Belgrade, April 2011 - Revision history

SvDijk at 11:50, 22 October 2012

2012-10-22T11:50:53Z

←Older revision		Revision as of 11:50, 22 October 2012
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	** [http://www.womenwriters.nl/index.php/Magdalena_Koch Magdalena Koch] (WG1), [[Narrative transgressions]] <br>		** [http://www.womenwriters.nl/index.php/Magdalena_Koch Magdalena Koch] (WG1), [[Narrative transgressions]] <br>
	**[http://www.womenwriters.nl/index.php/Eirini_Rizaki Eirini Rizaki] (WG3), [[Norms for a “female writing”]] <br>		**[http://www.womenwriters.nl/index.php/Eirini_Rizaki Eirini Rizaki] (WG3), [[Norms for a “female writing”]] <br>
-	**[http://www.womenwriters.nl/index.php/Tovi_Bibring Tovi Bibring] (WG3), [[Conversion of gendered topoï]] <br>
	** [http://www.womenwriters.nl/index.php/Daniel_Maher Daniel Maher], [[A Cross-Dressing Fairy Tale]]<br><br>		** [http://www.womenwriters.nl/index.php/Daniel_Maher Daniel Maher], [[A Cross-Dressing Fairy Tale]]<br><br>
	*'''Session IIb "Evaluating Women Authors"'''<br>		*'''Session IIb "Evaluating Women Authors"'''<br>

AKulsdom at 13:10, 19 September 2012

2012-09-19T13:10:08Z

←Older revision		Revision as of 13:10, 19 September 2012
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	[[Image:IMG_1570_room.jpg]]<br><br>		[[Image:IMG_1570_room.jpg]]<br><br>

-	'''Program:'''<br><br>	+	'''Programme:'''<br><br>

	'''Thursday, April 14th: presentations of work in progress''' <br><br>		'''Thursday, April 14th: presentations of work in progress''' <br><br>
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-	SvD, May 2011<br><br><br>	+	AsK, September 2012<br><br><br>

	<hr>		<hr>
	<br>		<br>
	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > Belgrade April 2011 <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > Belgrade April 2011 <br><br>

AKulsdom at 12:43, 19 September 2012

2012-09-19T12:43:38Z

←Older revision		Revision as of 12:43, 19 September 2012
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	* Chairperson: Hendrik Schlieper <br>		* Chairperson: Hendrik Schlieper <br>
	**[http://www.womenwriters.nl/index.php/Henriette_Partzsch Henriette Partzsch] (WG4),[[ Conflicted Idylls]] <br>		**[http://www.womenwriters.nl/index.php/Henriette_Partzsch Henriette Partzsch] (WG4),[[ Conflicted Idylls]] <br>
-	**[http://www.womenwriters.nl/index.php?title=Isabel_Maria_da_Cruz_Lousada&action=edit Isabel Lousada], [[PortugueseTranslators of British Authors]]<br>	+	**[http://www.womenwriters.nl/index.php/Isabel_Maria_da_Cruz_Lousada Isabel Lousada], [[PortugueseTranslators of British Authors]]<br>
	**[http://www.womenwriters.nl/index.php/Nicole_Pohl Nicole Pohl] (WG1), [[In search of a German Identity]]<br>		**[http://www.womenwriters.nl/index.php/Nicole_Pohl Nicole Pohl] (WG1), [[In search of a German Identity]]<br>
	**[http://www.womenwriters.nl/index.php/Gillian_Dow Gillian Dow] (WG4), [[Translation of foreign women's writing]] <br>		**[http://www.womenwriters.nl/index.php/Gillian_Dow Gillian Dow] (WG4), [[Translation of foreign women's writing]] <br>

SvDijk at 15:48, 22 May 2011

2011-05-22T15:48:40Z

←Older revision		Revision as of 15:48, 22 May 2011
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	9.30<br>		9.30<br>
	*Presentation and discussion of [http://www.databasewomenwriters ''WomenWriters'' database] and related ICT projects and items:		*Presentation and discussion of [http://www.databasewomenwriters ''WomenWriters'' database] and related ICT projects and items:
-	**GertJan Filarski<br>	+	**GertJan Filarski (see his [http://www.womenwriters.nl/images/b/ba/GertJan_presentation_Belgrado_15_april_2011.pdf presentation])<br>
	**Astrid Kulsdom<br>		**Astrid Kulsdom<br>
	**Carme Font Paz <br>		**Carme Font Paz <br>

SvDijk at 13:46, 18 May 2011

2011-05-18T13:46:01Z

←Older revision		Revision as of 13:46, 18 May 2011
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	*'''Biljana Doj?inovi?''': <br>		*'''Biljana Doj?inovi?''': <br>
	**[http://www.womenwriters.nl/index.php/Serbian_Women_Writers A new project in Serbian women's literary history] <br><br>		**[http://www.womenwriters.nl/index.php/Serbian_Women_Writers A new project in Serbian women's literary history] <br><br>
		+
		+	[[Image: IMG_1598_Serb.project.jpg]]<br><br>
		+
	13.00 <br>		13.00 <br>
	*Lunch<br><br>		*Lunch<br><br>
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	*'''Ljiljana Markovi?''' (University of Belgrade):<br>		*'''Ljiljana Markovi?''' (University of Belgrade):<br>
	**[[Reception of European Women’s Writing in Japan till the end of the 19th Century]]<br><br>		**[[Reception of European Women’s Writing in Japan till the end of the 19th Century]]<br><br>
		+
		+	[[Image: IMG_1605_Japan.jpg]]<br><br>
		+
	15.30 <br>		15.30 <br>
	*Closing Lecture<br>		*Closing Lecture<br>
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	*'''[[Ele Carpenter]]''': <br>		*'''[[Ele Carpenter]]''': <br>
	**[http://www.womenwriters.nl/index.php/Open_Source_Embroidery_Project The Embroidered Digital Commons]. Presentation of the outcome.<br><br>		**[http://www.womenwriters.nl/index.php/Open_Source_Embroidery_Project The Embroidered Digital Commons]. Presentation of the outcome.<br><br>
		+
		+	[[Image:IMG_1610_embroid.jpg]]<br>

	<br>		<br>
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-	SvD, April 2011<br><br><br>	+	SvD, May 2011<br><br><br>

	<hr>		<hr>
	<br>		<br>
	*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > Belgrade April 2011 <br><br>		*Conferences > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > Belgrade April 2011 <br><br>

SvDijk at 13:42, 18 May 2011

2011-05-18T13:42:18Z

←Older revision		Revision as of 13:42, 18 May 2011
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	*[[Ele Carpenter]] (Goldsmiths College, University of London): <br>		*[[Ele Carpenter]] (Goldsmiths College, University of London): <br>
	**[http://www.womenwriters.nl/index.php/Open_Source_Embroidery_Project The Embroidered Digital Commons]. Presentation of the project initiated some years ago, and going on since then in different countries of Europe - a parallel activity, indirectly commenting in a particular way on our scholarly discussions about femininity and the question if writing belongs to it.<br><br>		**[http://www.womenwriters.nl/index.php/Open_Source_Embroidery_Project The Embroidered Digital Commons]. Presentation of the project initiated some years ago, and going on since then in different countries of Europe - a parallel activity, indirectly commenting in a particular way on our scholarly discussions about femininity and the question if writing belongs to it.<br><br>
		+
		+	[[Image: IMG_1529_netw.jpg]]<br><br>
		+
	10.30 <br>		10.30 <br>
	*Break<br><br>		*Break<br><br>

SvDijk at 13:33, 18 May 2011

2011-05-18T13:33:54Z

←Older revision		Revision as of 13:33, 18 May 2011
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	<br>		<br>

-	[[Image: http://www.womenwriters.nl/index.php/Image:IMG_1570_room.jpg]]<br><br>	+	[[Image:IMG_1570_room.jpg]]<br><br>

	'''Program:'''<br><br>		'''Program:'''<br><br>

SvDijk at 13:32, 18 May 2011

2011-05-18T13:32:40Z

←Older revision		Revision as of 13:32, 18 May 2011
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	<br>		<br>

-	[[http://www.womenwriters.nl/index.php/Image:IMG_1570_room.jpg]]<br><br>	+	[[Image: http://www.womenwriters.nl/index.php/Image:IMG_1570_room.jpg]]<br><br>

	'''Program:'''<br><br>		'''Program:'''<br><br>

SvDijk at 13:31, 18 May 2011

2011-05-18T13:31:31Z

←Older revision		Revision as of 13:31, 18 May 2011
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	In relation to this, the links between writing, communicating, networking, embroidery and gender were also researched - on different levels. Knowing that women authors themselves have often been comparing between the (writing) pens and the (sewing or knitting) needles - the latter being judged much more corresponding to "femininity" than the former -, we also discussed and opposed during the workshop these and other (more or less "typically") women's activities. The more so because one of the famous literary works of Serbia is actually a text embroidered embroidered by a woman: [http://neww.huygens.knaw.nl/authors/show/3211 Jefimija]. For her, and other European women, we tried to understand the women’s degree of (non-)conformity to the ''doxa'', and their willingness to participate in public debate.<br><br>		In relation to this, the links between writing, communicating, networking, embroidery and gender were also researched - on different levels. Knowing that women authors themselves have often been comparing between the (writing) pens and the (sewing or knitting) needles - the latter being judged much more corresponding to "femininity" than the former -, we also discussed and opposed during the workshop these and other (more or less "typically") women's activities. The more so because one of the famous literary works of Serbia is actually a text embroidered embroidered by a woman: [http://neww.huygens.knaw.nl/authors/show/3211 Jefimija]. For her, and other European women, we tried to understand the women’s degree of (non-)conformity to the ''doxa'', and their willingness to participate in public debate.<br><br>
	<br>		<br>
		+
		+	[[http://www.womenwriters.nl/index.php/Image:IMG_1570_room.jpg]]<br><br>
		+
	'''Program:'''<br><br>		'''Program:'''<br><br>

SvDijk at 14:59, 20 April 2011

2011-04-20T14:59:10Z

←Older revision		Revision as of 14:59, 20 April 2011
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	<br><br><br>		<br><br><br>
-	The next meeting of the Working Groups of COST Action WWIH will take place in Belgrade (14-16 April, an MC meeting being planned for April 13, at 3.00). It is organized by Biljana Dojcinovic, in collaboration with other members of the Serbian team of COST Action IS0901, and the Faculty of Philology of the Belgrade University. <br><br>	+	The second meeting of the Working Groups of COST Action WWIH took place in Belgrade (14-16 April, after a COST MC meeting on April 13). It was organized by Biljana Dojcinovic, in collaboration with other members of the Serbian team of COST Action IS0901, and the Faculty of Philology of the Belgrade University. <br><br>

-	The three days are work meetings for the Action members; yet external visitors are very welcome to enter into contact with this Action and its activities. In particular the presentations of Thursday 14 April, and the key-note lectures and other papers of Saturday 16 April will be interesting to them.<br><br>	+	The three days were work meetings for the Action members; yet external visitors were also invited, and were actually present.<br><br>

-	During this workshop we will continue the presentations and discussions of the first COST year, from which we have tried to draw some conclusions ("Milestone 1"); at the same time we will prepare the November conference ("Milestone 2"). Just as the [http://www.womenwriters.nl/index.php/Second_meeting_of_the_Working_Groups Turku workshop] constituted a preliminary meeting preparing the [http://www.womenwriters.nl/index.php/Madrid%2C_November_2010 Madrid conference], this Belgrade meeting will relate to the [http://www.womenwriters.nl/index.php?title=Oxford/Chawton%2C_November_2011 Chawton conference] of November as an (internal) brainstorming session to the presentation of results.<br><br>	+	During this workshop we continued the presentations and discussions of the first COST year, from which we have tried to draw some conclusions ("Milestone 1"); at the same time we prepared the November conference ("Milestone 2"). Just as the [http://www.womenwriters.nl/index.php/Second_meeting_of_the_Working_Groups Turku workshop] constituted a preliminary meeting preparing the [http://www.womenwriters.nl/index.php/Madrid%2C_November_2010 Madrid conference], this Belgrade meeting relates to the [http://www.womenwriters.nl/index.php?title=Oxford/Chawton%2C_November_2011 Chawton conference] of November as an (internal) brainstorming session to the presentation of results.<br><br>

-	During our second COST year, preparing the 2nd "Milestone", we are focusing on “qualitative and comparative research”. Ideally selection of the texts discussed yesterday will have taken place on the basis of their quantitative importance. But the papers presented will discuss the works' "qualities", in particular their degree of “femininity”, “feminism”, “normality”, “transgression”. <br><br>	+	During our second COST year, preparing the 2nd "Milestone", we are focusing on “qualitative and comparative research”. Ideally selection of the texts discussed will have taken place on the basis of their quantitative importance. But the papers presented also discussed the works' "qualities", in particular their degree of “femininity”, “feminism”, “normality”, “transgression”, as perceived by contemporaries. <br><br>

-	In relation to this, the links between writing, communicating, networking, embroidery and gender will also be researched - on different levels. Knowing that women authors themselves have often been comparing between the (writing) pens and the (sewing or knitting) needles - the latter being judged much more corresponding to "femininity" than the former -, we will also discuss and oppose during the workshop these and other (more or less "typically") women's activities. The more so because one of the famous literary works of Serbia is actually a text embroidered embroidered by a woman: [http://neww.huygens.knaw.nl/authors/show/3211 Jefimija]. For her, and other European women, we will try to understand the women’s degree of (non-)conformity to the ''doxa'', and their willingness to participate in public debate.<br><br>	+	In relation to this, the links between writing, communicating, networking, embroidery and gender were also researched - on different levels. Knowing that women authors themselves have often been comparing between the (writing) pens and the (sewing or knitting) needles - the latter being judged much more corresponding to "femininity" than the former -, we also discussed and opposed during the workshop these and other (more or less "typically") women's activities. The more so because one of the famous literary works of Serbia is actually a text embroidered embroidered by a woman: [http://neww.huygens.knaw.nl/authors/show/3211 Jefimija]. For her, and other European women, we tried to understand the women’s degree of (non-)conformity to the ''doxa'', and their willingness to participate in public debate.<br><br>
	<br>		<br>
	'''Program:'''<br><br>		'''Program:'''<br><br>