2" align="left"><strong>Line 5:</strong></td>
<td colspan="2" align="left"><strong>Line 5:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"><br><br></td><td> </td><td style="background: #eee; font-size: smaller;"><br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Lieselotte Steinbrügge, Suzan van Dijk (eds.),<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Lieselotte Steinbrügge, Suzan van Dijk (eds.),<br><br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">''Narrations genrées. Ecrivaines dans l’histoire européenne jusqu’au début du XXe siècle''.<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''</span>''Narrations genrées. Ecrivaines dans l’histoire européenne jusqu’au début du XXe siècle''.<span style="color: red; font-weight: bold;">'''</span><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Louvain etc., Peeters, 2014.<br><br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td colspan="2" align="left"><strong>Line 43:</strong></td>
<td colspan="2" align="left"><strong>Line 43:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Marianna D’Ezio:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Marianna D’Ezio:<br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*Eighteenth-century British women writers and the Arabian Nights’ Entertainments: Transmigration of a genre, creation of new literary paths (p. 151)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*Eighteenth-century British women writers and the <span style="color: red; font-weight: bold;">''</span>Arabian Nights’ Entertainments<span style="color: red; font-weight: bold;">''</span>: Transmigration of a genre, creation of new literary paths (p. 151)<br><br></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;">Valérie Cossy:<br></td><td> </td><td style="background: #eee; font-size: smaller;">Valérie Cossy:<br></td></tr>
<tr><td colspan="2" align="left"><strong>Line 85:</strong></td>
<td colspan="2" align="left"><strong>Line 85:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"><br></td><td> </td><td style="background: #eee; font-size: smaller;"><br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">*Publications > Volumes ''WomenWriters'' > <span style="color: red; font-weight: bold;"> </span><br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">*Publications > <span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/index.php/Volumes </span>Volumes ''WomenWriters''<span style="color: red; font-weight: bold;">] </span>> <span style="color: red; font-weight: bold;">Steinbrügge/van Dijk </span><br><br></td></tr>
</table>SvDijkhttp://www.womenwriters.nl/index.php?title=Narrations_genr%C3%A9es&diff=9355&oldid=prevSvDijk at 12:16, 13 February 20142014-02-13T12:16:50Z<p></p>
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<tr><td colspan="2" align="left"><strong>Line 4:</strong></td>
<td colspan="2" align="left"><strong>Line 4:</strong></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"><br><br></td><td> </td><td style="background: #eee; font-size: smaller;"><br><br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">Lieselotte Steinbrügge, Suzan van Dijk (eds.),<br></td><td>+</td><td style="background: #cfc; font-size: smaller;">Lieselotte Steinbrügge, Suzan van Dijk (eds.),<span style="color: red; font-weight: bold;"><br></span><br></td></tr>
<tr><td>-</td><td style="background: #ffa; font-size: smaller;">''<span style="color: red; font-weight: bold;">[[</span>Narrations genrées<span style="color: red; font-weight: bold;">]]</span>. Ecrivaines dans l’histoire européenne jusqu’au début du XXe siècle'' (<span style="color: red; font-weight: bold;">Proceedings of </span>the <span style="color: red; font-weight: bold;">[http</span>:/<span style="color: red; font-weight: bold;">/www</span>.<span style="color: red; font-weight: bold;">womenwriters</span>.<span style="color: red; font-weight: bold;">nl</span>/<span style="color: red; font-weight: bold;">index</span>.<span style="color: red; font-weight: bold;">php</span>/<span style="color: red; font-weight: bold;">Bochum%2C_May_2009 Bochum conference] May 2009</span>). <span style="color: red; font-weight: bold;">Louvain etc</span>., <span style="color: red; font-weight: bold;">Peeters, 2014</span>.<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">''Narrations genrées. Ecrivaines dans l’histoire européenne jusqu’au début du XXe siècle''<span style="color: red; font-weight: bold;">.<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Louvain etc., Peeters, 2014.<br><br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Suzan van Dijk, Lieselott Steinbrügge:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Perspectives de femmes ?<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Narrations genrées vues par-delà les époques et les frontières linguistiques </span>(<span style="color: red; font-weight: bold;">p. 5)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Vera Nünning:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">* Gender, authority and female experience in novels from </span>the <span style="color: red; font-weight: bold;">eighteenth to the nineteenth century</span>: <span style="color: red; font-weight: bold;">a narratological perspective (p. 22)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Carin Franzén: <br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Christine de Pizan’s appropriation of the courtly tradition (p. 44)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''Paratextes masculins et féminins </span>/ <span style="color: red; font-weight: bold;">Male and female paratexts'''<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Madeleine Jeay: <br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Le double discours de la dédicace aux dames dans les recueils de nouvelles des XVe-XVIe siècles (p</span>. <span style="color: red; font-weight: bold;">59)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Henriette Partzsch:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Manipulating genre and gender: the novella in early modern Spain (p</span>. <span style="color: red; font-weight: bold;">74)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Isabel Morujão: <br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Présentation et représentations de la femme-auteur dans les paratextes des œuvres narratives féminines portugaises à l’âge moderne (p. 89)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Geneviève Patard:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*La « défense des dames » dans les Mémoires de Madame de Murat (1668 ?-1716) (p. 108)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''Narration féminine et fiction </span>/ <span style="color: red; font-weight: bold;">Women’s narration and fiction'''<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Esther Pabst:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Une liaison dangereuse au siècle des lumières : le roman épistolaire du point de vue des études de genre (p</span>. <span style="color: red; font-weight: bold;">119)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Marianne Charrier-Vozel:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Du larmoyant à la comédie : à propos du roman sentimental et de la femme auteur au XVIIIe siècle (p. 136)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Marianna D’Ezio:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Eighteenth-century British women writers and the Arabian Nights’ Entertainments: Transmigration of a genre, creation of new literary paths (p. 151)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Valérie Cossy:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Ces héroïnes qui ne lisent plus de romans : le topos de la lectrice romanesque et la légitimité de la romancière au tournant du XIXe siècle (p. 167)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Hendrik Schlieper:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Une cellule à soi. ''Dulce dueño'' (1911) d’Emilia Pardo Bazán et le « lieu » de la femme auteur (p. 178)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''Narrer ou influencer le réel </span>/ <span style="color: red; font-weight: bold;">Narration and real life'''<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Carme Font Paz: <br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*The cry of a virgin: gender and self-representation in Lady Eleanor Davies’ prophetic texts (p. 191</span>)<span style="color: red; font-weight: bold;"><br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Véronique Church-Duplessis:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Entre fiction et non-fiction: le roman anthropologique pour une autre condition féminine (p</span>. <span style="color: red; font-weight: bold;">202)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Elisa Müller-Adams:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Gender and the city: urban narratives by German women travelling to London (19th century) (p</span>. <span style="color: red; font-weight: bold;">218)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Ursula Jung:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*On the relationship between non-fiction and short stories in Emilia Pardo Bazán (p. 233)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''Réception et évaluations / Reception and evaluations'''<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Kerstin Wiedemann:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Le roman à l’épreuve des femmes : quelques réflexions sur la différence des sexes et la poétique du roman en Allemagne 1830-1848 (p. 251)<br><br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Katja Mihurko Poniž:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">* Gender and narration in the writings of three 19th-century Slovene women: Pavlina Pajk</span>, <span style="color: red; font-weight: bold;">Luiza Pesjak and Zofka Kveder (p</span>. <span style="color: red; font-weight: bold;">265)</span><br><br></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">Hanneke Boode:<br></span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">*Considerations of gender and genre: the reception of Margit Kaffka (p. 282)</span></td></tr>
<tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
<tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr>
</table>SvDijk