Defending Female Authorship - Revision history

AKulsdom at 13:41, 12 September 2012

2012-09-12T13:41:21Z

←Older revision		Revision as of 13:41, 12 September 2012
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	''Abstract''<br><br>		''Abstract''<br><br>

-	''A Vision: Wherein is Manifested the Disease and Cure of the Kingdome'' (1648) is [http://neww.huygens.knaw.nl/authors/show/4873 Elizabeth Poole]'s account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message", Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government. <br><br>	+	[http://neww.huygens.knaw.nl/works/show/11673 ''A Vision: Wherein is Manifested the Disease and Cure of the Kingdome''] (1648) is [http://neww.huygens.knaw.nl/authors/show/4873 Elizabeth Poole]'s account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message", Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government. <br><br>

	My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitutes an early example of female networking and the articulation of a modern notion of (female) authorship.<br><br>		My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitutes an early example of female networking and the articulation of a modern notion of (female) authorship.<br><br>
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-	SvD, October 2011<br><br><br>	+	AsK, September 2012<br><br><br>

	<hr>		<hr>
	<br>		<br>
	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Font <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Font <br><br>

SvDijk at 20:55, 28 October 2011

2011-10-28T20:55:41Z

←Older revision		Revision as of 20:55, 28 October 2011
Line 9:		Line 9:
	''Abstract''<br><br>		''Abstract''<br><br>

-	''A Vision: Wherein is Manifested the Disease and Cure of the Kingdome'' (1648) is [http://neww.huygens.knaw.nl/authors/show/4873 Elizabeth Poole]'s account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message", Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government.	+	''A Vision: Wherein is Manifested the Disease and Cure of the Kingdome'' (1648) is [http://neww.huygens.knaw.nl/authors/show/4873 Elizabeth Poole]'s account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message", Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government. <br><br>

-	My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitutes an early example of female networking and the articulation of a modern notion of (female) authorship.	+	My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitutes an early example of female networking and the articulation of a modern notion of (female) authorship.<br><br>

	At the same time, this paper will interrogate the channels of transmission and reception of early modern women’s writing by looking at the Calendar of State Papers, which informed of Poole’s public appearances, as well as Baptist Sectarian writing and the independent press, which commented on prophetic writing and Poole’s appearances and written tracts.		At the same time, this paper will interrogate the channels of transmission and reception of early modern women’s writing by looking at the Calendar of State Papers, which informed of Poole’s public appearances, as well as Baptist Sectarian writing and the independent press, which commented on prophetic writing and Poole’s appearances and written tracts.
-
-

SvDijk at 20:55, 28 October 2011

2011-10-28T20:55:15Z

←Older revision		Revision as of 20:55, 28 October 2011
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	<br><br><br>		<br><br><br>
-	'''‘The Cure of the Kingdome’: Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)'''<br><br>	+	'''‘The Cure of the Kingdome’:'''<br>
		+	'''Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)'''<br><br>

	''Abstract''<br><br>		''Abstract''<br><br>

-	A Vision: Wherein is Manifested the Disease and Cure of the Kingdome (1648) is Elizabeth Poole's account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message," Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government.	+	''A Vision: Wherein is Manifested the Disease and Cure of the Kingdome'' (1648) is [http://neww.huygens.knaw.nl/authors/show/4873 Elizabeth Poole]'s account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message", Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government.

-	My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitute an early example of female networking and the articulation of a modern notion of (female) authorship.	+	My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitutes an early example of female networking and the articulation of a modern notion of (female) authorship.

	At the same time, this paper will interrogate the channels of transmission and reception of early modern women’s writing by looking at the Calendar of State Papers, which informed of Poole’s public appearances, as well as Baptist Sectarian writing and the independent press, which commented on prophetic writing and Poole’s appearances and written tracts.		At the same time, this paper will interrogate the channels of transmission and reception of early modern women’s writing by looking at the Calendar of State Papers, which informed of Poole’s public appearances, as well as Baptist Sectarian writing and the independent press, which commented on prophetic writing and Poole’s appearances and written tracts.

SvDijk at 20:17, 28 October 2011

2011-10-28T20:17:49Z

←Older revision		Revision as of 20:17, 28 October 2011
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	<br><br><br>		<br><br><br>
-	'''Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)'''<br><br>	+	'''‘The Cure of the Kingdome’: Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)'''<br><br>

	''Abstract''<br><br>		''Abstract''<br><br>

-	[to follow]	+	A Vision: Wherein is Manifested the Disease and Cure of the Kingdome (1648) is Elizabeth Poole's account of the prophecies she delivered before Cromwell and the Puritan Army's General Council as they debated the regicide of Charles I at the end of the first English Civil War in 1648-49. In her "message," Poole invokes the analogy between king and husband to advise the Army officers not to execute the "head" of their "body"; however, she gives this analogy a radical twist when she adds that the Council should divorce the king instead since he'd violated the terms of his "marriage" by behaving abusively and tyrannically. While the circumstances surrounding Poole's participation in the Whitehall deliberations are unclear, her appearance represents a rare case of a woman's direct involvement in the mid-seventeenth-century discussions of the scope and legitimacy of government.
		+
		+	My paper will discuss the reception of Elizabeth Poole’s text by her contemporaries, as seen in her own defence of her right to writing and relaying her divinely inspired opinion in print. Poole’s friend Elizabeth Pendarves, who also supports Poole in print against the charges of female "impropriety", constitute an early example of female networking and the articulation of a modern notion of (female) authorship.
		+
		+	At the same time, this paper will interrogate the channels of transmission and reception of early modern women’s writing by looking at the Calendar of State Papers, which informed of Poole’s public appearances, as well as Baptist Sectarian writing and the independent press, which commented on prophetic writing and Poole’s appearances and written tracts.
		+
		+

SvDijk at 13:42, 20 October 2011

2011-10-20T13:42:46Z

←Older revision		Revision as of 13:42, 20 October 2011
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	<br><br><br>		<br><br><br>
-	Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)<br><br>	+	'''Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)'''<br><br>

-	11:00 – 11:15<br>	+	''Abstract''<br><br>
-	Break<br>	+
-	11:15-12:00<br><br>	+

-	*Ele Carpenter:<br>	+	[to follow]
-	*Embroidered Digital Commons<br><br>	+
-		+
-	12:00 – 1:00 am <br>	+
-	Lunch<br>	+
-	1:00 - 2:30 pm <br><br>	+
-		+
-	'''Theoretical Approaches to Quantitative/Qualitative Research'''<br><br>	+
-		+
-	*Alessa Johns:<br>	+
-	*Explicating Cultural Transfer<br><br>	+
-		+
-	*Tania Badalic and Begona Regueiro:<br>	+
-	*Leading Voice – The reception of George Sand in Slovenia, Spain and Germany<br><br>	+
-		+
-	* Kim Heuvelmans and Ton van Kalmthout:<br>	+
-	* The Representation of Women Writers in Textbooks for Literary Education<br><br>	+
-		+
-	*Carmen Dutu:<br>	+
-	*Toward a (frin)gender perspective within the COST Action<br><br>	+
-		+
-	2:30- 3:00 <br>	+
-	Break<br>	+
-	3:00 - 4:00 pm <br><br>	+
-		+
-	Keynote<br>	+
-	*Vanda Anastácio:<br>	+
-	*Thinking about Women’s Writing: The Challenge of Theory<br><br>	+

SvDijk: New page:
NOEDITSECTION == Carme Font Paz ==

Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)

11:00 – 11:15
Break
11:15-12:00

...

2011-10-20T13:19:32Z

New page: __NOEDITSECTION__ == Carme Font Paz == Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648) 11:00 – 11:15 Break 11:15-12:00 ...

New page

__NOEDITSECTION__
== Carme Font Paz ==

 
Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648) 

11:00 – 11:15 
Break 
11:15-12:00 

*Ele Carpenter: 
*Embroidered Digital Commons 

12:00 – 1:00 am 
Lunch 
1:00 - 2:30 pm 

'''Theoretical Approaches to Quantitative/Qualitative Research''' 

*Alessa Johns: 
*Explicating Cultural Transfer 

*Tania Badalic and Begona Regueiro: 
*Leading Voice – The reception of George Sand in Slovenia, Spain and Germany 

* Kim Heuvelmans and Ton van Kalmthout: 
* The Representation of Women Writers in Textbooks for Literary Education 

*Carmen Dutu: 
*Toward a (frin)gender perspective within the COST Action 

2:30- 3:00 
Break 
3:00 - 4:00 pm 

Keynote 
*Vanda Anastácio: 
*Thinking about Women’s Writing: The Challenge of Theory 

 

SvD, October 2011 

<hr>
 
*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Oxford/Chawton%2C_November_2011 Chawton November 2011] > Font

Defending Female Authorship - Revision history

AKulsdom at 13:41, 12 September 2012

SvDijk at 20:55, 28 October 2011

SvDijk at 20:55, 28 October 2011

SvDijk at 20:17, 28 October 2011

SvDijk at 13:42, 20 October 2011

SvDijk: New page: __NOEDITSECTION__ == Carme Font Paz == Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648) 11:00 – 11:15 Break 11:15-12:00...

SvDijk: New page:
NOEDITSECTION == Carme Font Paz ==

Defending Female Authorship in Elizabeth Poole’s ''A Vision'' (1648)

11:00 – 11:15
Break
11:15-12:00

...