Être femme poète en Belgique au 19e siècle - Revision history

SvDijk at 19:47, 5 July 2012

2012-07-05T19:47:18Z

←Older revision		Revision as of 19:47, 5 July 2012
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	<br>		<br>
-	*Publications > Volumes ''WomenWriters'' > Crossroads of Languages > Vandemeulebroucke<br><br>	+	*Publications > Volumes ''WomenWriters'' > [http://www.womenwriters.nl/index.php/Femmes_%C3%A9crivains_%C3%A0_la_crois%C3%A9e_des_langues_/_Women_Writers_at_the_Crossroads_of_Languages%2C_1700-2000 Crossroads of Languages] > Vandemeulebroucke<br><br>

SvDijk at 10:02, 18 June 2009

2009-06-18T10:02:36Z

←Older revision		Revision as of 10:02, 18 June 2009
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	<br><br>		<br><br>
	''Abstract:''<br><br>		''Abstract:''<br><br>
-	If the situation of the 19th-century Belgian author is said to be precarious, this will certainly be the case for the woman writer. At least three reasons can be put forward: not only does she encounter several social obstacles, but she is also banned from the field of poetry, which stands for artistic creativity and is thus considered an exclusively masculine concern. In addition to this, she is confronted with the tension between Belgian (peripheral) and French (canonical) literature, as well as with intra-national multilingualism. This essay examines the presence and image of women poets on the basis of a corpus of critical and poetical texts published in two francophone Belgian literary periodicals, namely ''La Revue de Belgique'' (1869-1890, first series) and ''La Jeune Belgique'' (1881-1895, first series). It focuses particularly on questions of interculturality and multilingualism,	+	If the situation of the 19th-century Belgian author is said to be precarious, this will certainly be the case for the woman writer. At least three reasons can be put forward: not only does she encounter several social obstacles, but she is also banned from the field of poetry, which stands for artistic creativity and is thus considered an exclusively masculine concern. In addition to this, she is confronted with the tension between Belgian (peripheral) and French (canonical) literature, as well as with intra-national multilingualism. This essay examines the presence and image of [http://www.databasewomenwriters.nl/results.asp?type=authors&year=&authorName=&notesfield=&pseudonym=1&gender=F&professional=poet&Editor_ID=geen&Country_ID=22&personal=&bibliography=&pageSize=50&order=a.yearBorn women poets] on the basis of a corpus of critical and poetical texts published in two francophone Belgian literary periodicals, namely [http://www.databasewomenwriters.nl/results.asp?type=receptions&work_authorName=&work_Title=&rec_authorName=&Rec_Title=&rec_Year=&RecCountry_ID=22&source_ID=1012&reference=&notesfield=&Editor_ID=geen&pageSize=50 ''La Revue de Belgique''] (1869-1890, first series) and [http://www.databasewomenwriters.nl/results.asp?type=receptions&work_authorName=&work_Title=&rec_authorName=&Rec_Title=&rec_Year=&RecCountry_ID=22&source_ID=1013&reference=&notesfield=&Editor_ID=geen&pageSize=50 ''La Jeune Belgique''] (1881-1895, first series). It focuses particularly on questions of interculturality and multilingualism,
	both on an international and on an intra-national level.		both on an international and on an intra-national level.

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-	SvD, May 2009	+	SvD, June 2009
	<hr>		<hr>

	<br>		<br>
	*Publications > Volumes ''WomenWriters'' > Crossroads of Languages > Vandemeulebroucke<br><br>		*Publications > Volumes ''WomenWriters'' > Crossroads of Languages > Vandemeulebroucke<br><br>

SvDijk at 07:45, 3 May 2009

2009-05-03T07:45:17Z

←Older revision		Revision as of 07:45, 3 May 2009
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	<br>__NOEDITSECTION__		<br>__NOEDITSECTION__
-	== Translator and Historian: Louise de Kéralio-Robert and English Travel Writers ==	+	== Being a Woman Poet in Belgium in the 19th Century: Between Exclusion and Tolerance ==


	<br><br>		<br><br>
	''Abstract:''<br><br>		''Abstract:''<br><br>
-	Louise de Kéralio-Robert (1756-1822) is assumed to have translated at	+	If the situation of the 19th-century Belgian author is said to be precarious, this will certainly be the case for the woman writer. At least three reasons can be put forward: not only does she encounter several social obstacles, but she is also banned from the field of poetry, which stands for artistic creativity and is thus considered an exclusively masculine concern. In addition to this, she is confronted with the tension between Belgian (peripheral) and French (canonical) literature, as well as with intra-national multilingualism. This essay examines the presence and image of women poets on the basis of a corpus of critical and poetical texts published in two francophone Belgian literary periodicals, namely ''La Revue de Belgique'' (1869-1890, first series) and ''La Jeune Belgique'' (1881-1895, first series). It focuses particularly on questions of interculturality and multilingualism,
-	least seven works from Italian and English. This essay gives a detailed	+	both on an international and on an intra-national level.
-	account of her many activities before focussing on her 1809 versions of ''Le voyage en Hollande et dans le Midi de l'Allemagne'' and ''L'étranger en Irlande'', both by John Carr. Kéralio-Robert's strategy of commenting on and indeed undermining the original by means of extensive notes and paratexts transforms the act of translating into a pretext for continuing to write history by other means. Thus, the «task» (Walter Benjamin) of this woman translator testifies to an unprecedented political and pedagogical project.	+


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	<br>		<br>
-	*Publications > Volumes ''WomenWriters'' > Crossroads of Languages > Pellegrin<br><br>	+	*Publications > Volumes ''WomenWriters'' > Crossroads of Languages > Vandemeulebroucke<br><br>

SvDijk: New page:
NOEDITSECTION == Translator and Historian: Louise de Kéralio-Robert and English Travel Writers ==

''Abstract:''

Louise de Kéralio-Robert (1756-1822) is assumed...

2009-05-03T07:42:50Z

New page: __NOEDITSECTION__ == Translator and Historian: Louise de Kéralio-Robert and English Travel Writers == ''Abstract:'' Louise de Kéralio-Robert (1756-1822) is assumed...

New page

__NOEDITSECTION__
== Translator and Historian: Louise de Kéralio-Robert and English Travel Writers ==

 
''Abstract:'' 
Louise de Kéralio-Robert (1756-1822) is assumed to have translated at
least seven works from Italian and English. This essay gives a detailed
account of her many activities before focussing on her 1809 versions of ''Le voyage en Hollande et dans le Midi de l'Allemagne'' and ''L'étranger en Irlande'', both by John Carr. Kéralio-Robert's strategy of commenting on and indeed undermining the original by means of extensive notes and paratexts transforms the act of translating into a pretext for continuing to write history by other means. Thus, the «task» (Walter Benjamin) of this woman translator testifies to an unprecedented political and pedagogical project.

 

SvD, May 2009
<hr>

 
*Publications > Volumes ''WomenWriters'' > Crossroads of Languages > Pellegrin

Être femme poète en Belgique au 19e siècle - Revision history

SvDijk at 19:47, 5 July 2012

SvDijk at 10:02, 18 June 2009

SvDijk at 07:45, 3 May 2009

SvDijk: New page: __NOEDITSECTION__ == Translator and Historian: Louise de Kéralio-Robert and English Travel Writers == ''Abstract:'' Louise de Kéralio-Robert (1756-1822) is assumed...

SvDijk: New page:
NOEDITSECTION == Translator and Historian: Louise de Kéralio-Robert and English Travel Writers ==

''Abstract:''

Louise de Kéralio-Robert (1756-1822) is assumed...