(abstract Hooper) - Revision history

AKulsdom at 15:17, 3 October 2012

2012-10-03T15:17:06Z

←Older revision		Revision as of 15:17, 3 October 2012
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		+	'''Sofía Casanova (Coruña, Spain, 1861– Pozna?, Poland, 1958): Writing between three ‘small literatures’ in late 19th-century Europe'''<br><br>
		+
	The Galician-Spanish expatriate writer [http://neww.huygens.knaw.nl/authors/show/3479 Sofia Casanova] (1861-1958) was a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years travelling between Spain and Poland, as well as spending shorter periods of time in Russia, Estonia, and London. <br><br>		The Galician-Spanish expatriate writer [http://neww.huygens.knaw.nl/authors/show/3479 Sofia Casanova] (1861-1958) was a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years travelling between Spain and Poland, as well as spending shorter periods of time in Russia, Estonia, and London. <br><br>
	This paper explores how, during the first part of her career, Casanova consciously carved out a position for herself at the centre of a network of cultural connections between Galicia, Spain, Poland, Russia, and the rest of the world. It focuses especially on her writing during the 1890s – including fiction (e.g. [http://neww.huygens.knaw.nl/works/show/9006 El doctor Wolski], 1894), poetry ([http://neww.huygens.knaw.nl/works/show/9007 Fugaces], 1898), and essay ([http://neww.huygens.knaw.nl/works/show/9008 Sobre el Volga helado], 1898/1903) – to argue that in these writings, Casanova develops an acutely gendered vision of the complicated relationships between the cultures of her three ‘small’ homelands, Galicia, Spain and Poland, and the dominant cultures that surrounded them, especially Britain and Russia.		This paper explores how, during the first part of her career, Casanova consciously carved out a position for herself at the centre of a network of cultural connections between Galicia, Spain, Poland, Russia, and the rest of the world. It focuses especially on her writing during the 1890s – including fiction (e.g. [http://neww.huygens.knaw.nl/works/show/9006 El doctor Wolski], 1894), poetry ([http://neww.huygens.knaw.nl/works/show/9007 Fugaces], 1898), and essay ([http://neww.huygens.knaw.nl/works/show/9008 Sobre el Volga helado], 1898/1903) – to argue that in these writings, Casanova develops an acutely gendered vision of the complicated relationships between the cultures of her three ‘small’ homelands, Galicia, Spain and Poland, and the dominant cultures that surrounded them, especially Britain and Russia.

AKulsdom at 14:38, 3 October 2012

2012-10-03T14:38:02Z

←Older revision		Revision as of 14:38, 3 October 2012
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-	*Conferences and activities > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century Ljubljana 2010] > Abstract Hooper <br><br>	+	*Conferences and activities > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century Ljubljana 2010] > Hooper <br><br>

AKulsdom at 14:34, 3 October 2012

2012-10-03T14:34:43Z

←Older revision		Revision as of 14:34, 3 October 2012
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-	AsK, September 2010	+	AsK, October 2012
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-	*Conferences and activities > COST meetings > [http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century Ljubljana World Book Capital] > Abstract Hooper <br><br>	+	*Conferences and activities > [http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] > [http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century Ljubljana 2010] > Abstract Hooper <br><br>

SvDijk at 16:59, 31 January 2012

2012-01-31T16:59:44Z

←Older revision		Revision as of 16:59, 31 January 2012
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-	*Conferences and activities > COST meetings > Ljubljana World Book Capital > Abstract Hooper <br><br>	+	*Conferences and activities > COST meetings > [http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century Ljubljana World Book Capital] > Abstract Hooper <br><br>

AKulsdom at 11:00, 20 September 2010

2010-09-20T11:00:32Z

←Older revision		Revision as of 11:00, 20 September 2010
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	<br><br>		<br><br>
-	The Galician-Spanish expatriate writer Sofia Casanova (1861-1958) was a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years travelling between Spain and Poland, as well as spending shorter periods of time in Russia, Estonia, and London. <br><br>	+	The Galician-Spanish expatriate writer [http://neww.huygens.knaw.nl/authors/show/3479 Sofia Casanova] (1861-1958) was a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years travelling between Spain and Poland, as well as spending shorter periods of time in Russia, Estonia, and London. <br><br>
-	This paper explores how, during the first part of her career, Casanova consciously carved out a position for herself at the centre of a network of cultural connections between Galicia, Spain, Poland, Russia, and the rest of the world. It focuses especially on her writing during the 1890s – including fiction (e.g. El doctor Wolski, 1894), poetry (Fugaces, 1898), and essay (Sobre el Volga helado, 1898/1903) – to argue that in these writings, Casanova develops an acutely gendered vision of the complicated relationships between the cultures of her three ‘small’ homelands, Galicia, Spain and Poland, and the dominant cultures that surrounded them, especially Britain and Russia.	+	This paper explores how, during the first part of her career, Casanova consciously carved out a position for herself at the centre of a network of cultural connections between Galicia, Spain, Poland, Russia, and the rest of the world. It focuses especially on her writing during the 1890s – including fiction (e.g. [http://neww.huygens.knaw.nl/works/show/9006 El doctor Wolski], 1894), poetry ([http://neww.huygens.knaw.nl/works/show/9007 Fugaces], 1898), and essay ([http://neww.huygens.knaw.nl/works/show/9008 Sobre el Volga helado], 1898/1903) – to argue that in these writings, Casanova develops an acutely gendered vision of the complicated relationships between the cultures of her three ‘small’ homelands, Galicia, Spain and Poland, and the dominant cultures that surrounded them, especially Britain and Russia.

SvDijk: New page:
NOEDITSECTION == Abstract Kirsty Hooper ==

The Galician-Spanish expatriate writer Sofia Casanova (1861-1958) was a transnational poet, novelist, journalist, playwright, ...

2010-09-20T07:47:42Z

New page: __NOEDITSECTION__ == Abstract Kirsty Hooper == The Galician-Spanish expatriate writer Sofia Casanova (1861-1958) was a transnational poet, novelist, journalist, playwright, ...

New page

__NOEDITSECTION__
== Abstract Kirsty Hooper ==

 
The Galician-Spanish expatriate writer Sofia Casanova (1861-1958) was a transnational poet, novelist, journalist, playwright, campaigner, translator, historian and intellectual, and one of the first Spanish women to support herself as a professional writer. Casanova, born in Galicia in rural northwest Spain, married a Pole and spent over seventy years travelling between Spain and Poland, as well as spending shorter periods of time in Russia, Estonia, and London. 
This paper explores how, during the first part of her career, Casanova consciously carved out a position for herself at the centre of a network of cultural connections between Galicia, Spain, Poland, Russia, and the rest of the world. It focuses especially on her writing during the 1890s – including fiction (e.g. El doctor Wolski, 1894), poetry (Fugaces, 1898), and essay (Sobre el Volga helado, 1898/1903) – to argue that in these writings, Casanova develops an acutely gendered vision of the complicated relationships between the cultures of her three ‘small’ homelands, Galicia, Spain and Poland, and the dominant cultures that surrounded them, especially Britain and Russia.

 

AsK, September 2010
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*Conferences and activities > COST meetings > Ljubljana World Book Capital > Abstract Hooper