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		<id>http://www.womenwriters.nl/index.php?action=history&amp;feed=atom&amp;title=Conversion_of_gendered_topo%C3%AF</id>
		<title>Conversion of gendered topoï - Revision history</title>
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		<updated>2026-05-12T23:59:23Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Conversion_of_gendered_topo%C3%AF&amp;diff=7762&amp;oldid=prev</id>
		<title>AKulsdom at 12:01, 19 September 2012</title>
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				<updated>2012-09-19T12:01:07Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 12:01, 19 September 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 8:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;The paper seeks to present the particularly sensible way in which the medieval Anglo-Norman author, [http://neww.huygens.knaw.nl/authors/show/131 Marie de France], reworked gendered topoï which abound in the writing of her male contemporaries. The unusual topos of sisterhood as it is attested in her ''Lais'' would be one case study. In a male-dominated and oriented society, we typically find descriptions either of knights and warriors helping/saving their male companions, or of a fairy lady helping the knight errant, or the latter saving a damsel in distress. In the ''Lais'', there are some exceptional yet systematic cases of women helping other women. I will also show some other interesting and surprising cases of the inversion of stereotyped topoï of gender such as a lady instead of a knight who is engaged in an impossible mission, or a sleeping male beauty. I will treat these examples using comparative readings of similar occurrences in male writings.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;The paper seeks to present the particularly sensible way in which the medieval Anglo-Norman author, [http://neww.huygens.knaw.nl/authors/show/131 Marie de France], reworked gendered topoï which abound in the writing of her male contemporaries. The unusual topos of sisterhood as it is attested in her &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/works/show/353 &lt;/span&gt;''Lais''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;] &lt;/span&gt;would be one case study. In a male-dominated and oriented society, we typically find descriptions either of knights and warriors helping/saving their male companions, or of a fairy lady helping the knight errant, or the latter saving a damsel in distress. In the ''Lais'', there are some exceptional yet systematic cases of women helping other women. I will also show some other interesting and surprising cases of the inversion of stereotyped topoï of gender such as a lady instead of a knight who is engaged in an impossible mission, or a sleeping male beauty. I will treat these examples using comparative readings of similar occurrences in male writings.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;SvD&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;February 2011&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;AsK&lt;/span&gt;, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;September 2012&lt;/span&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Conferences &amp;gt; [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] &amp;gt; [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] &amp;gt; Bibring &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;*Conferences &amp;gt; [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] &amp;gt; [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] &amp;gt; Bibring &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Conversion_of_gendered_topo%C3%AF&amp;diff=6010&amp;oldid=prev</id>
		<title>SvDijk at 21:31, 16 February 2011</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Conversion_of_gendered_topo%C3%AF&amp;diff=6010&amp;oldid=prev"/>
				<updated>2011-02-16T21:31:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 21:31, 16 February 2011&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 4:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 4:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''Marie de France, sisterhood  and the inversion of gendered topoï'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;The paper seeks to present the particularly sensible way in which the medieval Anglo-Norman author, [http://neww.huygens.knaw.nl/authors/show/131 Marie de France], reworked gendered topoï which abound in the writing of her male contemporaries. The unusual topos of sisterhood as it is attested in her ''Lais'' would be one case study. In a male-dominated and oriented society, we typically find descriptions either of knights and warriors helping/saving their male companions, or of a fairy lady helping the knight errant, or the latter saving a damsel in distress. In the ''Lais'', there are some exceptional yet systematic cases of women helping other women. I will also show some other interesting and surprising cases of the inversion of stereotyped topoï of gender such as a lady instead of a knight who is engaged in an impossible mission, or a sleeping male beauty. I will treat these examples using comparative readings of similar occurrences in male writings.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=Conversion_of_gendered_topo%C3%AF&amp;diff=5924&amp;oldid=prev</id>
		<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == Tovi Bibring ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; ''Abstract:''&lt;br&gt;&lt;br&gt;  &lt;br&gt;&lt;br&gt;    SvD, February 2011&lt;br&gt;&lt;br&gt;&lt;br&gt;  &lt;hr&gt; &lt;br&gt; *Conferences &gt; [http://www.womenwriters.nl/index.php/NE...</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=Conversion_of_gendered_topo%C3%AF&amp;diff=5924&amp;oldid=prev"/>
				<updated>2011-01-31T23:13:11Z</updated>
		
		<summary type="html">&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Tovi Bibring ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; ''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;    SvD, February 2011&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  &amp;lt;hr&amp;gt; &amp;lt;br&amp;gt; *Conferences &amp;gt; [http://www.womenwriters.nl/index.php/NE...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Tovi Bibring ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
''Abstract:''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
SvD, February 2011&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
*Conferences &amp;gt; [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] &amp;gt; [http://www.womenwriters.nl/index.php/Belgrade%2C_April_2011 Belgrade April 2011] &amp;gt; Bibring &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

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