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		<id>http://www.womenwriters.nl/index.php?action=history&amp;feed=atom&amp;title=%28abstract_Coha%29</id>
		<title>(abstract Coha) - Revision history</title>
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		<updated>2026-05-15T03:27:44Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.womenwriters.nl/index.php?title=%28abstract_Coha%29&amp;diff=7953&amp;oldid=prev</id>
		<title>AKulsdom at 08:45, 12 October 2012</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=%28abstract_Coha%29&amp;diff=7953&amp;oldid=prev"/>
				<updated>2012-10-12T08:45:29Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 08:45, 12 October 2012&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 3:&lt;/strong&gt;&lt;/td&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;'''(In)compatible with patriarchal borders of nation: status of female readers and authors in the Croatian National Revival'''&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian literary magazine Danica (1835-49) which was the most important public media in the Croatian National Revival. In the focus of this investigation are the not widely known but interpretatively very interesting articles which were addressed to women readers and written by women authors. The main goal of the investigation is to explore how the patriotic and patriarchal discourses of Danica used female readings and writings for their own purposes and how female readings and writings were involved in the building of the Croatian national identity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian literary magazine Danica (1835-49) which was the most important public media in the Croatian National Revival. In the focus of this investigation are the not widely known but interpretatively very interesting articles which were addressed to women readers and written by women authors. The main goal of the investigation is to explore how the patriotic and patriarchal discourses of Danica used female readings and writings for their own purposes and how female readings and writings were involved in the building of the Croatian national identity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Special attention will be dedicated to the poetry of [http://neww.huygens.knaw.nl/authors/show/3264 Dragojla Jarnevi?], the most famous female Croatian writer of the first half of the 19th century. It will be shown that although she started with typical patriotic texts, she found a way to challenge the strong mechanisms of patriarchal control over the female reading and writing practices. Her subtle but significant denying of exclusively patriotic topics, which were necessarily determined by the masculine and patriarchal world view, can be read as expressing some kind of gender declaration (i.e. women’s emancipation).&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;Special attention will be dedicated to the poetry of [http://neww.huygens.knaw.nl/authors/show/3264 Dragojla Jarnevi?], the most famous female Croatian writer of the first half of the 19th century. It will be shown that although she started with typical patriotic texts, she found a way to challenge the strong mechanisms of patriarchal control over the female reading and writing practices. Her subtle but significant denying of exclusively patriotic topics, which were necessarily determined by the masculine and patriarchal world view, can be read as expressing some kind of gender declaration (i.e. women’s emancipation).&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;AsK, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;September 2010&lt;/span&gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;AsK, &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;October 2012&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;hr&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;COST meetings &lt;/span&gt;&amp;gt; Ljubljana &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;World Book Capital &lt;/span&gt;&amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;Abstract &lt;/span&gt;Coha &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;*Conferences and activities &amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/NEWW_international_conferences NEWW international conferences] &lt;/span&gt;&amp;gt; &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://www.womenwriters.nl/index.php/Women%27s_authorship_and_literatures_of_small_countries_in_the_19th_century &lt;/span&gt;Ljubljana &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;2010] &lt;/span&gt;&amp;gt; Coha &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=%28abstract_Coha%29&amp;diff=4802&amp;oldid=prev</id>
		<title>AKulsdom at 12:52, 20 September 2010</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=%28abstract_Coha%29&amp;diff=4802&amp;oldid=prev"/>
				<updated>2010-09-20T12:52:52Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;

			&lt;table border='0' width='98%' cellpadding='0' cellspacing='4' style=&quot;background-color: white;&quot;&gt;
			&lt;tr&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;←Older revision&lt;/td&gt;
				&lt;td colspan='2' width='50%' align='center' style=&quot;background-color: white;&quot;&gt;Revision as of 12:52, 20 September 2010&lt;/td&gt;
			&lt;/tr&gt;
		&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 5:&lt;/strong&gt;&lt;/td&gt;
&lt;td colspan=&quot;2&quot; align=&quot;left&quot;&gt;&lt;strong&gt;Line 5:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian literary magazine Danica (1835-49) which was the most important public media in the Croatian National Revival. In the focus of this investigation are the not widely known but interpretatively very interesting articles which were addressed to women readers and written by women authors. The main goal of the investigation is to explore how the patriotic and patriarchal discourses of Danica used female readings and writings for their own purposes and how female readings and writings were involved in the building of the Croatian national identity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian literary magazine Danica (1835-49) which was the most important public media in the Croatian National Revival. In the focus of this investigation are the not widely known but interpretatively very interesting articles which were addressed to women readers and written by women authors. The main goal of the investigation is to explore how the patriotic and patriarchal discourses of Danica used female readings and writings for their own purposes and how female readings and writings were involved in the building of the Croatian national identity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt;-&lt;/td&gt;&lt;td style=&quot;background: #ffa; font-size: smaller;&quot;&gt;Special attention will be dedicated to the poetry of Dragojla Jarnevi?, the most famous female Croatian writer of the first half of the 19th century. It will be shown that although she started with typical patriotic texts, she found a way to challenge the strong mechanisms of patriarchal control over the female reading and writing practices. Her subtle but significant denying of exclusively patriotic topics, which were necessarily determined by the masculine and patriarchal world view, can be read as expressing some kind of gender declaration (i.e. women’s emancipation).&lt;/td&gt;&lt;td&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; font-size: smaller;&quot;&gt;Special attention will be dedicated to the poetry of &lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;[http://neww.huygens.knaw.nl/authors/show/3264 &lt;/span&gt;Dragojla Jarnevi?&lt;span style=&quot;color: red; font-weight: bold;&quot;&gt;]&lt;/span&gt;, the most famous female Croatian writer of the first half of the 19th century. It will be shown that although she started with typical patriotic texts, she found a way to challenge the strong mechanisms of patriarchal control over the female reading and writing practices. Her subtle but significant denying of exclusively patriotic topics, which were necessarily determined by the masculine and patriarchal world view, can be read as expressing some kind of gender declaration (i.e. women’s emancipation).&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;td&gt; &lt;/td&gt;&lt;td style=&quot;background: #eee; font-size: smaller;&quot;&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>AKulsdom</name></author>	</entry>

	<entry>
		<id>http://www.womenwriters.nl/index.php?title=%28abstract_Coha%29&amp;diff=4782&amp;oldid=prev</id>
		<title>SvDijk: New page: &lt;br&gt;__NOEDITSECTION__ == Abstract Suzana Coha ==   &lt;br&gt;&lt;br&gt; The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian litera...</title>
		<link rel="alternate" type="text/html" href="http://www.womenwriters.nl/index.php?title=%28abstract_Coha%29&amp;diff=4782&amp;oldid=prev"/>
				<updated>2010-09-20T07:59:25Z</updated>
		
		<summary type="html">&lt;p&gt;New page: &amp;lt;br&amp;gt;__NOEDITSECTION__ == Abstract Suzana Coha ==   &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian litera...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;__NOEDITSECTION__&lt;br /&gt;
== Abstract Suzana Coha ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
The inquiry summarized in this proposed paper deals with the constructions of the female identities in the first Croatian literary magazine Danica (1835-49) which was the most important public media in the Croatian National Revival. In the focus of this investigation are the not widely known but interpretatively very interesting articles which were addressed to women readers and written by women authors. The main goal of the investigation is to explore how the patriotic and patriarchal discourses of Danica used female readings and writings for their own purposes and how female readings and writings were involved in the building of the Croatian national identity. &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
Special attention will be dedicated to the poetry of Dragojla Jarnevi?, the most famous female Croatian writer of the first half of the 19th century. It will be shown that although she started with typical patriotic texts, she found a way to challenge the strong mechanisms of patriarchal control over the female reading and writing practices. Her subtle but significant denying of exclusively patriotic topics, which were necessarily determined by the masculine and patriarchal world view, can be read as expressing some kind of gender declaration (i.e. women’s emancipation).&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
AsK, September 2010&lt;br /&gt;
&amp;lt;hr&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
*Conferences and activities &amp;gt; COST meetings &amp;gt; Ljubljana World Book Capital &amp;gt; Abstract Coha &amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>SvDijk</name></author>	</entry>

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