Alicia Montoya - Revision history

SvDijk at 08:15, 3 May 2009

2009-05-03T08:15:27Z

←Older revision		Revision as of 08:15, 3 May 2009
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	'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>		'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>

		+	''Abstract:''<br>
	From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to [http://www.databasewomenwriters.nl/author.asp?authorID=2466 Elizabeth Montagu], to her own ''Sermons by a Lady'' (1770) and her continuation of [http://www.databasewomenwriters.nl/author.asp?authorID=28 Françoise de Graffigny]’s ''Letters by a Peruvian Princess'' (1774), [http://www.databasewomenwriters.nl/author.asp?authorID=337 Miss R. Roberts] presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them [http://www.databasewomenwriters.nl/author.asp?authorID=9 Jeanne Leprince de Beaumont] (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.		From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to [http://www.databasewomenwriters.nl/author.asp?authorID=2466 Elizabeth Montagu], to her own ''Sermons by a Lady'' (1770) and her continuation of [http://www.databasewomenwriters.nl/author.asp?authorID=28 Françoise de Graffigny]’s ''Letters by a Peruvian Princess'' (1774), [http://www.databasewomenwriters.nl/author.asp?authorID=337 Miss R. Roberts] presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them [http://www.databasewomenwriters.nl/author.asp?authorID=9 Jeanne Leprince de Beaumont] (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.

SvDijk at 09:51, 1 May 2008

2008-05-01T09:51:51Z

←Older revision		Revision as of 09:51, 1 May 2008
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	'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>		'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>

-	From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to Elizabeth Montagu, to her own ''Sermons by a Lady'' (1770) and her continuation of Françoise de Graffigny’s ''Letters by a Peruvian Princess'' (1774), [http://www.databasewomenwriters.nl/author.asp?authorID=337 Miss R. Roberts] presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them Jeanne Leprince de Beaumont (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.	+	From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to [http://www.databasewomenwriters.nl/author.asp?authorID=2466 Elizabeth Montagu], to her own ''Sermons by a Lady'' (1770) and her continuation of [http://www.databasewomenwriters.nl/author.asp?authorID=28 Françoise de Graffigny]’s ''Letters by a Peruvian Princess'' (1774), [http://www.databasewomenwriters.nl/author.asp?authorID=337 Miss R. Roberts] presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them [http://www.databasewomenwriters.nl/author.asp?authorID=9 Jeanne Leprince de Beaumont] (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.

SvDijk at 09:49, 1 May 2008

2008-05-01T09:49:24Z

←Older revision		Revision as of 09:49, 1 May 2008
Line 7:		Line 7:
	'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>		'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>

-	From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to Elizabeth Montagu, to her own ''Sermons by a Lady'' (1770) and her continuation of Françoise de Graffigny’s ''Letters by a Peruvian Princess'' (1774), Miss R. Roberts presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them Jeanne Leprince de Beaumont (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.	+	From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to Elizabeth Montagu, to her own ''Sermons by a Lady'' (1770) and her continuation of Françoise de Graffigny’s ''Letters by a Peruvian Princess'' (1774), [http://www.databasewomenwriters.nl/author.asp?authorID=337 Miss R. Roberts] presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them Jeanne Leprince de Beaumont (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.

SvDijk at 22:15, 29 April 2008

2008-04-29T22:15:00Z

←Older revision		Revision as of 22:15, 29 April 2008
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	<br><br><br>		<br><br><br>
		+	'''Private versus public virtue'''<br>
		+	'''Miss R. Roberts’s writings, between British and French models of femininity''' <br><br>
		+
		+	From her first major publication, a translation of ''Select Moral Tales'' by Marmontel (1763), which she dedicated to Elizabeth Montagu, to her own ''Sermons by a Lady'' (1770) and her continuation of Françoise de Graffigny’s ''Letters by a Peruvian Princess'' (1774), Miss R. Roberts presented herself explicitly as a woman author who sought to “facilitate the accomplishment of her sex”. In doing so, she not only created links with fellow British authors, but she also drew inspiration from women writers on the continent, most prominent among them Jeanne Leprince de Beaumont (whose ''Triomphe de la vérité'' she translated in 1775). In espousing a pedagogical programme clearly inspired by Leprince de Beaumont’s works, she sought to create texts worthy “to be put into the hands of young ladies at school”, but was ever careful to confine her efforts to “private virtue”, leaving the realm of “public virtue” to others. This may explain in part her critical attitude toward another woman author, Françoise de Graffigny, whose work she sought to rewrite on a number of critical points. Thus, close study of Roberts’s translations reveals the fault lines in transnational female networks which, despite their general unity of purpose, nonetheless display (national) differences in their conception of the role to be played by the woman author in “facilitating the accomplishment of her sex”.
		+

	<br><br>		<br><br>

SvDijk: New page:
NOEDITSECTION == Alicia Montoya ==

SvD, April 2008

*Conferences > NEWW international conferences > Chawton 2008 > Montoya

2008-04-29T19:58:11Z

New page: __NOEDITSECTION__ == Alicia Montoya == SvD, April 2008 <hr> *Conferences > NEWW international conferences > Chawton 2008 > Montoya

New page