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		<title>A transnational approach to women’s writings and readings - Revision history</title>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=A_transnational_approach_to_women%E2%80%99s_writings_and_readings&amp;diff=7853&amp;oldid=prev</id>
		<title>SvDijk at 14:01, 21 September 2012</title>
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				<updated>2012-09-21T14:01:07Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 14:01, 21 September 2012&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from the 16th century to 20th century contemporary Turkey. It is time to assume other kinds of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from the 16th century to 20th century contemporary Turkey. It is time to assume other kinds of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, ''Women telling Nations''.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, ''Women telling Nations'' &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;(presenting outcomes of the [http://www.womenwriters.nl/index.php/Madrid%2C_November_2010 Madrid Conference] November 2010)&lt;/span&gt;.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=A_transnational_approach_to_women%E2%80%99s_writings_and_readings&amp;diff=7852&amp;oldid=prev</id>
		<title>SvDijk at 13:59, 21 September 2012</title>
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				<updated>2012-09-21T13:59:43Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 13:59, 21 September 2012&lt;/td&gt;
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		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 4:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;'''COST Action Women Writers in History: A Transnational Approach to Women’s Writings and Readings'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;'''COST Action &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Women Writers in History&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;:&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''&lt;/span&gt;A Transnational Approach to Women’s Writings and Readings'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Traditionally, the Academy has conceived literatures in terms of nations, on the basis of a (male) canon and in the frame of printed books. But in our 21st century, we are facing three challenges: we are experiencing an interesting &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;overlapping &lt;/span&gt;between the national and the global imaginaries, we are accommodating other voices with the literary domain (more concretely, women’s voices), we are working with electronic textualities.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Traditionally, the Academy has conceived literatures in terms of nations, on the basis of a (male) canon and in the frame of printed books. But in our 21st century, we are facing three challenges: &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;we are experiencing an interesting &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;overlap &lt;/span&gt;between the national and the global imaginaries, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;we are accommodating other voices with the literary domain (more concretely, women’s voices),&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;we are working with electronic textualities.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;In &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;our &lt;/span&gt;contribution, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;we &lt;/span&gt;will try to explain how our ''&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;COST Action, &lt;/span&gt;Women Writers in History – Toward a New Understanding of European Literary Culture'', tries to take up these challenges thinking women’s literatures in Europe before 1900 beyond the nation, beyond the canon and beyond the printed culture.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;In &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;this &lt;/span&gt;contribution, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;I &lt;/span&gt;will try to explain how our &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;COST Action &lt;/span&gt;''Women Writers in History – Toward a New Understanding of European Literary Culture'', tries to take up these challenges thinking women’s literatures in Europe before 1900&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;beyond the nation, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;beyond the canon and &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;*&lt;/span&gt;beyond the printed culture.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;First, we will present the theoretical and methodological foundations of our bet on circulation of women’s reading and writing from our point of view, taking into account the anthropological turn we are living in, as much as the master contributions on theories of literary history by means of very concrete bibliographical references. By doing so, we will try to demonstrate the advantages of an anthropology of mobility &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;face to &lt;/span&gt;an archaeology of origins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;First, we will present the theoretical and methodological foundations of our bet on circulation of women’s reading and writing from our point of view, taking into account the anthropological turn we are living in, as much as the master contributions on theories of literary history by means of very concrete bibliographical references. By doing so, we will try to demonstrate the advantages of an anthropology of mobility &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''vs'' &lt;/span&gt;an archaeology of origins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Second, we will recommend a very multilateral comparatism (and not just a binary or central one) for Gender Studies, incorporating as many European literatures and as many data about texts published and read by women as possible. In fact, our Comparative History of Women Writers in Europe before 1900 aims to begin from the empirical data (a quantitative approach of traces on circulation of women’s reading and writing), to go on ideological readings on the production and reception of literature in specific social and cultural contexts (a qualitative approach), and to end up with the visualization of the plurality of data and discourses. This kind of research is only possible with a collaborative and interdisciplinary approach and by means of Virtual &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Environnements&lt;/span&gt;, plurilingual and plurinational, conceived on this subject.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Second, we will recommend a very multilateral comparatism (and not just a binary or central one) for Gender Studies, incorporating as many European literatures and as many data about texts published and read by women as possible. In fact, our &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Comparative History of Women Writers in Europe before 1900&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'' &lt;/span&gt;aims to begin from the empirical data (a quantitative approach of traces on circulation of women’s reading and writing), to go on &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;with &lt;/span&gt;ideological readings on the production and reception of literature in specific social and cultural contexts (a qualitative approach), and to end up with the visualization of the plurality of data and discourses. This kind of research is only possible with a collaborative and interdisciplinary approach and by means of Virtual &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Environments&lt;/span&gt;, plurilingual and plurinational, conceived on this subject.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from 16th century to &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the &lt;/span&gt;20th century contemporary Turkey. It is time to assume other &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;kind &lt;/span&gt;of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;the &lt;/span&gt;16th century to 20th century contemporary Turkey. It is time to assume other &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;kinds &lt;/span&gt;of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, ''Women telling Nations''.&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, ''Women telling Nations''.&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=A_transnational_approach_to_women%E2%80%99s_writings_and_readings&amp;diff=7829&amp;oldid=prev</id>
		<title>AKulsdom at 06:56, 21 September 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=A_transnational_approach_to_women%E2%80%99s_writings_and_readings&amp;diff=7829&amp;oldid=prev"/>
				<updated>2012-09-21T06:56:24Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

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				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 06:56, 21 September 2012&lt;/td&gt;
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&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 10:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Traditionally, the Academy has conceived literatures in terms of nations, on the basis of a (male) canon and in the frame of printed books. But in our 21st century, we are facing three challenges: we are experiencing an interesting overlapping between the national and the global imaginaries, we are accommodating other voices with the literary domain (more concretely, women’s voices), we are working with electronic textualities.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Traditionally, the Academy has conceived literatures in terms of nations, on the basis of a (male) canon and in the frame of printed books. But in our 21st century, we are facing three challenges: we are experiencing an interesting overlapping between the national and the global imaginaries, we are accommodating other voices with the literary domain (more concretely, women’s voices), we are working with electronic textualities.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;In our contribution, we will try to explain how our &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt; &lt;/span&gt;COST Action, Women Writers in History – Toward a New Understanding of European Literary Culture, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt; &lt;/span&gt;tries to take up these challenges thinking women’s literatures in Europe before 1900 beyond the nation, beyond the canon and beyond the printed culture.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;In our contribution, we will try to explain how our &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;COST Action, Women Writers in History – Toward a New Understanding of European Literary Culture&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;, tries to take up these challenges thinking women’s literatures in Europe before 1900 beyond the nation, beyond the canon and beyond the printed culture.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;First, we will present the theoretical and methodological foundations of our bet on circulation of women’s reading and writing from our point of view, taking into account the anthropological turn we are living in, as much as the master contributions on theories of literary history by means of very concrete bibliographical references. By doing so, we will try to demonstrate the advantages of an anthropology of mobility face to an archaeology of origins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;First, we will present the theoretical and methodological foundations of our bet on circulation of women’s reading and writing from our point of view, taking into account the anthropological turn we are living in, as much as the master contributions on theories of literary history by means of very concrete bibliographical references. By doing so, we will try to demonstrate the advantages of an anthropology of mobility face to an archaeology of origins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 18:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 18:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from 16th century to the 20th century contemporary Turkey. It is time to assume other kind of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from 16th century to the 20th century contemporary Turkey. It is time to assume other kind of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, Women telling Nations.&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;Women telling Nations&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;''&lt;/span&gt;.&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=A_transnational_approach_to_women%E2%80%99s_writings_and_readings&amp;diff=7803&amp;oldid=prev</id>
		<title>AKulsdom: New page: &lt;br&gt;__NOEDITSECTION__ == Amelia Sanz ==   &lt;br&gt;&lt;br&gt;&lt;br&gt; '''COST Action Women Writers in History: A Transnational Approach to Women’s Writings and Readings'''&lt;br&gt;&lt;br&gt;  ''Abstract''&lt;br&gt;&lt;br&gt;...</title>
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				<updated>2012-09-20T16:05:14Z</updated>
		
		<summary type="html">&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Amelia Sanz ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; '''COST Action Women Writers in History: A Transnational Approach to Women’s Writings and Readings'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;  ''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Amelia Sanz ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
'''COST Action Women Writers in History: A Transnational Approach to Women’s Writings and Readings'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''Abstract''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Traditionally, the Academy has conceived literatures in terms of nations, on the basis of a (male) canon and in the frame of printed books. But in our 21st century, we are facing three challenges: we are experiencing an interesting overlapping between the national and the global imaginaries, we are accommodating other voices with the literary domain (more concretely, women’s voices), we are working with electronic textualities.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In our contribution, we will try to explain how our  COST Action, Women Writers in History – Toward a New Understanding of European Literary Culture,  tries to take up these challenges thinking women’s literatures in Europe before 1900 beyond the nation, beyond the canon and beyond the printed culture.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
First, we will present the theoretical and methodological foundations of our bet on circulation of women’s reading and writing from our point of view, taking into account the anthropological turn we are living in, as much as the master contributions on theories of literary history by means of very concrete bibliographical references. By doing so, we will try to demonstrate the advantages of an anthropology of mobility face to an archaeology of origins.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Second, we will recommend a very multilateral comparatism (and not just a binary or central one) for Gender Studies, incorporating as many European literatures and as many data about texts published and read by women as possible. In fact, our Comparative History of Women Writers in Europe before 1900 aims to begin from the empirical data (a quantitative approach of traces on circulation of women’s reading and writing), to go on ideological readings on the production and reception of literature in specific social and cultural contexts (a qualitative approach), and to end up with the visualization of the plurality of data and discourses. This kind of research is only possible with a collaborative and interdisciplinary approach and by means of Virtual Environnements, plurilingual and plurinational, conceived on this subject.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Finally, we will vindicate the necessity of integrating the Ottoman Empire, as we do usually for the Habsbourg Empire, to understand women’s writing and reading circulation in the interval spanning from 16th century to the 20th century contemporary Turkey. It is time to assume other kind of modernities, other cultures beyond the nation, other literary maps for women.&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
All the case-studies quoted as sources will be retrieved from the contributions of our COST colleagues for our next volume, Women telling Nations.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Ask, September 2012&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
*Conferences &amp;gt; [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] &amp;gt; [http://www.womenwriters.nl/index.php/Transnational_Perspectives_on_19th_and_20th_century_Women%E2%80%99s_Writing Istanbul September 2012] &amp;gt; Sanz &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

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