Eliza Orzeskowa’s reception of George Sand - Revision history

AKulsdom at 13:31, 12 September 2012

2012-09-12T13:31:20Z

←Older revision		Revision as of 13:31, 12 September 2012
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	It is a leitmotif of [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=sand&worktitle=&receptionauthor=&receptiontitle=&receptionyear=&country_ids=16&references=&notes=&per_page=20 George Sand’s reception in Poland] during the 19th century that Sand was more famous because of her personality than because of her art. The literary influence she may have had on Polish women writers is not an issue that has ever been seriously examined. [http://neww.huygens.knaw.nl/authors/show/2315 Eliza Orzeszkowa] was called the "Polish Sand" by her German and even Polish contemporaries, yet this did not imply that any similarity between their works was thought to exist: the reference to Sand was simply meant to stress Orzeszkowa’s talent and literary productivity.<br><br>		It is a leitmotif of [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=sand&worktitle=&receptionauthor=&receptiontitle=&receptionyear=&country_ids=16&references=&notes=&per_page=20 George Sand’s reception in Poland] during the 19th century that Sand was more famous because of her personality than because of her art. The literary influence she may have had on Polish women writers is not an issue that has ever been seriously examined. [http://neww.huygens.knaw.nl/authors/show/2315 Eliza Orzeszkowa] was called the "Polish Sand" by her German and even Polish contemporaries, yet this did not imply that any similarity between their works was thought to exist: the reference to Sand was simply meant to stress Orzeszkowa’s talent and literary productivity.<br><br>

-	An attentive reading of Orzeszkowa’s works (of her novels as well as of her critical texts and her correspondence) shows nevertheless that she knew Sand’s writings very well and appreciated them. In this paper, I will focus on a comparative reading of [http://neww.huygens.knaw.nl/works/show/272 ''La petite Fadette''] by George Sand and ''Dziurdziowie'' by Eliza Orzeszkowa – two works whose main protagonist is a young woman treated as a witch by her village community.	+	An attentive reading of Orzeszkowa’s works (of her novels as well as of her critical texts and her correspondence) shows nevertheless that she knew Sand’s writings very well and appreciated them. In this paper, I will focus on a comparative reading of [http://neww.huygens.knaw.nl/works/show/272 ''La petite Fadette''] by George Sand and [http://neww.huygens.knaw.nl/works/show/11902 ''Dziurdziowie''] by Eliza Orzeszkowa – two works whose main protagonist is a young woman treated as a witch by her village community.


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-	SvD, October 2011<br><br><br>	+	AsK, September 2012<br><br><br>

	<hr>		<hr>
	<br>		<br>
	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Fournier Kiss <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Fournier Kiss <br><br>

SvDijk at 22:35, 27 October 2011

2011-10-27T22:35:38Z

←Older revision		Revision as of 22:35, 27 October 2011
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	<br><br><br>		<br><br><br>
-	'''Eliza Orzeskowa’s reception of George Sand'''<br><br>	+	'''Eliza Orzeskowa’s reception of George Sand: : crossed reading of ''La Petite Fadette'' (Sand) and ''Dziurdziowie'' (Orzeszkowa)'''<br><br>

	''Abstract''<br><br>		''Abstract''<br><br>

-	[to follow]	+	It is a leitmotif of [http://neww.huygens.knaw.nl/receptions?fromreceptionsearch=1&sort=year&page=1&searchtoggle=on&workauthor=sand&worktitle=&receptionauthor=&receptiontitle=&receptionyear=&country_ids=16&references=&notes=&per_page=20 George Sand’s reception in Poland] during the 19th century that Sand was more famous because of her personality than because of her art. The literary influence she may have had on Polish women writers is not an issue that has ever been seriously examined. [http://neww.huygens.knaw.nl/authors/show/2315 Eliza Orzeszkowa] was called the "Polish Sand" by her German and even Polish contemporaries, yet this did not imply that any similarity between their works was thought to exist: the reference to Sand was simply meant to stress Orzeszkowa’s talent and literary productivity.<br><br>
		+
		+	An attentive reading of Orzeszkowa’s works (of her novels as well as of her critical texts and her correspondence) shows nevertheless that she knew Sand’s writings very well and appreciated them. In this paper, I will focus on a comparative reading of [http://neww.huygens.knaw.nl/works/show/272 ''La petite Fadette''] by George Sand and ''Dziurdziowie'' by Eliza Orzeszkowa – two works whose main protagonist is a young woman treated as a witch by her village community.
		+
		+

SvDijk at 13:40, 20 October 2011

2011-10-20T13:40:19Z

←Older revision		Revision as of 13:40, 20 October 2011
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	<br><br><br>		<br><br><br>
-	Eliza Orzeskowa’s reception of George Sand<br><br>	+	'''Eliza Orzeskowa’s reception of George Sand'''<br><br>

-	*Kirsi Tuohela: <br>	+	''Abstract''<br><br>
-	*The Reception of the Baltic German Writer Laura Marholm-Hansson in Nordic Countries and Germany<br><br>	+
-		+
-	*Isabel Lousada: <br>	+
-	*Portugese translators of British authors from 1554 to 1900<br><br>	+
-		+
-	'''Session B. Paratexts and Self-Fashioning of the female author'''<br><br>	+

-	*Anne-Birgitte Rønning:<br>	+	[to follow]
-	*Self-positioning and genre-negotiating in female-authored Robinsonades<br><br>	+
-		+
-	*Carme Font Paz:<br>	+
-	*Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)<br><br>	+
-		+
-	11:00 – 11:15<br>	+
-	Break<br>	+
-	11:15-12:00<br><br>	+
-		+
-	*Ele Carpenter:<br>	+
-	*Embroidered Digital Commons<br><br>	+
-		+
-	12:00 – 1:00 am <br>	+
-	Lunch<br>	+
-	1:00 - 2:30 pm <br><br>	+
-		+
-	'''Theoretical Approaches to Quantitative/Qualitative Research'''<br><br>	+
-		+
-	*Alessa Johns:<br>	+
-	*Explicating Cultural Transfer<br><br>	+
-		+
-	*Tania Badalic and Begona Regueiro:<br>	+
-	*Leading Voice – The reception of George Sand in Slovenia, Spain and Germany<br><br>	+
-		+
-	* Kim Heuvelmans and Ton van Kalmthout:<br>	+
-	* The Representation of Women Writers in Textbooks for Literary Education<br><br>	+
-		+
-	*Carmen Dutu:<br>	+
-	*Toward a (frin)gender perspective within the COST Action<br><br>	+
-		+
-	2:30- 3:00 <br>	+
-	Break<br>	+
-	3:00 - 4:00 pm <br><br>	+
-		+
-	Keynote<br>	+
-	*Vanda Anastácio:<br>	+
-	*Thinking about Women’s Writing: The Challenge of Theory<br><br>	+

SvDijk: New page:
NOEDITSECTION == Corinne Fournier Kiss ==

Eliza Orzeskowa’s reception of George Sand

Kirsi Tuohela:
The Reception of the Baltic German Writer Laura...

2011-10-20T13:15:32Z

New page: __NOEDITSECTION__ == Corinne Fournier Kiss == Eliza Orzeskowa’s reception of George Sand *Kirsi Tuohela: *The Reception of the Baltic German Writer Laura...

New page

__NOEDITSECTION__
== Corinne Fournier Kiss ==

 
Eliza Orzeskowa’s reception of George Sand 

*Kirsi Tuohela: 
*The Reception of the Baltic German Writer Laura Marholm-Hansson in Nordic Countries and Germany 

*Isabel Lousada: 
*Portugese translators of British authors from 1554 to 1900 

'''Session B. Paratexts and Self-Fashioning of the female author''' 

*Anne-Birgitte Rønning: 
*Self-positioning and genre-negotiating in female-authored Robinsonades 

*Carme Font Paz: 
*Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648) 

11:00 – 11:15 
Break 
11:15-12:00 

*Ele Carpenter: 
*Embroidered Digital Commons 

12:00 – 1:00 am 
Lunch 
1:00 - 2:30 pm 

'''Theoretical Approaches to Quantitative/Qualitative Research''' 

*Alessa Johns: 
*Explicating Cultural Transfer 

*Tania Badalic and Begona Regueiro: 
*Leading Voice – The reception of George Sand in Slovenia, Spain and Germany 

* Kim Heuvelmans and Ton van Kalmthout: 
* The Representation of Women Writers in Textbooks for Literary Education 

*Carmen Dutu: 
*Toward a (frin)gender perspective within the COST Action 

2:30- 3:00 
Break 
3:00 - 4:00 pm 

Keynote 
*Vanda Anastácio: 
*Thinking about Women’s Writing: The Challenge of Theory 

 

SvD, October 2011 

<hr>
 
*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Fournier Kiss

Eliza Orzeskowa’s reception of George Sand - Revision history

AKulsdom at 13:31, 12 September 2012

SvDijk at 22:35, 27 October 2011

SvDijk at 13:40, 20 October 2011

SvDijk: New page: __NOEDITSECTION__ == Corinne Fournier Kiss == Eliza Orzeskowa’s reception of George Sand *Kirsi Tuohela: *The Reception of the Baltic German Writer Laura...

SvDijk: New page:
NOEDITSECTION == Corinne Fournier Kiss ==

Eliza Orzeskowa’s reception of George Sand

Kirsi Tuohela:
The Reception of the Baltic German Writer Laura...