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		<title>Les abbés amphibies d’Isabelle de Charrière - Revision history</title>
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		<updated>2026-05-10T15:21:16Z</updated>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Les_abb%C3%A9s_amphibies_d%E2%80%99Isabelle_de_Charri%C3%A8re&amp;diff=2494&amp;oldid=prev</id>
		<title>SvDijk at 11:25, 5 December 2008</title>
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				<updated>2008-12-05T11:25:55Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 11:25, 5 December 2008&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 1:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Abstract :&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;The abbé is a ubiquitous figure in eighteenth-century literature. This article focuses on the different roles played by the abbé in the novels Isabelle de Charrière wrote during the Revolutionary period. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Al-though &lt;/span&gt;the Abbé de la Tour is the unifying element in the texts that Charrière gathered under the title L’abbé de la Tour ou recueil de nouvelles et autres écrits divers, he is more than a narrative ploy in the novels examined in this essay. A mentor and father-figure in Henriette et Richard, a hybrid character connecting the various &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;fac-tions &lt;/span&gt;scattered all over Europe by the Revolution in Lettres trouvées dans des porte-feuilles d’émigrés, author, prime witness and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;pro-tagonist &lt;/span&gt;in Trois femmes, the abbé is above all Charrière’s &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;ideologi-cal &lt;/span&gt;representative in the new post-Revolutionary world.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;== Marie-Paule Laden ==&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Abstract :&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;The abbé is a ubiquitous figure in eighteenth-century literature. This article focuses on the different roles played by the abbé in the novels Isabelle de Charrière wrote during the Revolutionary period. &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Although &lt;/span&gt;the Abbé de la Tour is the unifying element in the texts that Charrière gathered under the title &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;L’abbé de la Tour ou recueil de nouvelles et autres écrits divers&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;, he is more than a narrative ploy in the novels examined in this essay. A mentor and father-figure in Henriette et Richard, a hybrid character connecting the various &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;factions &lt;/span&gt;scattered all over Europe by the Revolution in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Lettres trouvées dans des porte-feuilles d’émigrés&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;, author, prime witness and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;protagonist &lt;/span&gt;in &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Trois femmes&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;, the abbé is above all Charrière’s &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;ideological &lt;/span&gt;representative in the new post-Revolutionary world.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;SvD, December 2008&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*Publications &amp;gt; Belle de Zuylen Papers &amp;gt; 2008 &amp;gt; Laden &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Les_abb%C3%A9s_amphibies_d%E2%80%99Isabelle_de_Charri%C3%A8re&amp;diff=2277&amp;oldid=prev</id>
		<title>SvDijk: New page: Abstract : The abbé is a ubiquitous figure in eighteenth-century literature. This article focuses on the different roles played by the abbé in the novels Isabelle de Charrière wrote dur...</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Les_abb%C3%A9s_amphibies_d%E2%80%99Isabelle_de_Charri%C3%A8re&amp;diff=2277&amp;oldid=prev"/>
				<updated>2008-10-31T15:13:03Z</updated>
		
		<summary type="html">&lt;p&gt;New page: Abstract : The abbé is a ubiquitous figure in eighteenth-century literature. This article focuses on the different roles played by the abbé in the novels Isabelle de Charrière wrote dur...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Abstract :&lt;br /&gt;
The abbé is a ubiquitous figure in eighteenth-century literature. This article focuses on the different roles played by the abbé in the novels Isabelle de Charrière wrote during the Revolutionary period. Al-though the Abbé de la Tour is the unifying element in the texts that Charrière gathered under the title L’abbé de la Tour ou recueil de nouvelles et autres écrits divers, he is more than a narrative ploy in the novels examined in this essay. A mentor and father-figure in Henriette et Richard, a hybrid character connecting the various fac-tions scattered all over Europe by the Revolution in Lettres trouvées dans des porte-feuilles d’émigrés, author, prime witness and pro-tagonist in Trois femmes, the abbé is above all Charrière’s ideologi-cal representative in the new post-Revolutionary world.&lt;/div&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

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