Giustiniana Wynne - Revision history

AKulsdom at 10:11, 12 September 2012

2012-09-12T10:11:52Z

←Older revision		Revision as of 10:11, 12 September 2012
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-	SvD, March 2012<br><br><br>	+	AsK, September 2012<br><br><br>

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	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Isenberg <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Isenberg <br><br>

AKulsdom at 08:15, 12 September 2012

2012-09-12T08:15:07Z

←Older revision		Revision as of 08:15, 12 September 2012
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	This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the initially Italian and then, more generally Western European Enlightenment’s invention of the ‘Eastern European’ Other. It considers the central place Wynne thus ocupies in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East, and more specifically, her role as a prime mover of the phenomenon of ‘Morlacchimania’ (a recently coined term), alongside Fortis, Goethe, Herder, [http://neww.huygens.knaw.nl/authors/show/34 Madame de Staël], Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. Wynne’s work distinguishes itself for the special attention it pays to the condition of women in both Eastern and Western European societies. My contribution to the workshop will consider ways of visually organizing the information I have been gathering on my topic to track the development of the phenomena I am studying.<br><br>		This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the initially Italian and then, more generally Western European Enlightenment’s invention of the ‘Eastern European’ Other. It considers the central place Wynne thus ocupies in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East, and more specifically, her role as a prime mover of the phenomenon of ‘Morlacchimania’ (a recently coined term), alongside Fortis, Goethe, Herder, [http://neww.huygens.knaw.nl/authors/show/34 Madame de Staël], Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. Wynne’s work distinguishes itself for the special attention it pays to the condition of women in both Eastern and Western European societies. My contribution to the workshop will consider ways of visually organizing the information I have been gathering on my topic to track the development of the phenomena I am studying.<br><br>

-	''Les Morlaques'', well received in its time, circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has been attracting among scholars in more recent times (in Eastern and Western Europe) are also among the aspects of my research that I will discuss in terms of how I need to visualize (''i.e.'', map) my materials.	+	''Les Morlaques'', [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=upper%28authors_works.name%29&page=1&searchtoggle=on&workauthor=&worktitle=Les+Morlaques&receptionauthor=&receptiontitle=&receptionyear=&references=&notes=&per_page=200&x=24&y=28 well received in its time], circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has been attracting among scholars in more recent times (in Eastern and Western Europe) are also among the aspects of my research that I will discuss in terms of how I need to visualize (''i.e.'', map) my materials.
	<br><br>		<br><br>

SvDijk at 13:18, 8 March 2012

2012-03-08T13:18:33Z

←Older revision		Revision as of 13:18, 8 March 2012
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	''Abstract''<br><br>		''Abstract''<br><br>

-	The Anglo-Venetian writer [http://neww.huygens.knaw.nl/authors/show/2609 Giustiniana Wynne] has been the subject of three papers delivered at WWIH meetings. Two of these papers examined her anthropological novel [http://neww.huygens.knaw.nl/works/show/8768 ''Les Morlaques''] (1788). They identified Wynne’s novel: as an early (possibly the earliest) novel written by a woman in Italy ([http://www.womenwriters.nl/index.php/Zanini-Cordi Irene Zanini-Cordi], Bochum 2009); as an early example of feminist sensitivity in literary writing in French ([http://www.womenwriters.nl/index.php/V%C3%A9ronique_Church-Duplessis Véronique Church-Duplessis], Bochum, 2009). <br><br>	+	The Anglo-Venetian writer [http://neww.huygens.knaw.nl/authors/show/2609 Giustiniana Wynne] has been the subject of three papers delivered at WWIH meetings. Two of these papers examined her anthropological novel [http://neww.huygens.knaw.nl/works/show/8768 ''Les Morlaques''] (1788), one identifying it as an early (possibly the earliest) novel written by a woman in Italy ([http://www.womenwriters.nl/index.php/Zanini-Cordi Irene Zanini-Cordi], Bochum 2009); the other discussing it as an early example of feminist sensitivity in literary writing in French ([http://www.womenwriters.nl/index.php/V%C3%A9ronique_Church-Duplessis Véronique Church-Duplessis], Bochum, 2009). <br><br>

-	This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the (Western) European Enlightenment’s invention of the ‘Eastern European’ Other. It thus places the author in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East. <br><br>	+	This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the initially Italian and then, more generally Western European Enlightenment’s invention of the ‘Eastern European’ Other. It considers the central place Wynne thus ocupies in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East, and more specifically, her role as a prime mover of the phenomenon of ‘Morlacchimania’ (a recently coined term), alongside Fortis, Goethe, Herder, [http://neww.huygens.knaw.nl/authors/show/34 Madame de Staël], Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. Wynne’s work distinguishes itself for the special attention it pays to the condition of women in both Eastern and Western European societies. My contribution to the workshop will consider ways of visually organizing the information I have been gathering on my topic to track the development of the phenomena I am studying.<br><br>

-	More specifically, it places Wynne at the centre of the Romantic phenomenon of ‘Morlacchimania’, alongside Fortis, Goethe, Herder, [http://neww.huygens.knaw.nl/authors/show/34 Madame de Staël], Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. <br><br>	+	''Les Morlaques'', well received in its time, circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has been attracting among scholars in more recent times (in Eastern and Western Europe) are also among the aspects of my research that I will discuss in terms of how I need to visualize (''i.e.'', map) my materials.
		+	<br><br>

-	''Les Morlaques'', well received in its time, circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has attracted among scholars (in Eastern and Western Europe) will also be examined in this paper.	+	<br>
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-		+
-		+
-	<br><br><br>	+

SvDijk at 21:16, 3 March 2012

2012-03-03T21:16:25Z

←Older revision		Revision as of 21:16, 3 March 2012
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	''Abstract''<br><br>		''Abstract''<br><br>

-	The Anglo-Venetian writer Giustiniana Wynne has been the subject of three papers delivered at WWIH meetings. Two of these papers examined her anthropological novel ''Les Morlaques'' (1788). They identified Wynne’s novel: as an early (possibly the earliest) novel written by a woman in Italy (Irene Zanini-Cordi, Bochum 2009); as an early example of feminist sensitivity in literary writing in French (Véronique Church-Duplessis, Bochum, 2009). This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the (Western) European Enlightenment’s invention of the ‘Eastern European’ Other. It thus places the author in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East. <br><br>	+	The Anglo-Venetian writer [http://neww.huygens.knaw.nl/authors/show/2609 Giustiniana Wynne] has been the subject of three papers delivered at WWIH meetings. Two of these papers examined her anthropological novel [http://neww.huygens.knaw.nl/works/show/8768 ''Les Morlaques''] (1788). They identified Wynne’s novel: as an early (possibly the earliest) novel written by a woman in Italy ([http://www.womenwriters.nl/index.php/Zanini-Cordi Irene Zanini-Cordi], Bochum 2009); as an early example of feminist sensitivity in literary writing in French ([http://www.womenwriters.nl/index.php/V%C3%A9ronique_Church-Duplessis Véronique Church-Duplessis], Bochum, 2009). <br><br>

-	More specifically, it places Wynne at the centre of the Romantic phenomenon of ‘Morlacchimania’, alongside Fortis, Goethe, Herder, Madame de Staël, Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. <br><br>	+	This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the (Western) European Enlightenment’s invention of the ‘Eastern European’ Other. It thus places the author in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East. <br><br>
		+
		+	More specifically, it places Wynne at the centre of the Romantic phenomenon of ‘Morlacchimania’, alongside Fortis, Goethe, Herder, [http://neww.huygens.knaw.nl/authors/show/34 Madame de Staël], Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. <br><br>

	''Les Morlaques'', well received in its time, circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has attracted among scholars (in Eastern and Western Europe) will also be examined in this paper.		''Les Morlaques'', well received in its time, circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has attracted among scholars (in Eastern and Western Europe) will also be examined in this paper.

SvDijk at 16:01, 3 March 2012

2012-03-03T16:01:17Z

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-	== Workshop Bucharest 26-28 April 2012 ==	+	== Nancy Isenberg ==


	<br><br><br>		<br><br><br>
		+	'''Giustiniana Wynne and the invention of Eastern Europe'''<br><br>
		+
		+	''Abstract''<br><br>
		+
		+	The Anglo-Venetian writer Giustiniana Wynne has been the subject of three papers delivered at WWIH meetings. Two of these papers examined her anthropological novel ''Les Morlaques'' (1788). They identified Wynne’s novel: as an early (possibly the earliest) novel written by a woman in Italy (Irene Zanini-Cordi, Bochum 2009); as an early example of feminist sensitivity in literary writing in French (Véronique Church-Duplessis, Bochum, 2009). This paper looks at ''Les Morlaques'' – a story of love, family bonds, and vengeful violence in a ‘primitive’ society - from the perspective of the (Western) European Enlightenment’s invention of the ‘Eastern European’ Other. It thus places the author in the larger pan-European cultural context of writers that heralded the Romantic Movement’s demi-orientalism with their Rousseauian works about neighbouring peoples to the East. <br><br>
		+
		+	More specifically, it places Wynne at the centre of the Romantic phenomenon of ‘Morlacchimania’, alongside Fortis, Goethe, Herder, Madame de Staël, Nodier, Mérimée. These writers collectively created an outsiders’ folkloric portrait of Slave society, mores and customs – a sentimental portrait that lived on well into the 20th century, conditioning the ‘Western’ popular imagination. <br><br>
		+
		+	''Les Morlaques'', well received in its time, circulated not only in French but also in Italian and two different German translations. Its influence on other writers’ works (in Western Europe) and the critical attention it has attracted among scholars (in Eastern and Western Europe) will also be examined in this paper.

SvDijk: New page:
NOEDITSECTION == Workshop Bucharest 26-28 April 2012 ==

SvD, March 2012

*Conferences > [http://www.womenwriters.nl/index.php...

2012-03-03T15:04:23Z

New page: __NOEDITSECTION__ == Workshop Bucharest 26-28 April 2012 == SvD, March 2012 <hr> *Conferences > [http://www.womenwriters.nl/index.php...

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== Workshop Bucharest 26-28 April 2012 ==

 

 

SvD, March 2012 

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*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Bucharest%2C_April_2012 Bucharest April 2012] > Isenberg