Hahn-Hahn abroad - Revision history

AKulsdom at 12:36, 19 September 2012

2012-09-19T12:36:22Z

←Older revision		Revision as of 12:36, 19 September 2012
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-		+	AsK, September 2012<br><br><br>
-	SvD, February 2011<br><br><br>	+

	<hr>		<hr>
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	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] > Wiedemann/Müller-Adams <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] > Wiedemann/Müller-Adams <br><br>

SvDijk at 13:53, 3 February 2011

2011-02-03T13:53:54Z

←Older revision		Revision as of 13:53, 3 February 2011
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	''Abstract:''<br><br>		''Abstract:''<br><br>

-	The novel [http://neww.huygens.knaw.nl/works/show/75 ''Gräfin Faustine'' (Countess Faustina) by [http://neww.huygens.knaw.nl/authors/show/54 Ida Hahn-Hahn] might be considered as a key text for 19th-century German women’s writing. As researchers pointed out, Hahn-Hahn tries to establish a female Faustian character in this text in order to discuss the central question of the female genius (as a painter and as a woman who does not accept the concept of marriage, Faustine is an unconventional character in more than one way). Contemporary readers react very strongly to the text, comparing it – for example in France – to George Sand’s novel [http://neww.huygens.knaw.nl/works/show/191 ''Lélia'' (1833). But according to Hahn-Hahn herself ([http://neww.huygens.knaw.nl/works/show/75 ''Gräfin Faustine'', preface), it seems that they misread the novel, as, for instance, they do not acknowledge the aesthetic dimension of Faustine’s ‘sublime egoisme’, but instead focus their criticism on the selfishness of the female protagonist.	+	The novel [http://neww.huygens.knaw.nl/works/show/75 ''Gräfin Faustine''] (Countess Faustina) by [http://neww.huygens.knaw.nl/authors/show/54 Ida Hahn-Hahn] might be considered as a key text for 19th-century German women’s writing. As researchers pointed out, Hahn-Hahn tries to establish a female Faustian character in this text in order to discuss the central question of the female genius (as a painter and as a woman who does not accept the concept of marriage, Faustine is an unconventional character in more than one way). Contemporary readers react very strongly to the text, comparing it – for example in France – to George Sand’s novel [http://neww.huygens.knaw.nl/works/show/191 ''Lélia''] (1833). But according to Hahn-Hahn herself ([http://neww.huygens.knaw.nl/works/show/75 ''Gräfin Faustine'', preface]), it seems that they misread the novel, as, for instance, they do not acknowledge the aesthetic dimension of Faustine’s ‘sublime egoisme’, but instead focus their criticism on the selfishness of the female protagonist.

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SvDijk at 13:53, 3 February 2011

2011-02-03T13:53:30Z

←Older revision		Revision as of 13:53, 3 February 2011
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		+	'''A Female Faust: Reception of Ida Hahn-Hahns Novel ''Gräfin Faustine'' (1840)'''<br><br>
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	''Abstract:''<br><br>		''Abstract:''<br><br>
		+
		+	The novel [http://neww.huygens.knaw.nl/works/show/75 ''Gräfin Faustine'' (Countess Faustina) by [http://neww.huygens.knaw.nl/authors/show/54 Ida Hahn-Hahn] might be considered as a key text for 19th-century German women’s writing. As researchers pointed out, Hahn-Hahn tries to establish a female Faustian character in this text in order to discuss the central question of the female genius (as a painter and as a woman who does not accept the concept of marriage, Faustine is an unconventional character in more than one way). Contemporary readers react very strongly to the text, comparing it – for example in France – to George Sand’s novel [http://neww.huygens.knaw.nl/works/show/191 ''Lélia'' (1833). But according to Hahn-Hahn herself ([http://neww.huygens.knaw.nl/works/show/75 ''Gräfin Faustine'', preface), it seems that they misread the novel, as, for instance, they do not acknowledge the aesthetic dimension of Faustine’s ‘sublime egoisme’, but instead focus their criticism on the selfishness of the female protagonist.

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SvDijk: New page:
NOEDITSECTION == Kerstin Wiedemann and Elisa Müller-Adams ==

''Abstract:''

SvD, February 2011

*Conferences > [http://www...

2011-01-31T23:15:10Z

New page: __NOEDITSECTION__ == Kerstin Wiedemann and Elisa Müller-Adams == ''Abstract:'' SvD, February 2011 <hr> *Conferences > [http://www...

New page

__NOEDITSECTION__
== Kerstin Wiedemann and Elisa Müller-Adams ==

 
''Abstract:'' 

 

SvD, February 2011 

<hr>
 
*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] > Wiedemann/Müller-Adams

Hahn-Hahn abroad - Revision history

AKulsdom at 12:36, 19 September 2012

SvDijk at 13:53, 3 February 2011

SvDijk at 13:53, 3 February 2011

SvDijk: New page: __NOEDITSECTION__ == Kerstin Wiedemann and Elisa Müller-Adams == ''Abstract:'' SvD, February 2011 *Conferences > [http://www...

SvDijk: New page:
NOEDITSECTION == Kerstin Wiedemann and Elisa Müller-Adams ==

''Abstract:''

SvD, February 2011

*Conferences > [http://www...