Amsterdam - Revision history

http://www.womenwriters.nl/index.php?action=history&feed=atom&title=Amsterdam Amsterdam - Revision history 2026-05-14T01:38:11Z Revision history for this page on the wiki MediaWiki 1.9.3 http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9971&oldid=prev SvDijk at 12:20, 8 May 2016 2016-05-08T12:20:31Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 12:20, 8 May 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 17:</strong></td> <td colspan="2" align="left"><strong>Line 17:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">'''About this kind of questions, Atria <span style="color: red; font-weight: bold;">is organizing</span>, April 20th, a Workshop and an Expert meeting''' (to be held in Dutch...). <br>Please find <span style="color: red; font-weight: bold;">further information </span>here: <br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">'''About this kind of questions, Atria <span style="color: red; font-weight: bold;">organized</span>, April 20th, a Workshop and an Expert meeting''' (to be held in Dutch...). <br>Please find here <span style="color: red; font-weight: bold;">announcement and program</span>: <br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378035 Workshop] (morning) <br></td><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378035 Workshop] (morning) <br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378056 Expert meeting] (afternoon) <br><br></td><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378056 Expert meeting] (afternoon) <br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9956&oldid=prev SvDijk at 13:05, 12 April 2016 2016-04-12T13:05:48Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 13:05, 12 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 4:</strong></td> <td colspan="2" align="left"><strong>Line 4:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"><br><br><br></td><td> </td><td style="background: #eee; font-size: smaller;"><br><br><br></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">‘Omdat ik iets te zeggen had’<br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''</span>‘Omdat ik iets te zeggen had’<span style="color: red; font-weight: bold;">'''</span><br></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">Nederlandse schrijfsters uit de 19e eeuw<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''</span>Nederlandse schrijfsters uit de 19e eeuw<span style="color: red; font-weight: bold;">'''</span><br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9955&oldid=prev SvDijk at 13:05, 12 April 2016 2016-04-12T13:05:13Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 13:05, 12 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 17:</strong></td> <td colspan="2" align="left"><strong>Line 17:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">'''About this kind of questions, Atria is organizing, April 20th, a Workshop and an Expert meeting''' (to be held in Dutch...). <br><span style="color: red; font-weight: bold;">Information to be found </span>here: <br></td><td>+</td><td style="background: #cfc; font-size: smaller;">'''About this kind of questions, Atria is organizing, April 20th, a Workshop and an Expert meeting''' (to be held in Dutch...). <br><span style="color: red; font-weight: bold;">Please find further information </span>here: <span style="color: red; font-weight: bold;"><br></span><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378035 Workshop] (morning) <br></td><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378035 Workshop] (morning) <br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378056 Expert meeting] (afternoon) <br><br></td><td> </td><td style="background: #eee; font-size: smaller;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378056 Expert meeting] (afternoon) <br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9954&oldid=prev SvDijk at 13:04, 12 April 2016 2016-04-12T13:04:32Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 13:04, 12 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 17:</strong></td> <td colspan="2" align="left"><strong>Line 17:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">About this kind of questions <span style="color: red; font-weight: bold;">we will have a discussion meeting </span>April <span style="color: red; font-weight: bold;">20</span>, in <span style="color: red; font-weight: bold;">which …</span></td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">'''</span>About this kind of questions<span style="color: red; font-weight: bold;">, Atria is organizing, </span>April <span style="color: red; font-weight: bold;">20th</span>, <span style="color: red; font-weight: bold;">a Workshop and an Expert meeting''' (to be held </span>in <span style="color: red; font-weight: bold;">Dutch...). <br>Information to be found here: <br></span></td></tr> <tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378035 Workshop] (morning) <br></span></td></tr> <tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"><span style="color: red; font-weight: bold;">* [http://www.atria.nl/atria/nl/actueel/agenda/_pid/column2_1/_rp_column2_1_elementId/1_378056 Expert meeting] (afternoon) <br><br></span></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9946&oldid=prev SvDijk at 12:04, 8 April 2016 2016-04-08T12:04:09Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 12:04, 8 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 9:</strong></td> <td colspan="2" align="left"><strong>Line 9:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European [http://travellingtexts.huygens.knaw.nl/ HERA research project] of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”, it actually IS visualized as such, in the exhibition <span style="color: red; font-weight: bold;">and also </span>[http://www.womenwriters.nl/images/c/cc/WW_Netwerk_hyperlinks.pdf here]. Authors were commenting upon each other, translating each other’s works, or practicing women’s historiography, these connections are illustrated in the Atria showcases ([[see some examples]]).<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European [http://travellingtexts.huygens.knaw.nl/ HERA research project] of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”, it actually IS visualized as such, in the exhibition <span style="color: red; font-weight: bold;"> </span>[http://www.womenwriters.nl/images/c/cc/WW_Netwerk_hyperlinks.pdf <span style="color: red; font-weight: bold;">and also '''</span>here<span style="color: red; font-weight: bold;">'''</span>]. Authors were commenting upon each other, translating each other’s works, or practicing women’s historiography, these connections are illustrated in the Atria showcases ([[see some examples]]).<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9945&oldid=prev SvDijk at 12:03, 8 April 2016 2016-04-08T12:03:05Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 12:03, 8 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 9:</strong></td> <td colspan="2" align="left"><strong>Line 9:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European [http://travellingtexts.huygens.knaw.nl/ HERA research project] of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”, it actually IS visualized as such, in the exhibition and also <span style="color: red; font-weight: bold;">'''XXXhereXXX'''</span>. Authors were commenting upon each other, translating each other’s works, or practicing women’s historiography, these connections are illustrated in the Atria showcases ([[see some examples]]).<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European [http://travellingtexts.huygens.knaw.nl/ HERA research project] of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”, it actually IS visualized as such, in the exhibition and also <span style="color: red; font-weight: bold;">[http://www.womenwriters.nl/images/c/cc/WW_Netwerk_hyperlinks.pdf here]</span>. Authors were commenting upon each other, translating each other’s works, or practicing women’s historiography, these connections are illustrated in the Atria showcases ([[see some examples]]).<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9941&oldid=prev SvDijk at 09:58, 8 April 2016 2016-04-08T09:58:24Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 09:58, 8 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 9:</strong></td> <td colspan="2" align="left"><strong>Line 9:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European [http://travellingtexts.huygens.knaw.nl/ HERA research project] of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”<span style="color: red; font-weight: bold;">: authors </span>commenting upon each other, translating each other’s works, or practicing women’s historiography ([[see some examples]]).<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European [http://travellingtexts.huygens.knaw.nl/ HERA research project] of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”<span style="color: red; font-weight: bold;">, it actually IS visualized as such, in the exhibition and also '''XXXhereXXX'''. Authors were </span>commenting upon each other, translating each other’s works, or practicing women’s historiography<span style="color: red; font-weight: bold;">, these connections are illustrated in the Atria showcases </span>([[see some examples]]).<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9940&oldid=prev SvDijk at 21:57, 3 April 2016 2016-04-03T21:57:23Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 21:57, 3 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 13:</strong></td> <td colspan="2" align="left"><strong>Line 13:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of several hundreds of women who wrote and published their writings ([http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D see the list]). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">This also illustrates the need for large-scale collaborating, not only between researchers and students, but including <span style="color: red; font-weight: bold;">also </span>interested readers, who under the heading of “citizen scientists” can be invited for collaboration. The present exhibition was actually prepared together with a group of such [[voluntary participants]] (most of them, but not all, women), to whom we are extremely grateful for their enthusiasm. <br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">This also illustrates the need for large-scale collaborating, not only between researchers and students, but including interested readers, who under the heading of “citizen scientists” can be invited for collaboration. The present exhibition was actually prepared together with a group of such [[voluntary participants]] (most of them, but not all, women), to whom we are extremely grateful for their enthusiasm. <br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet [[(see here)]].<br><br></td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9909&oldid=prev SvDijk at 20:33, 2 April 2016 2016-04-02T20:33:08Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 20:33, 2 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 9:</strong></td> <td colspan="2" align="left"><strong>Line 9:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to ''use'' the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are ''invitations'' to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European research project of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”: authors commenting upon each other, translating each other’s works, or practicing women’s historiography<span style="color: red; font-weight: bold;">. </span>(see some examples)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European <span style="color: red; font-weight: bold;">[http://travellingtexts.huygens.knaw.nl/ HERA </span>research project<span style="color: red; font-weight: bold;">] </span>of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”: authors commenting upon each other, translating each other’s works, or practicing women’s historiography (<span style="color: red; font-weight: bold;">[[</span>see some examples<span style="color: red; font-weight: bold;">]]</span>)<span style="color: red; font-weight: bold;">.</span><br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of <span style="color: red; font-weight: bold;">over 500 </span>women who wrote and published their writings (see the list). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of <span style="color: red; font-weight: bold;">several hundreds of </span>women who wrote and published their writings (<span style="color: red; font-weight: bold;">[http://resources.huygens.knaw.nl/womenwriters/vre/stored-search/authors/%7B%22facetValues%22%3A%5B%7B%22name%22%3A%22dynamic_s_types%22%2C%22values%22%3A%5B%22AUTHOR%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_gender%22%2C%22values%22%3A%5B%22FEMALE%22%5D%7D%2C%7B%22name%22%3A%22dynamic_s_residence%22%2C%22values%22%3A%5B%22Netherlands%22%5D%7D%2C%7B%22name%22%3A%22dynamic_i_birthDate%22%2C%22lowerLimit%22%3A17671192%2C%22upperLimit%22%3A19751231%7D%2C%7B%22name%22%3A%22dynamic_i_deathDate%22%2C%22lowerLimit%22%3A10800101%2C%22upperLimit%22%3A19210640%7D%5D%2C%22sortParameters%22%3A%5B%7B%22fieldname%22%3A%22dynamic_k_birthDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_k_deathDate%22%2C%22direction%22%3A%22asc%22%7D%2C%7B%22fieldname%22%3A%22dynamic_sort_name%22%2C%22direction%22%3A%22asc%22%7D%5D%2C%22term%22%3A%22%22%2C%22fullTextSearchParameters%22%3A%5B%5D%7D </span>see the list<span style="color: red; font-weight: bold;">]</span>). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">This also illustrates the need for large-scale collaborating, not only between researchers and students, but including also interested readers, who under the heading of “citizen scientists” can be invited for collaboration. The present exhibition was actually prepared together with a group of such voluntary participants (most of them, but not all, women), to whom we are extremely grateful for their enthusiasm. <span style="color: red; font-weight: bold;"> [add names?]</span><br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">This also illustrates the need for large-scale collaborating, not only between researchers and students, but including also interested readers, who under the heading of “citizen scientists” can be invited for collaboration. The present exhibition was actually prepared together with a group of such <span style="color: red; font-weight: bold;">[[</span>voluntary participants<span style="color: red; font-weight: bold;">]] </span>(most of them, but not all, women), to whom we are extremely grateful for their enthusiasm. <br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet<span style="color: red; font-weight: bold;">. </span>(see here)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">An appropriate context for this collaboration seems to be ''Wikipedia'': in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet <span style="color: red; font-weight: bold;">[[</span>(see here)<span style="color: red; font-weight: bold;">]].</span><br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">About this kind of questions we will have a discussion meeting April 20, in which …</td><td> </td><td style="background: #eee; font-size: smaller;">About this kind of questions we will have a discussion meeting April 20, in which …</td></tr> </table>

SvDijk http://www.womenwriters.nl/index.php?title=Amsterdam&diff=9908&oldid=prev SvDijk at 20:23, 2 April 2016 2016-04-02T20:23:36Z

<p></p> <table border='0' width='98%' cellpadding='0' cellspacing='4' style="background-color: white;"> <tr> <td colspan='2' width='50%' align='center' style="background-color: white;">←Older revision</td> <td colspan='2' width='50%' align='center' style="background-color: white;">Revision as of 20:23, 2 April 2016</td> </tr> <tr><td colspan="2" align="left"><strong>Line 7:</strong></td> <td colspan="2" align="left"><strong>Line 7:</strong></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">Nederlandse schrijfsters uit de 19e eeuw<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">Nederlandse schrijfsters uit de 19e eeuw<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to use the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are invitations to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">In Atria, Institute on Gender Equality and Women’s History, focus of the exhibition is on books and documents held by the Atria archives and library. We hope inspiring visitors to <span style="color: red; font-weight: bold;">''</span>use<span style="color: red; font-weight: bold;">'' </span>the Atria materials: students can decide to write MA-theses about these authors; researchers can find fascinating ego-documents; potential Wikipedia contributors can also read here books or articles published about these women. Recent books and other publications are surrounding the showcases, which in fact are <span style="color: red; font-weight: bold;">''</span>invitations<span style="color: red; font-weight: bold;">'' </span>to read these women: they considered they “had something to say” to their contemporaries – potentially also to us now….<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European research project of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”: authors commenting upon each other, translating each other’s works, or practicing women’s historiography. (see some examples)<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">The authors’ being connected or comparable to each other was another central point in the selection of authors to be presented. The European research project of which this exhibition is a part, is not focusing on individual authors, but considers women’s authorship – during the 19th century – as a transnational phenomenon that can be visualized as a “network”: authors commenting upon each other, translating each other’s works, or practicing women’s historiography. (see some examples)<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of over 500 women who wrote and published their writings (see the list). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…</td><td>+</td><td style="background: #cfc; font-size: smaller;">In all this, Digital Humanities – including both texts that, after having been “hidden”, are now visible on-line, and advanced IT tools – play an important role. To begin with, the large numbers of women writers whose existence we are aware of, would have been impossible to imagine otherwise: for the Dutch 19th century we know the names of over 500 women who wrote and published their writings (see the list). Admittedly, for many of them, further research is required, and in some cases they may prove to be men using a female pseudonym…<span style="color: red; font-weight: bold;"><br><br></span></td></tr> <tr><td colspan="2"> </td><td>+</td><td style="background: #cfc; font-size: smaller;"> </td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">This also illustrates the need for large-scale collaborating, not only between researchers and students, but including also interested readers, who under the heading of “citizen scientists” can be invited for collaboration. The present exhibition was actually prepared together with a group of such voluntary participants (most of them, but not all, women), to whom we are extremely grateful for their enthusiasm. [add names?]<br><br></td><td> </td><td style="background: #eee; font-size: smaller;">This also illustrates the need for large-scale collaborating, not only between researchers and students, but including also interested readers, who under the heading of “citizen scientists” can be invited for collaboration. The present exhibition was actually prepared together with a group of such voluntary participants (most of them, but not all, women), to whom we are extremely grateful for their enthusiasm. [add names?]<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td>-</td><td style="background: #ffa; font-size: smaller;">An appropriate context for this collaboration seems to be Wikipedia: in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet. (see here)<br><br></td><td>+</td><td style="background: #cfc; font-size: smaller;">An appropriate context for this collaboration seems to be <span style="color: red; font-weight: bold;">''</span>Wikipedia<span style="color: red; font-weight: bold;">''</span>: in particular given the “gender gap” which is quite visible in the Wikipedia pages, and led to discussions including Wikimedia, Atria and our present HERA TTT project. We decided to collaborate. The Wikipedia rules are quite strict, however, and several problems need to be addressed. In particular the immense amount of data and texts available on the internet, which basically seems to be a blessing for women’s historiography, provide also difficulties – in particular for Wikipedians who would not be professional specialists in the field they are interested in. How will they make the distinction between uninformed and prejudice-based comments dating back to the first half of the 20th century, and valuable indications informing us about the authors’ contemporary reception ? All this, together with outcomes of recent research is to be found on the internet. (see here)<br><br></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;"></td><td> </td><td style="background: #eee; font-size: smaller;"></td></tr> <tr><td> </td><td style="background: #eee; font-size: smaller;">About this kind of questions we will have a discussion meeting April 20, in which …</td><td> </td><td style="background: #eee; font-size: smaller;">About this kind of questions we will have a discussion meeting April 20, in which …</td></tr> </table>

SvDijk